Thursday, February 26, 2015

JOHNNY KISSED

                                                 "Rock'n'Roll" Mixed Media on Canvashttp://www.cfrobertsart.com/

JOHNNY KISSED

windshield at 85 per
lurched through to a
new world dashing
skleesh of his exit
spider design on glass
airborne he was tore
on the way out rips
and rags out Cornelia's
pretty creampuff prom
gown her daddy paid
pretty pennies out the
window Johnny visited
stellar ribbons of
sudden, spectacular red
all in a whipping spiral
on her too late the medics
dead on landing the
next week followed not
unlike the denouement of
a bad afterschool special
Johnny was like rock and
roll he was their lives'
James Dean immaculate
scapegoat savior pawn
come day after burial the
crew held sad court and
tribute Miguel emptied a
whiskey flask onto the
planted FTD package a
doo-wop ballad come alive

Copyright 1992 C.F. Roberts/Shockbox Press, 2015 Molotov Editions
I know somebody ran this one back in the day....was it FEARLESS/DDDB? SIVULLINEN? No longer sure. It was a favorite of mine and I used to read it live a lot.

Tuesday, February 10, 2015

WRITTEN VS. SPOKEN



                                                    Check out those Dreads!!!!!


RAINBOW LAND

PROLOGUE:
i was riding past this pentecostal church
the sign out front read,
"no act of love is ever wasted"


the hare krishna food is great but
goes through me like drano
from main meadow we high
tail it across the road
splitting the toilet roll for our
respective relief ventures i
do my business and stand
on the slope waiting for her to
finish and rejoin me
time unwinds and sun sets as i
wait and worry grows this is
black bear country i know she
can't have went more than a
hundred feet in but it's dark
my nerves run riot as i
imagine her being bear food or at
least having tripped over a rock
unconscious or worse
several brothers join me in
a search of the immediate woods
people here are kind as a
matter of course they greet and
part with hails of "lovin' you!"
which carries no more weight or
substance than hello or
goodbye still the sentiment is
nice flashlights scouring
thick brush screaming for her my
description her name blonde
thirty pink bandana is she
your girlfriend? they ask i
have no right to call her that
but i love her that's what i
tell them we hunt and yell her name
finally they tell me check
back at camp or go to information
to pull a search party together so
i slog back to camp heart in
mouth and there she is citronella
candles lit sitting and yakking
with some joker who isn't
me i'm hysterical and weeping tell
her i was afraid she might be
dead she says she crossed the
road and waited a half hour
before giving up and returning to
camp the guy who isn't me intones
pacific comfort, "everyone's safe
in rainbow land," nice thought
i need to run back to the
entrance give dude's flashlight back
i'm gone maybe fifteen minutes upon
my arrival back she and the guy who
isn't me have split the scene leaving
candles lit and i sit and wait
she doesn't come back fellow
campers around me go about
their business like ants and i
sit alone knowing she saw how
wretched i was where did she
go hours pass it might be
midnight or later before i
make my way down the dark trail
to the madass drum circle a
throng of hellbent drummers
dancers fire jugglers participants
and all is a berserk throbbing
human unit is she here i can't
make her or anyone out the vibe is
incredible tribal transformative and
except for the knot in my gut i'm
sure i'd appreciate it more mind
racing i wander back to camp cry
some more swill what's left of the
absinthe throw the empty bottle at a
tree attempt and fail to sleep
citronella stalks melt away, burn
in grass a volunteer fireman takes
the initiative stomps out a little
inferno and admonishes me from outside
the tent "you need to watch your candles,
brotha," he says blaming me for
wanting to keep her path lit i feel
a desire to break my brother's face
but lack the energy or focus night
fades into morning my guts twist in
me it's rainbow land and heart
smashed on ground i
am not safe

7/05-8/05


BACK 2 BABYLON

She's asleep in the back of the van, has been for
hours--
Appalachia's long behind us and
Louisville is one more congested nightmare of a city
She's not missing anything good
Her Big City Phobia may outdo mine
white knuckles on the wheel and I think,
keep it together, stay sane
You can fall apart later
No sleep 'til Babylon

It's been a long, hard overnight blast
through the dark expanse of Kentucky
I caught an hour nap after Bowling Green
She stayed asleep
curled up in the back
That's fine
I've got road hypnosis and bad baggage
but I think, keep it together
Stay sane
Because we need each other to get through this
I can lose my mind later
I probably will
The road peels forth toward Babylon
Every part of me hurts
So I concern myself with the next gas stop
the next meal
the next piss
We need each other's help
home
Keep the conversation reasonably light
Try not to break to pieces when you look at her
You can fall apart later
All that matters is getting back
Back to Babylon

All things considered the trip was okay
I learned to like the bugs
I almost learned to like the cops
there were pluses peppered throughout
In the dark a gutterpunk sniped about "snobby
hippies"
"What's so snobby about hippies?" Asked someone,
taking
the bait
"They don't love me unconditionally," came the reply
Funny joke--the truth hurts sometimes
And nothing keeps the pipes regular like five
straight
days of Vegan food;
The mad cascade, babyshit yellow
There's nothing quite like a therapist supervised
cuddle puddle to make you acutely aware
of how worthless and repulsive you really are
and goddammit, doling out fifty bucks
so that certain special someone can have her pot
in spite of the fact that she's not fucking you
is the mark of a true gentleman
      or a true schmuck
I'll let you know when I figure it out
Sign at trail's top read,
"Leave the Alcohol in Babylon where it belongs"
I kept that sign in mind when I
bartered crystals for a six-pack
Yeah, I know
I'm a bad hippie

As we cross into Missouri
we get NPR on the radio
We learn London has been bombed
She's worried
She has family there
I'm relieved because it gives me
something to think about
    besides us
    besides her

The Delta yawns out before us
and in the future I see
responsibility
bullshit
renewable Patriot Acts
and weapons of mass stupidity
Keep it together
Stay sane
I'm always comfortable in the middle of a fight
I can fall apart later
I'm chopping off my dreads
and going back to Babylon

9/05
rev. 10/05

Copyright 2005 C.F. Roberts/2015 Molotov Editions

 
Two different poems written around the same time that both tell the same story...the difference being that the second one was specifically written for live readings. I was writing, a blog or two ago, about discerning the difference between a poem that's just “written” versus a poem designed specifically to be read to an audience. Back in the '90s I didn't really have that kind of discernment and I'd just read any damn thing live.....probably much to the chagrin of a lot of people.
Which isn't to say I didn't TRY “Rainbow Land” out once or twice at the mic, but it has no real verbal flow to it----it's more a poem you're supposed to see on a page, whereas “Babylon” has more of a conversational rhythm to it and it comes off the tongue a lot more nicely.....there's an obvious intent here to engage a listener.
I'll do an open mic now and again but on the whole I don't read live that much anymore....I tend to prefer the solitary act of sitting down and writing something to the whole live performance thing. Back in the early 90's in Nashua people sometimes referred to me as a “performance poet” because I used to project and scream and yell and do all kinds of strum and drang....people would come up to me afterwards and say, “I never knew someone could do that with poetry!” Well, sure you can----and if anyone is willing to cross the street for it that's a nice thing.
Once the whole Slam idiom took hold across the country a lot of that changed....there was more of an emphasis on “getting a poem off the page”, something I was never especially good at. Mostly at the end of the day for me it's still all about the writing. But if there's one thing I understood from watching it all is that some things “read” better in live performance than others.

https://www.youtube.com/watch?v=Ul40UktSijw

Here's a clip of me performing “Back 2 Babylon” (a somewhat cleaned-up version for family friendly hours) on TV at a fundraiser back in 2006. I had become friendly with a new employee working there at the time----she was a fellow writer and we just clicked. A year later I would go on to marry her. You can probably tell I was showing off. Not a great reading but hopefully entertaining.
I heard this story once about a guitarist who put a “NO SMOKING” sign across his guitar and when asked why, he said, “because I can't smoke.” I always kind of thought I should do something similar---maybe wear a decal that said, “No Slamming” because I can't slam....
Enjoy, or something.

Sunday, February 8, 2015

THE EASTER EGG HUNT Revisited

I wrote two novels in the late '80s/early '90s, both of which are presently languishing in Unpublished limbo. First and foremost there's HELLO, UGLY (excerpts of which have appeared in this blog before), secondly there was THE EASTER EGG HUNT. Given the opportunity to publish HELLO, UGLY today I think I'd want to overhaul it and rewrite the living shit out of it---I could probably cut 2 or 3 hundred pages out of the damned thing and have it not suffer much as a result. I'd be happy to do so, though----in fact, in recent years I rewrote it as a screenplay and still want to go back and overhaul THAT.
I dunno about THE EASTER EGG HUNT, though. Not to disparage it that much----my first published story, CLAW MACHINE BLUES, was published in 1991 in a little newsletter out of Grafton, MA called THE BLOATED TICK....it was several paragraphs from THE EASTER EGG HUNT with a little extra text tacked on to make it a stand-alone story. TEEH definitely had its problems, though, chief among them being that it was derivative as hell. Any way you choose to slice it TEEH was a complete Kerouac ripoff. I wrote the damn thing, usually loaded to the gills on coffee, bouncing off the walls and listening to Jazz, over a few short months (HELLO UGLY took me a couple of years between drafts)----a friend wanted, at one point, to start an argument with me by suggesting that Kerouac and his ilk basically destroyed literature...I don't think he was ready for my response when I told him that Kerouac simultaneously created and destroyed the idea of “Spontaneous Prose”, because it's impossible to write it, per his directions, without writing like Kerouac. THE EASTER EGG HUNT was a total Kerouac ripoff, from the run-on, rambling sentences to the butt-hurt romanticism to the alcoholism to the Catholic Mysticism. But I got a few publications (including my first) out of it and so maybe it's worth noting for something. You be the judge.

  

PROLOGUE/EPILOGUE




Big Chuck's is busy-but-dying---Bradley Sykes and I have assumed our side-by-side slot on the dead end of the bar, shunning the casuals, the shopping mallers, the regulars----everyone, we the taciturn pocket in the hallowed Saturday Night well of gaiety and seesaw social girl and boy drinkjoy; I'm trashed, like post-work trashed (tho more to the effect of post-Jane trashed, a prevalent state these days which I can't for the life of me escape), barely out of the cook's whites and checked ice cream man pants---my hair is matted, post-hustle sweat like some follicle mutant banana peel---it's sticking to my forehead, my face and I can't envision it ever having been any other way.
Sykes, here with me in the great drain spin spiral down, is seated on this stoolthrone to my left (he is seated at the left hand of Cal and he shall come again in judgment of the living and the---but blasphemy is strictly Sykes's department, not mine) and he's firing down highball-things-----mixed drinks are enigmatic to me----simple, bread-alone beer-and-wine man that I am---what's it he keeps ordering?--a Radiator or a Ventilator or a Dehumidifier---something, anyway, something with Vodka, a sure sign of trouble, especially where Sykes is concerned; our meeting here tonight is blameless coincidence---Sykes, my old long-gone friend, co-artist-writer-madman-mentor-antagonist-partner-in-crime-brother-in-booze---he and I live on different ends of town, work different jobs, different shifts and so have drifted apart somewhat....it's always good to have a run-in with him, though tonight, as is frequent these days, there's little need in my wash (not my life, but my wash, my deluge, my storm, my dribble) for his static or anyone else's---my head's packed, stacked and like a burgeoning box of fuzz----no room, ye sluggards, yurches the mad hatter, roiling and catching his seat cushions in haphazard hindsight, no room at the Inn, no room!
The bar is a teeming, swaying terrarium, kaleidoscopic with mahogany and glass, all stout and narrow, that glass, laced with varying tints---the room is filled with happy, sappy, yammering smiley-face dressups, the lighting is semi-dim, fake-dim, fake-intimate and fake-electric candle-lit, a fake home, home two familiar face atmosphere I have no gizzard to object to excepting the environmentally controlled safety rock audio wallow---Air Supply to Eric Carmen to Kenny G to Melissa Manchester to Whosis Whatsis brain sedation control backseat hold-hands-sing-along-faking-the-funk sterility...control is here and as usual nobody's objecting to it, but it's not a part of control, it's not stability, it's part of the wash, the contained, turbulent sea in my cranium, slogging and sloshing sluggish and even hurtful in a now-vague way, dancing, like the sting, like general sensation ( touch, feel, see, smell, taste, hear, perceive, depth, width) back and forth on the periphery, the big tightrope, the perimeter of my consciousness (cursed thing)----in and out like your perceptions of highway commotion, driver's seat stuck on a rainy day—my awareness is dampening, gallivanting in and out of fog patches....I reach for the fork, miss, laugh to give it inconspicuous credence, reach again and I pull it off this time and I stab away at the sorry, cold fajita remnants----a slice of bell pepper, soiled and dull, once marinated and crackling; I decide I don't want it—once more beer on draught and Sykes is squawking again---he's TV Land, white noise, wall paper semi-existent and I've already missed half of what he's said. My brain is muffled, mercifully, saintfully, anesthetically—something---Sykes in a mocking, alleygutter prince lout fatman slob ten o'clock shadow slur, a garbage gruff dialect---something about slouching.
“Huh?”
He imitates me. “Huuh?” The long, lurching slug vowel—Sykes's abrasive brand of jest, jest kidding, folks, jest kidding....
“What'd you say?” I don't have the virtue in me tonight to be made punchline by Sykes and his sarcastic, superior awareness.
“Nothing,” nonchalantly, Sykes isn't cooperating and I return the favor by paying him no mind. The Big Chuck's weekend circus dusk death retirement continues, couples familiar and new roll on home to their beds, friends embrace, joke, wise out, seeya Monday, take care, stragglers turn up, gaggles of comrades congeal heartily at tables and it all meshes and masses together in a yelping, slopping, bailing gang's-all-here auld lang syne this week anyway pile, everything and everyone overlapping---lives in bubble existence, removed, shielded, mystic, shallow, foreign...”don't say hi,” a girl squeals, ebullient, snide, joyous, friendly, loud, admonishing, home to some part of the parade. I stare bitter holes into dark mahogany, wishing it away, wishing me away, away to the sky or the stars or the ground---wishing electric wooden buzz pisswater glad oblivion soft, waving roar nirvana upon my head, the vibrating, laughing delirium, test pattern, the void.
Sykes is going on again and I catch it this time, corner of my brain, back end of hearing, caring range: “Buncha slouches,” in his city sidewalk scrape shitgod dialects, not Noo Yawk, not Bahstin, just some generic junkheap chewing tobacco rangy, cancerous cityspeak. “Justa buncha slouches. Yahearme? I tolya, don' go bodderin' wid dem, they's justa buncha slouches.”
Fine, as it all sails over these woefully melted peripherals, any entertainment value is mildly appreciated but slightly lost, so sorry, so sorry----Sykes is not for me tonight, nor I for him---we're both clean and without blame in our own drive-into-a-wall ways; it's all a wash, dissipating, like a weepy, short-lived raincloud, here and gone, away, a wash, yes, a blur, a wipeout—the corporeal form doesn't remain cohesive—it crumbles, the insubstantial veneer breaks down to its abstract, building block, atomic elements....
Brown-on-white, fake-formal, standard-issue and sad, brown puppydog eyes whose doe-sincerity can't be questioned—Denise, sweet gal, isn't serving them up; she's on the yapping, clapping business side of the barn and Sykes and I are in the boonies—she's just helloing. “Hi, Cal!” My eyes turn up. “You Okay?”
My pokerface kisses her heroic sweetness blank. “Uh-huh.”
“You work tonight?” In answer I scoff up my cook's jacket and brandish it, demonstrative, deadpan, deadfaced, heavy lidded, matter-of-factly. Oh. She asks me if I had a bad night and I shrug my bar arm shoulder, careless, offhand, familiar, distant---no reason to add Denise to the wash or drag her into my emotional cobra pit.
Paul, in his screaming, jumping, scatting star worker house jester personality parade wall of enthusiasm barback regalia roars by my backside, circus-balancing a few orders—good, prosperous night for him, it would seem---”ahh, leave him alone. He's in the shitter over some hussy he works with”--gone---
Scenario Reaction # 359: Denise waxes sympathetic. “Oh, Cal, that's a drag, but buck up! You know there'll be other...”the strategy handpicked situation—I'm sure, in her disassociated way, she means every word but I've got no cheer for the obligatory rote selection paint by numbers response—I don't stop her from saying it—she can waste her breath if it makes her happy. She shoots the noise and I stare at nothing and fuzz her out. 'Bye. 'Bye.
Denise rounds out her condolences, the well-meaning readyspiel, and she hustles off to other things—the tug and the pull of the paying customers, the tab, the rage and the lure of the tippage—I'm Alice's boy tonight and Alice, big and gregarious and rough-edged, clonks past, grabbing those empties.....
Sykes is squuinting, now, and doing his best Popeye. “I hates wimmens,” he grumbles. Aaahr, Brutusk, yer moleskin me goil....
“Hey, pal,” budges Alice, on her way by again....good naturedly, but she knows Sykes, and like most, she finds that he pushes a few too many bad buttons.
Sykes steps out of Popeye and into his own sickwitty, conversational, snide thought provoker brainshoes. “Ever notice something about men who hate women, Alice? They're called misogynists! What do you think they call women who hate men?”
“I don't know,” half-caring, trying to busy herself with other chores.
“Nothing,” smiles Sykes, smug, smirking, triumphant, King Shit with his crown of turds, “they didn't even bother coming up with a name for 'em! What do you think of that?”Sykes is in steamroller form, snotmeister, intellectual with teeth, gloating his gloats.
To his left are two roughhouses---men to the bone, blue collar, mustached, tattooed swill water swillers, real Marboro Men, it doesn't get any better than this boys on a fishing trip at-'em-boys-kick-ass tank top types skeetching Sykes and his rap. One pipes in, “they godda name for him, guy,” super wiseacre, he wants to best Sykes, get one up, cash those two measly cents in---”they call 'em Dykes!” He and his friend, buddy-buddy, arm wrestle, so ditch shovel trench callous-handed sweat brow laugh, getting that one-up, that lowbrow one semi----no dice with Sykes, who reviles such pedestrian scoffing.
'Some of us are very wrong,” he rebukes with his King Shit grin. The boys leave it alone, having had their say. I turn my attention to the Grand Tuneout, the washout, the buzzing, seething wall of ambiguity----I don't require this camaraderie, this slap on the back/slap on the ass pile of chortling, mastubatory manhood affirmation bonding one'o'the club yuk it up theatre. My head, flesh-toned, sleepy-eyed, lopsided bobbin, is gaining its sea legs---the yapping and slapping and crazed armpit sexdrink bapping, this railroad crotchpower handshake bogosity, the comfort of the great, jowly tradition---the odor of the linked, burly, beefy arms in sea shanty unity and the gaggle of raving, fist-tossing jollies; get it away from me, the hell away....more space-filling mahogany wood vision in my hollow, sad pasty face---I try to utter (quietly self-contained, my insidevoice) the Novena to St. Jude Prayer again---halfway through I botch it, start again, forget what I'm saying and toss it all over for naught. Concentration fails me...in my blurred, scattershot folly I contemplate the idea that I might have an easier time of it would that Big Chuck's only looked more like a Church...the wheel of thought rolls over me and leaves me wooden-headed, dully perplexed, yes, but stoically so.....
“Cal, buddy.” Paul, still throttling in kick-ass motivational fly-boy mode, claps his hand on my shoulder for a private word. “Hittin' the sauce pretty hard, huh?” Drilling me on the obvious---I raise my eyebrows and apathetically shrug. “Nine beers in an hour, y'know, Alice is gonna have to shut you off soon, guy.” I nod---fair enough, I suppose---you can't blame her and I won't give Alice a hard time.
“Ah, leave 'im alone,” cracks old Sykes, being a pal, “he's just wanting for The Blackout.”
“I dunno,” Paul sneers, “I think it's kind of a waste to see a pair as brill as you two piss it all away for The Damn Blackout. Life's worth a little more than that. Anyway, cold day in Hell before I let some hussy put ME in the shitter like that...” and he's off....
“Fuck's brilliance worth, anyway?” Laughs Sykes. He goes back to his drink.
I've had it with this crackerjack fest for the night and so slap goes the cash and overtipping aplenty....I stumble and shamble and I make a diagonal stroll to the exit---Sykes hasn't got a clue---”cal. Hey, Cal! Where ya goin'? Cal! Cal!”
All the hubub the people the squash of faces recede---Paul's back and he's talking at some new foil, “those hussies. They can wreck your ass...” door closes, merry go round dead battery, repetition, I know---I've had it, though, with everything---the biz, the boys, the girls, the lies, the failsafe gear, cosmetic hell....all too much----
The sky vooms and whirls like the brooding underside of an apocalyptic top---empty can deposit hell, vacant, rattling, and all the stars are seive holes...it's like a mottled space shell---you can see your soul reflect in this decaying glass cosmic dementia sardine can.
Lustre gone, putrid, dead and it's all spinning dull, insane, lost and oh shit I dream of the minute soon I hit homeground, collapse on my bed and laugh and cry while the passionless, straightfaced ceiling damn it rotates. The shutout, the cowardice becomes a thing of pointed beauty—these scars made me a Shell Man. I totter over an expanse of hottop drawn, dissected and linear, but equal fools into composite compartmental subdivision sectors----the newest replay of the Easter Egg Hunt beats down most heavily in my floating, matted meathead----the claw machines----the Novena, the Prayer, my deepdown guthurt, the unstitchable rips in my heart and my mind----Jane Kochanski.....
Tripping up on my feet I laugh hacking, terminal barks into the faceless, defiant black.....

Published in THRUST Vol. 1 No. 1, Fall/Winter 1992



Thursday, January 29, 2015

WRESTLING WITH FLESH


My obsession with human meat never ends----its texture, its nuance, the way it bends, folds, spindles and mutilates. Call it erotica, call it clinical, call it pathology, call it a disease, call it Asperger's. Call someone who gives a damn.


 


PUG HATES HIS NAKEDNESS

reviling the mirror perversion, mecury blasphemy, this stain, this ache, this blot on his soul. Pug is true to his stigma---chases those parked cars, bashes his fool nose in—pokes, heaves. Pug huffs and crawls,
humps cruel linoleum. Climbs, laughing, cursing his forsaken flab, his opaque, his fishwhite. Mounts porcelain face first, groans, retches---cascade of resentment and broken expectations. Puerile dream. Shuddering, Pug natters, ugly powdered hailstones, pelted with psychic pains, learns no lessons, hands over his head, sputters, rattles. Blessed Mess, Immaculate Decline.
Muscles grind, constrict and Pug bites at the strings of a liquid rainbow, vivid filth. Permanent stains in toilet, in sets color, decoration. Bitter bane, gastric walls of acrid hues...shit tube wells in revulsion, forever a graffiti salad. Pug heaves, pulls remnants of spew away from his flat, unrequited face---Pug pelts off-sterile white with his drudgery and existential bathroom woe. Throws darts at his own eyes—conjures thorns for your braincake.
Hitting the floor with a meaty pug thud, Pug whispers curses to his dull, limp pallor, throws hatred and disdain toward his genitalia dangling sorry---exercise in vile science Pug cools head on cold appliance---fever broken reverie, indulgence suicide. Pug hates full-on, jealousy smashes bugs in multitudes------


                                                              www.cfrobertsart.com
The notation on the back of “Pug Hates his Nakedness” says it was published in PSYCHOTRAIN. My association w/the Hyacinth House Gang was pretty incestuous and at one time I acted as an assistant editor (a role that mostly entailed running around trying to get the cheapest xerox jobs I could)---I may have popped up in PSYCHO, BROWNBAG PRESS or CROWBAIT REVIEW at one point or another....I'll trust my own notes. This also appeared on a spoken word tape I did with KEVIN HIBSHMAN around '93 or '94.....the piece really doesn't lend itself to Spoken Word, but I really didn't draw that kind of distinction back then and I'd read any damn thing live or on tape. Live and learn....
 

Saturday, January 24, 2015

SLEEPING

I have several finished (or semi-finished) book length projects.....this is an excerpt from my first novel, HELLO, UGLY, which I finished in 1990. The excerpt here was originally published as a stand-alone segment in Robert W. Howington's EXPERIMENT IN WORDS. My recollection is that it won the Best Fiction Award for that year (and it was '92 or '93, but I'm not exactly sure which). Not sure it deserved such an honor but I'd be lying if I said it didn't make me a happy camper.



Jack?

hm?

Jack?

What?

How are you? Jack?

hm?

Do you know what day it is?

Tuesday I think

Do you know what year it is?

nothing

Jack?

hm?

Would you like to go home, Jack?

nothing

Jack?

hm?

Would you like to go home?

Home

Jack?

I don't have a home

Jack?

nothing

fuzz in my head like it feels when my foot sleeps

and angel fingers I hear them stroking through my hair

fingers that are liars I don't care I can't care

You've been gone a long time, Jack.







                                    ##################################


THIS WEEK'S PLAYLIST:

DEEP PURPLE-Made in Japan
KING CRIMSON-Three of a Perfect Pair
KING CRIMSON-The Noise: Live in Frejus
SCORPIONS-Best of Scorpions
THE MAKERS-April March Sings Along with the Makers
APRIL MARCH-April in Paris
THE OBLIVIANS-Popular Favorites
UFO-No Heavy Petting

Wednesday, January 21, 2015

THE SALACIOUS APPROVAL OF THE HIGH DOLLAR MARK AND THE (PREDICTABLE) DEGRADATION OF THE VESTAL VIRGINS

“The Customer is always right,” booms this week’s stand-in Martin Boorman, repeating the klaxon litany of every damned slave auction since antiquity.
The attention of any mark is desireable but when the High Dollar Mark asks for a jumper every fifth column middle management sweat pony in a thirty foot radius will yodel in gospel call-and-answer form, “how high?”
The High Dollar Mark is, after all, the one who greases the wheels of progress; the strength of his patronage is known far and wide and he’s always willing to pay those high import prices.
“Most people in the area don’t appreciate pure, unbleached honey almond flour,” he tells a rabbity-looking fourteen year old stock girl. “Not many people in the U.S. will pay for it, but it would be in their interests to do so.” He chews and licks his lips for a moment. The High Dollar Mark’s skin is pale and soft, almost translucent. “Write that down, would you? Pure, unbleached honey almond flour. With orphan tears. They have to be Bolivian Orphans….not those cheap, gamey Messicans.” He says this last part in a fast, breathy voice, knowing he is relaying information in the stock girl’s dialect. He claps his hand on his left buttock for emphasis and he throws his head back letting out an overly loud, effeminate laugh. The stock girl says nothing, fails to write any of the above down and tries vainly to blink away a tear.
The parade of fresh-faced young grunts in and out of the market is ceaseless, and supply and demand creates a hearty turnover. The light in their eyes is extinguished on a daily basis----they slave away in silent despair over donuts and juice spills, being harped on by Mama Lupo and her hot firebrand of clitoral mutilation; They weep over discrepancies at the cash register and they pick gingerly through maggot-infested vegetables. Now and again one of them gains a semblance of dignity and it’s over---out to the butcher’s for the “Special Treatment”.
No one over eighteen is ever used for hamburger meat---they’re no good to eat by then but it’s never necessary. You push them and push them and it’s only a matter of time before they snap. You tenderize them and then you go in for the finale. The meat is best virginal.
“Much better than that chuck beef the white trash dole out for, “titters the High Dollar Mark.
The minds of the Market are very industrious and they have a deal with all the food co-ops in the region. There’s always plenty of virgin meat to go around and it can easily garner an “Organic” Classification. Everybody wins and a sense of Community is fostered.
The Pillar of the Community nods sagely as the newest shipment of virgin meat comes in. “It’s an Wholistic Approach,” she says. She fingers herself lightly through her skirt and tries to imagine their final moments.

From DOO-DAH Days in Mammon, a work in progress

Friday, January 16, 2015

BY ANY MEANS NECESSARY


One of the nicest things the recent Holiday Season brought me was six new canvases and a box of new paints (thanks to assorted family and friends who know that enabling my artistic wrongdoings is the way to my black little heart). I'm starting off 2015 in some good, self-indulgent fashion.





 

Art addiction is a jones like any other. You have to create. When you run out of material to create with you need to improvise. When you run out of room for what you're creating, well.....it doesn't matter, because you still have to create. There are little road blocks, sure, but you need to improvise. Faced recently with a space crisis, I've spent the last several months dumpster diving for cardboard boxes that I've been makeshifting into “canvases”.
The boxes present their own kinds of problems....because they're flatter than a traditional canvas they're easier to store and they take up a lot less space. The downside is that because they're all oddly
sized, I have no idea how I'm going to frame and/or mount these things in any kind of a nice presentation.






'Nice presentation”, of course, has never been my forte. 






For the time being, anyway, I'm good on canvas and so I'm reverting back to the normal format. The Space Crisis is an ongoing issue, though-----but like I already said----with an Art Jones you create by any means necessary.






 


RANDOM CRIPCRAP:

All kinds of hype seems to be surrounding this TV mini-series called “The Slap” that's coming out soon. Saw an ad for it and it looks like shit---no huge shock, I suppose. A neighborhood and a family is divided over some guy smacking his kid.
You're joking, right?
Ooooohhhh.....what if it happened in YOUR neighborhood????
There seems to be this running paranoid delusion, mostly among people who fetishize hurting children, that if you so much as swat an errant kid on the butt, Hillary Clinton, DHS and a legion of UN Peacekeepers are going to descend on your lawn, remove your children and issue some kind of PC Smackdown. I've yet to see this scenario play out in any kind of realistic fashion, but we do seem to keep hearing stories about kids dying from what someone considers to be “good, old fashioned discipline”, and none of these folks seem to have any good responses for that.
And then I looked and saw that the crux of this miniseries is some adult slapping a kid who is NOT HIS OWN.
OH.
(Channeling Gilda Radner) That's very different. NEVER MIND.
Or maybe it's NOT that different. I don't know. I don't give a shit.

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Between blogs I heard that any/all local newspapers are officially kaput-----they had really been busted down a lot over the last few years, I guess....the Corporate Consolidation Monster just took another big bite and what's left of these papers will basically be a newsier version of the Parade section attached to the ARKANSAS DEMOCRAT-GAZETTE.
As ever. Money talks and localism walks....media's a shambles and the streamlining from the overlords ain't helping much....of course, I have to recall some of the feuds me & mine have had over the years with local editorial staffs-----that of the NWA TIMES in particular---and think if they'd spent a little less time doing hack jobs on local activists or toadying up to local politicians and real estate interests, maybe their journalistic pedigree would be a little more robust and it would have been harder to defend killing them.
So-----sorry to hear it.....but not THAT sorry.

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THIS WEEK'S PLAYLIST:

THE BUTTHOLE SURFERS-Piougheed/Widowermaker
BUTTER 08-Self-titled
HAWKWIND-Levitation
HAWKLORDS-25 Years On
ROBERT CALVERT-Hype: Songs of Tom Mahler