Sunday, November 11, 2018

A STEAMING PILE OF RANDOM


Several scrawled passages I found on a stray piece of paper while cleaning.


No one ever tells you the truth in this town. It's not that they're lying but most of them are vague. The ones who aren't vague are the worst human beings alive. That's what kind of town this is.


Lamentations of the Lesser Afflecks


I was in launch to a beautiful woman but then bop bop bop bop bop bop bop bop bop


“They treat the poor like animals. They hand you a can of hooves and tell you it's Deviled Ham.”


“It looked like a pine cone except it was made of flesh. Like a flesh pine cone. It was just lying there. They call them 'Pequods', I think.”


Exhaustion, defeat and points West


Spokes or maybe fingers


Listen, listen, listen, listen, listen


I know I said maybe it was a fork but maybe you shouldn't always ask those questions


This is in my handwriting and I'm fairly certain most of it emanated from my mind. Except for that part about the can of hooves-----I'm almost 100% positive I was taking dictation from Heather Drain on that one.

Copyright 2018 Molotov Editions. We don't care if you don't like it.



Saturday, September 29, 2018

FUGUE SEVEN PLUS GENERALIZED WRONGDOINGS



FUGUE SEVEN: SICKNESS AND MOURNING
(Slight Return)

by C.F. Roberts

I'm sick....if you have the misfortune of seeing me I look like some sad cartoon bug or something. I haven't bathed in the better part of a week, I'm in constant pain, I can't eat and I really am truly the sickest I've been in decades.
The little black cat is curled up in a ball by my side----she won't leave. She rests half on my body, half off, because it hurts so much when she's on top of me that I won't stop moaning and groaning.
What's she thinking? Is she afraid I'm going to die? I'm loathe to say what my cat is thinking, but I guess I appreciate the good thoughts.
Two years later I've recovered from my illness. There have been fluctuating ups and downs in life.
On this day that same little cat that would not leave my side is dying on the living room floor in front of me. I spent the last several days watching her deteriorate to the point where she has been lying limp on the arm of the couch, choosing to sleep most of the day.
Now she has abandoned all places of comfort, choosing instead to lie flat on her side. My wife strokes her softly and she shudders, letting out a weak, noiseless cry.
We tell her we love her and we're here----right here with her and we're not going away. We hang back and talk as she lies still.
After a while we realize she's gone.
Some close friends go behind our backs and do us the kindness of paying to have her cremated. She is returned to us a week or so later, her ashes in a tiny, wooden container with her name emblazoned across the top. It looks like a tiny casket and it's hard to believe a little box like that contains what used to be a cat.
I show it to our male. He rubs up on it with a great deal of affection. I don't know if any part of him understands that what we're showing him is his sister, but he seems to like it a lot, regardless.
We place it on our mantlepiece with some of our favorite things---Exotica records, Halloween decorations, anything Hawkwind ever did. We burn some incense and place a little cheezit cracker on the tiny casket. She loved them. She would steal snacks like that right out of our hands.
She was cantankerous, unruly, unrelenting, loyal and beautiful. I'll spend the rest of my life wondering if I was worthy of her company.


Copyright 2018 Molotov Editions


While I'm kicking around like a lout and trying to preserve my 900th skin graft I figure I haven't done any kind of a status update in a while...lot of exciting news on the writerly front.
I guess that the latest is that in early October ( Projected as sometime in the week of Oct. 7-13) UNLIKELY STORIES MARK V will be running my short stories, "Jesus, Superman and Rice Patties" and "The Windshield of a Moving Car is Hard, Especially when you Drop on Top of it from Thirty Feet" over two consecutive days. Keep an eye peeled. This publication rocks, they've been kicking it for a very long time and you can check them out HERE:

http://www.unlikelystories.org/

In addition, THE ODD MAGAZINE and Odd Books are going to be doing my short story, "The Day the Sun got an Eye Gouge" as a mini-chap at some point in the future....I latched onto the Odds earlier this year and fiercely recommend them----they've got something fresh ad unlike anything else going on! Look them up HERE:

https://www.theoddmagazine.com/

One of these stories is actually one of my oldest ever, which up to this point I've never been able to place---the other two are significantly newer. Keep an eye peeled for this stuff....they're three of my favorite stories and I can't wait for people to read 'em.



       Let's see---what else? OH!!!! YEAH!!!!! MY BAND PUT OUT A GODDAMN ALBUM!!!!!! As I've been slinging the hash of hype for a while, it's probably important that I finally get to actually pimp this thing! We even have our first video out!!!!! And if you haven't seen it, here it is:


Sorry if you've gotta sign in----the sticky wicket of having to farm a music video with a few naughty words through the local Access Station/Media Center---but they're a great help to me----have been for many years, god bless 'em!
Anyway, yeah, that's me----I produced and edited the video, those are my paintings and my grotty vocals you're hearing-----sublime music  by the great Mike McAdam and percussive contributions by Brad Rondeau! Enjoy.
        We're talking about putting the album out on CD Baby in the future----until that happens, if you want a copy of the CD, well....if you're in NWA you can find it at our favorite musical haunt,
https://www.facebook.com/blockstreetrecords/
If you can't get it there, contact me. I'll see if I can't set ya up.

THIS WEEK'S PLAYLIST:
BAUHAUS-Burning from the Inside
BAUHAUS-The Sky's Gone Out
KISS-Rock'N'Roll Over
THE GUN CLUB-Louder than Live

Friday, August 31, 2018

THE MASK

          “Smile, willya?!” Squalled Nadine. “Jesus H. Christ, you'd think your face'd crack open!”

Bailey felt a smirk coming on, but now he had a need to fight it back down, which he did successfully. He, Othmar, Emily, Nadine, Dennis and Darren were together for the usual AM coffee splurge and gab at Denny's---Saturday night drifting into sunrise and no one had to go to work on Sunday morning----even Emily had a week or so to kill before she'd have to catch the shuttle back to New York...

“Jesus,” Nadine bitched, “Don't you EVER smile?! You're doing okay, getting a free ride to all the galleries, getting good meals----what's your problem?!”

“Bailey's got no problems,” Othmar, as usual, coming to his rescue, “he just has a sense of purpose!”

“He'll smile when he has a reason,” said Dennis.

“You have to know ole Bailey as long as we have,” said Emily, “to know that when he's zoning like that it doesn't mean he's got a problem.” She reached over and patted Bailey on the shoulder. “He's a very sensitive boy, and a fine artist in his own right.”

“The best,” helped Othmar. “It's just a matter of our convincing the rest of the world so.”

“We'll get there, ole Bailey,” drawled Dennis, “Do not fret. We're all gonna get where we're goin' someday.”

“I know,” said Bailey, and rode with it—Othmar and Emily and the gang were good friends, but as ever, he could have done without the testimonials.

Nadine harped on. “I don't know----I don't get it---we're all having a good time and there you are, pal, off in the doldrums!”

“I'm having a good time,” Bailey offered weakly.

“And you just--”

“You see?” Darren barked. “You see?! He's having a good time, dear! Now, willya get off the poor guy's case?”

Subject matter picked up and moved on---there was no sense in killing a whole evening/morning arguing about Bailey's facial expression.

Dennis was clipping off on one of his college-era road rambles. “So, anyway, Texas, down to the border, right? There are six of us, all crazy and half-in-the-bag in that one tiny car.....”

“Must smelled dandy,” Nadine editorialized.

“So, what do you figure a cop would have to say about it?” Continued Dennis.

The booth was situated beside the picture window and Bailey found himself drawn to stare out into the parking lot---it was three o'clock, give or take, and the asphalt, at least on this side of he building, was empty----dead for a Saturday night, here. It was early September, time of dying sun and heat and Bailey knew the snow wasn't far off, now, that it would be blessing the ground like a sad angel powder...millions of tiny crystals pushing the black out, showering the vacant earth....

“--Hey, Bailey?”

“Huh?”

“I said, 'are you ready to pack it in?' “ Repeated Othmar.

“Oh! Sorry! Sure, I'm all set.”

“Jesus! Earth to Bailey!”

“He looks tired,” said Emily. “C'mon, Bailey, we'll take you home.”

“Later, all.”

“ 'Bye,” the gang saluted, all wired-but-tired and gabhappy.

“And goddammit, try to cheer up, will you?” Yelled Nadine.

A yeah, yeah, yeah would have done, but Bailey opted to retain his dignity with silence. Outside, the wind blew---Bailey was right; Winter, long off, still, but sure, was a shadowy creep aking its overtures to the land.

“Don't listen to Nadine,” grumbled Emily. “She's just a bitch, she doesn't see your inside.”

“Sometimes I wish I couldn't,” joked Bailey.

“Cut the crap,” said Othmar, fishing through his pockets for the car keys. “Man, you bug me when you start talking like that.”

Othmar drove downtown to Bailey's Canal Street apartment---he was animated, as he frequently was on those occasions when Emily was in town, going off ragtime about all things art and sex and machinery. His and Emily's creation-in-the-works was a sculpture of tire irons that were welded together....the whole mess was obviously erotic in nature but maybe the full effect hadn't been fully realized, yet, since at present it still looked like a gnarled patchwork of tire irons. But it was always good to see a surprise unfold, and dammit, Othmar was happy and excited, and that hand to count as a positive, right?

Bailey laughed....he enjoyed Othmar's enthusiasm, but it was hard to get around the fact that he was tired.

Othmar pulled up to the curb. “Need any help getting in the door?”

“No,” said Bailey. “I think I know my way by now.” He loped up to the front door, searched his coat pocket, found the keys, turned momentarily to wave goodbye and let himself in.

Othmar put it into drive.

“Othmar?”

“S'up, babe?”

“I wish you'd put in a word with Bernice for Bailey. I kind of worry about him, living in that dump. I mean, your place isn't THAT much more expensive.”

“Oh, Em,” sighed Othmar, “we're talking Bailey, here, and you've known him as long as I have. You know how he is and you know what he HAS to do----he wants to live in a place that's 'alive', a place where there's a lot going on....it helps him. Somehow. He keeps saying.”

“I know,” Emily grudged. “But I wonder sometimes if it doesn't hurt him, as well. Look at Bailey, in shittown, Bailey, with his candles and his books and his little glass angel figurines----he needs it, or he says he needs it, but there's a big contradiction there. I think he's very frail.”

Othmar shrugged a shoulder. “I know, but it's Bailey, who's on a fixed income, who ain't rich by any stretch, and neither am I, but he thrives on it.”

“He says he thrives on it.”

“Maybe he needs it. Bailey and the glass angels and shittown.”

“Whatever. Still, I worry.”

“Yeah, well....maybe sleep on that worry,.” Othmar pulled into the Dell Street parking lot. “I'll see about talking to him.”

“ 'Kay,” smiled Emily. Obviously no constructive thought was about to transpire before a decent night's sleep at this point.


******

In the dim light of his apartment Bailey admired the decorations on his single end table by the couch he'd fished out of the dumpster last Christmas. He was proud of what was evolving as kind of an interchangeable, free-flowing diorama. There were the candles and all the glass angels, of course, those were a natural given, here, but also the various actors----the Godzilla, Jet Jaguar, Ultraman and King Caesar action figures; Time Traveler, his old, stalwart Micronauts doll from grade school; GI Joe and a few molded plastic ninjas, all forming a phalanx around and on top of his pill organizer. It was almost a political statement for him at this point----no man enters, no man leaves.

He'd had conversations with Bruce and Mike, a couple of the local guys from the neighborhood.

---”hey, Dave, we ain't seen ya much lately!” Everyone in the neighborhood Bailey saw called him “Dave”---not out of any malice, he was sure of that, but everyone, for whatever reason, was sure he was “Dave”, and acted like he should know who they were, even if he didn't.

Was there a guy named “Dave” walking around town that looked exactly like Bailey?

It didn't bother him enough to correct them, though. He was alright with letting it go.

---”we don't never see ya down to the community council no more, Dave! How come you don't go there?”

---”I don't want to.”

----”Aww, you know they got lotsa good drugs, Dave!”

----”Yeah, that's okay, I don't want to.”

----”Aw, everybody misses ya downa community council, Dave!”

Bailey was jarred out of this memory but hooting and hollering from several people outside. It suddenly occurred to him that he was sitting, buck naked, in front of those windows on the side of the house.

Hell, the apartment was like a fishbowl---windows EVERYWHERE. Even here on the second floor, in low light, the neighbors were getting a show.

“WOOO! Shake it for me, baby!!!!” Hollered a woman out in the darkness.

“Getcher pants on, faggot,” snarled a male voice. “You're scaring the children!”

Bailey made to get up and make a run for the bedroom and whatever surgical equivalent to pajamas he could find there but in the end he sat back down. Bolting and getting dressed was almost an admission of guilt, and Bailey wasn't about to play that game with these troglodytes.

The catcalls eventually died down. Bailey made his way to the darkened front room for some peace.

It wasn't that there were less windows in the front room but they mostly faced the street below and the lights were all off.

Bailey sat on a motheaten couch that had been left by a previous tenant. The place, whatever Othmar and Emily wanted to say about it, had no shortage of couches.

Down in the street, some unseen man yelled to some invisible addressee. The man sounded as though at least half his civilized demeanor had somehow taken a slip down the evolutionary board. Scuffle in the dirt, sound of a bottle breaking.

The candles were out. Bailey crouched on the floor and tightened up into a ball.

The man outside screamed in an anguished rage where the last vestiges of his humanity seemed to slip away forever.

Bailey clutched the sides of his head. “Stop,” he groaned.” Make it stop. Make it stop.”


*******


Othmar had a package to pick up at the post office on the South End. Bailey had a few hours to kill---hell----it seemed as though Bailey never had anything but time---and so he accompanied Othmar for the ride.

“Emily get back okay?”

“Yeah....kinda nice, though.....some obligations kinda going by the wayside.....she'll be back up here mid-week.” Othmar looked pretty stoked.

“That's good,” said Bailey. “She gonna be in town for the opening?”

“Yeah, at this point, most likely,” said Othmar.

“I used to go to the South End post office a lot,” said Bailey, “back when I was more into the mail art thing. I'd go out there and then I'd hit the McDonald's and I'd eat my burgers and read my mail. I don't really do that anymore.”

“You look sad, pal, “ said Othmar, “how you been?”

Bailey shrugged. “Okay, I guess. It's just---I don't know---sometimes I wonder what the hell's happening.”

“What do you mean?”

“It's hard to explain.” Bailey's soft voice was more quiet and halting than usual---it sounded funeral parlor to Othmar. “You know....those times when you're moving through a crowded room and you think you heard someone calling your name? Then you turn and you stare at them and you realize they weren't talking to you at all? Then you try to cover up by staring at everyone else in the room in kind of a roundabout way and then you just look confused and stare down at your shoes? Then you laugh to yourself and you shake your head and half the people there are staring at you and wondering what the hell is going on and so you just slink out of the room but halfway out you say, oh, God, what am I doing and you go back in and you look around again but nothing's any different, it's just, like, pffft! Pffft! Pffft!” He made small, sad, explosive gestures with his right hand to accompany each “pfft”, “and there's nothing you can do so you leave anyway, but then it feels...unfinished? You've got this bad feeling deep down but it's like there's nothing you can do? You know those times, Othmar?”

“No,” Othmar frowned.

“Oh,” said Bailey, his fingers roaming delicately, nervously, across his face. “Well, it's not too important.”

They arrived at the post office. There was no line and Othmar mailed off his package. Bailey cut loose and ran down the hall to check his P.O. Box. He rejoined Othmar out the door.

“Anything?”

“Nada,” said Bailey. The two got back in the car.

“Didn't realize you still kept your P.O. Box down here. Thought you'd given up on the Mail Art thing.”

“Oh, yeah, I have,” said Bailey. “I still get my monthly check, you know, and I figured it'd be too early in the month to come looking for it, and I was right, but we were here, and I thought, well, when in Rome....”

“How's that going?”

“It's alright,” said Bailey, “You know, you go down to your appointment every six months or so and they draw your blood and the Chinese guy gropes your balls and tells you to cough and then they ask you questions. 'Have you had any accidents over the last six months?' And you say, 'no,' and they say, 'do you hear voices?' And you tell them, 'no,' and they ask you, 'do you have any special powers---can you turn invisible or fly or read minds?' And you say, 'no, I can't do any of those things,' and they sign a bunch of papers and re-up you on your meds and you keep getting your nut check in the mail.”

Othmar winced. “Dude, don't say that.”

“What---'Nut Check'? Dude, if I can have a sense of humor about this, you can, too.”

“Bailey, ole bud, are you doing okay?”

“Yeah, I guess....why?”

“Emily and I were talking and sometimes we worry about you, living out there on Canal Street and whatnot.”

“I'm okay.”

“We're not real sure. Listen, Bailey, all I'm saying is that if you want to move to, say, where I'm living, I'm sure I can badger Bernice into cutting you a decent deal on the rent...”

Long silence. “That's nice, Othmar, but I'm okay.”

“You sure?”

“Yeah.”

“You SURE you're sure?”

“Yeah.”

“Absolutely, positively, a hundred percent sure?”

“Yeah.”

“Pinky swear?”

“Dude.”

So began the long, quiet drive back to Canal Street. Bailey spoke up first. “Winter's coming, soon.”

“Yeah,” said Othmar. He hated Winter.

“I like the snow,” said Bailey. “When it's virgin snow. It's like angel powder, and I like it when it covers up all the dirt.”

“Yeah,” said Othmar.


*******


It was a long time ago----Bailey remembered he was eight and he and his father sat together on a jetty on the Cape. He was crying and his father was trying to brace his leg, trying to yank a rusty, barbed fishing hook out of his foot. It was painful----blood was all over the rock. “Eeeyeeyeeee,” cried little Bailey.

“Shaddap,” yelled his father. “It'll be out in a second...quit yer yeein'.” His father pulled. It was still caught in his foot. It seemed that blood was everywhere.

“Eeeeeyeeeyeeeyeeeeee,” squealed Bailey.

His father boxed his ears. “Stop that goddamn yeein',” he snarled.

Blood on the jetty and the boy was crying. Seagulls yakked and tittered. Ocean bellowed.

*******

He knew his name was Bailey and that was the end of the discussion. Othmar and Emily knew he was Bailey-----even Nadine knew he was Bailey.

It didn't matter what all the people on the street said, what they said down at the temp agency, what they said down at the neighborhood bar where he cashed his checks. He was BAILEY. And all those check stubs on the kitchen table addressed to “David Sinclair”, whoever had put them there, didn't matter, either.

He was going to make a moral stand and be who he was, regardless of the box people tried to put him in. He grabbed a pair of scissors that he had lying loose on the couch cushion for God knows how long....relic from the mail art days. And goddammit, he thought as a side note, all his friends and colleagues around the country----whatever may have happened to them at this point.....they knew him, too. They knew he was Bailey.

The first things he pulled out of his pocket were his driver's license and his social security card. He cut them both into tiny, jagged pieces.

There were others, of course----the library card was one-----these two were the big ones, though. That was an ideal place to start.

For a hot second it was his plan to take the whole bolus of gnarled, segmented card stock and laminated plastic and dump it all in the trash. He hesitated, though, and thought better of it. If it was all located in the same place it was almost a guarantee that anyone could assemble all the remnants, no matter how erratically he may have cut them, and reassemble them as they'd been before.

He wasn't going to let that happen!

He dropped a few scattered bits in the trashcan....he had a couple of little dustbins around the house----one in the bathroom and one in the den-----he supposed these were options, but even then, were they all too close for comfort?

No----Bailey decided he would dispose of them over a period of several weeks, so as not to arouse suspicion. He played with the idea of dropping various pieces around town----maybe he could take the bus one day, have a little trip around town and deposit the random pieces in various trashcans and dumpsters.

He wished it were more feasible to travel out of state.....that would be even better.

He sat and thought about that for a while.


********


Wednesday, and the TV was going. Some lecherous kiddie show host rasped in a cancerous deadpan while holding a tiny girl on is lap. Bailey winced.

Out in the muddy courtyard, two dogs were tangling and snapping---could it have been that two of the men from Saturday night had become dogs?

He laughed out loud, then scowled. He hurled one of the glass angel figurines at the far wall. It smashed. On the other side of the wall, next door, a fist pounded in response and a man's voice boomed, foreign and judgmental.

Bailey crept over to the broken angel on his hands and knees. Fretting and whimpering, he scooped up the pieces. “You never hurt anyone,” he told the broken glass as he wept.

Bailey felt stray shards digging into his knees and the heel of one hand. He tried to sooth himself. Winter would come soon, it would come soon....

Winter. The snow.

Crystal showers in the dark.

Bailey stood up. He ran over to the figurine shelves, heart beating rapidly, and he yanked the top shelf off its brackets....


********


It was two o'clock Friday afternoon when, after two hours of trying to raise Bailey either by phone or by knocking on the door, Othmar, Emily and Dennis finally got the gumption to get the spare key from Jake, Bailey's landlord, and get into the apartment.

They pulled the bed covers away from him, fearing the worst. Bailey was alive, though locked obstinately in a fetal position. They dragged him out of bed.

Bailey's face was frozen in a horrific grimace that resembled that sad-or-tragic side of the two dramatic personae masks. The corners of his mouth were turned down in a grotesque, exaggerated manner—it was a perfectly formed crying-mouth, matched by two similarly perfect crying-eyes, which were, in turn, complimented by a tragically knit brow.

“Bailey,” whispered Othmar, “what the hell is this?”

Bailey refused to answer Othmar, barely acknowledging anyone else in the apartment. He sat on the foot of his bed, his rueful facial expression gruesome and unmoving.

Dennis sat down beside him. He put a sympathetic hand on Bailey's shoulder. “Buddy, what is it? Huh? Are you okay?”

“Apparently not,” snapped Othmar.

“What's the deal, man?” Asked Dennis, undaunted. “We're your friends, man!”

Bailey shook Dennis off, stood up feebly and hobbled into the kitchen, where he collapsed by the sink. He lay there, imploded and mute in the corner, his back to the other three.

Othmar followed him. “Bailey! Come on, man, talk to me! What's wrong? What's with the face?”

No response.

Emily noticed a small, college ruled notebook on Bailey's reading table. The book was marked, in ballpoint scrawled block letters, “JOURNAL”. She picked it up.

Othmar was in the kitchen, talking softly to Bailey, who wouldn't drop that ugly, wounded facial expression. Dennis sat where he was, on the edge of the bed, quiet, staring at the floor. Emily began thumbing through entries in Bailey's journal.

One simply read,


Despondent.


Emily flipped a few pages. Another one read,


Othmar, Emily, Nadine and all the others. I love them. I am not functioning on their level

of existence, never can, never will. I am everybody's silly child.


More pages. She stopped on another one dated Sunday.


A bunch of neighbors, sitting on the porch, were just hanging out. The one lady's big, black dog started barking at me like it always does. Everyone else was friendly enough. “He still doesn't like you,” she said, referring to the dog. I went inside and I heard her say, “because you're an asshole, that's why he don't like you.” I spent the whole night wondering what I did to deserve that, from her AND the dog.


She felt her eyes filling. More pages. Lots of long raving about his identity, the long fight for it, and moral stands against....she wasn't sure what. His father? People he barely knew around town? It read like a thesis statement. Then the last entry.


The angels are dying! The angels are dying!

It was then that she saw all the smashed crystal on the far side of the living room.

“Oh, God,” moaned Emily, hands to mouth, “I saw it all coming, I saw it all coming....”

Dennis looked up. “Huh? Saw what coming? Hey, Em, you okay?”

“Othmar....”

Othmar was in the kitchen, trying to talk to the unresponsive Bailey.

“Othmar?” Emily's hands were shaking. She dropped the journal with a loud Thak! On the linoleum.

Othmar looked over his shoulder for a second, then turned back to Bailey.

Emily's voice was weak and tremulous now. “Othmar....? Pal....?”

“What?!” He snapped. It was the first time he'd ever raised his voice to her.

“I feel sick,” she said. She was aware of her legs giving way. Othmar bolted halfway across the kitchen and caught her as she pitched forward.


**********


They brought him to the car, almost having to carry him. He wouldn't drop the face.

Their first notion was the emergency room. It turned into a fight at the Admissions Desk.

“Bailey,” said Othmar. “Bailey Sinclair. We don't know what's wrong with him. He won't talk.”

“David,” said Emily.

“What?”

“David Sinclair. That's his name.”

“Bailey. His name is Bailey.”

“No, Othmar, it's David.”

“Bullshit, he's Bailey. We've known him most of our lives. He's Bailey!”

“That's not his legal name, Othmar! You know that!”

“I know who he is!”

“Listen,” scolded the Admissions Nurse. “If this is going to turn into a screaming match you can take it to another hospital in another town, okay?”

Eventually it wound being pointless, anyway. No insurance, no info, no word on any family members. Othmar and Emily were aware that Bailey's father was SOMEWHERE out in the world but they didn't know where and they doubted Bailey had kept tabs on him.

Ultimately the little group were tossed out.

For a couple of days they carried on stoically, hoping that conditions would change and that Bailey would revert back to normal, but his peculiar catatonia persisted. He functioned, but would not change the frozen frown, would not speak and appeared not to listen.

They took turns minding him overnight---Dennis on Friday night, Othmar and Emily on Saturday. They brought him to Denny's Sunday night to sit with the gang. He wouldn't eat or drink. In fact, if he ever ate or drank (or pissed or shat, for that matter) in the state he was in, no one ever saw him do so.

Nadine was her usual pain in the ass self and took it upon herself to wreck the already rough proceedings.

“I told ya,” she harped, “you brought it on yourself. You never listened. I said, 'smile!' And did you? No. What----was your face going to crack open? Now it has! Look at you now, you freak! You're a joke!”

“You watch what you say about him,” said Emily through her teeth. “You don't know him---you never knew him!”

“Go back to New York, miss fancypants! Go back to la-la land! You and your fat, stupid boyfriend have done everything to enable this and look at him!”

“Fuck you,” exploded Othmar, and now the whole room had eyes on their booth.

“Come on,” said Nadine, physically yanking Darren out of the booth with her. “Not dealing with these people and their delusional garbage anymore.”

“'Bye,” called Darren helplessly after them.

“Yeah, 'bye,” hollered Nadine without turning around. “Call me when the UFO lands!”

The remainder of the gang was quiet and somber. Things soon broke up and Othmar and Emily packed up Bailey and dragged him along. There was no point left, nothing to discuss.


*******


The silent, grief-faced golem that was once Bailey stood by the river, staring at it through the chain link fence. Othmar scuffed his feet in the dirt and loitered uncomfortably and spoke to it.

“Emily says it's a waste,” Othmar said. The Bailey-thing, like always, said nothing.

“I don't get you,” Othmar continued. “Why?” He was ready to cry. “We're your friends, man, and we're here! We always have been!”

No reply. Bailey squinted tragically at the polluted river and the old mill district.

“Dammit, Bailey, what's it take? I'm not a mind reader! How do I reach you?”

Nothing.

“Jesus.” Othmar cuffed the Bailey-husk on the shoulder and started crying. “Bailey? Say something, willya? Emily's waiting. I have to go. Bailey?”

Nothing.

Othmar wiped his eyes and touched Bailey's shoulder. “I'm done, man. I love you.” He was halfway down the length of the old, blown-out factory when he turned, looked back, saw no change and kept walking, eventually disappearing around the corner.

The Bailey-thing, now unattended, crumbled into a semi-fetal sitting position and the river burbled beyond the fence. Bailey rested between the corner of the building and the fence, staring through the pained slits of his eyes at the rolling water. Hours passed. The shadow of the fence grew long and cagelike across his form. Bailey calmly hid his face in his hands.

Winter was almost here.

Published in THE MEAT FACTORY AND OTHER STORIES (Alien Buddha Press)


THIS WEEK'S PLAYLIST:
ALICE COOPER-Love It to Death
ALICE COOPER-Goes to Hell
SKINNY PUPPY-Rabies
SKINNY PUPPY-Mind: The Perpetual Intercourse
BLUE OYSTER CULT-Agents of Fortune
THE GUN CLUB-Larger than Live

Wednesday, August 15, 2018

THE DUMB STUFF


When I was a kid me and my brother used to play this pretend game called “Jonny and Freddy”. The narrative, such as it was, was about two orphaned toddlers who lived in a hospital, and the general idea was they were kind of an element of chaos who break loose, take over the hospital PA, yell a bunch of gibberish over the loudspeakers and for whatever reason the entire hospital staff has no way of stopping them. As the game evolved there are a couple of doctors who are the only people that can reign them in. There's a fat doctor named doctor Shepard and then there's a thin guy and I forget what his name was. I portrayed Jonny as wearing a light blue onesie and having black or brown hair that stuck up in all directions. Freddy wore a black onesie and had red hair that stuck up in all directions. Past the initial notion of the two babies wreaking havoc on the PA system there really wasn't anywhere you could take it. I think the two doctors were eventually supposed to adopt them or something.
Jonny and Freddy. I have no idea where the hell that was going. Probably nowhere, which added to its naïve charm.
Funny thing was, I remember my parents having a distinct hate-on for the game. I mean, they actively DID NOT WANT US TO PLAY IT.
Kinda like when I had this dayglo orange rabbit's foot that I used to call “Blurp”, and I used to pretend it was a Kaiju, draw comics where it was fighting other monsters and whatnot. Blurp conveniently disappeared at one point. I spent months, maybe years, agonizing and trying to find it. “I'm sure he'll turn up,” my Mom told me. Later on she confessed that Blurp “disappeared”, because it's just not socially acceptable for a 12-year-old to be running around with a stupid orange rabbit foot, squawking, “BLURP! BLURP!”
I never got to have any fun back then.

THIS WEEK'S PLAYLIST:
SKINNY PUPPY-”Mind: The Perpetual Intercourse”
SKINNY PUPPY-”Rabies”

(All Skinny Puppy all the time!)

Copyright 2018 Molotov Editions

Wednesday, July 18, 2018

LIL' THOUGHT BOMBS





MASKING TAPE i plaster
on a phony face a smile
devoid of meaning and
sincerity then i remove
it
no point
no point
habit keeps this facade
this forced conformity
repellent, anathema
no reason
no reason
care too little for
protocol to superimpose
this fallacy
mask of enthusiasm dies
under deadweight of truth
you see these eyes dead
balls of clay lodged in
my face the mask no longer
fits vitality will not
flicker on this screen
no effort
no effort
why lie to you?
myself?
today i found out about you
how you're just like every
one else i can't show my
eyes without betrayal of
their screaming weeping
wounded nakedness




EXIT singed
remnants of
this room
blasted hole
of my outgo
vapor trail
static lingers
electric pieces
of me i
cling to shards
of floorboard
of your consciousness
this burnt pile
of wreckage
simple seconds
mute exit
one bullet
one delusion
empty handed
empty chamber
buzzing after
glow my ghost
coagulates for
a look at the
carnage
no answers
no response
exit
just exit
just walk away
from all of this


HERE the pug
turns to the
diva and requests
a guesstimated
death toll



Copyright 1993 Shockbox Press, 2018 Molotov Editions

These lil' poems were part of a (lost) chapbook I did called THOUGHTBOMB 2462. Haven't seen it in years----if there's a master copy on my person I've sure not found it. Too bad, too, as it was kind of a fave. As you can see by the samples it all followed kind of a unified structure and I was kinda proud of it. The big centerpiece was this longish, self-indulgent poem called “Coffee Table Cerebellum Fugue”. “CTCF” was kind of a conscious tribute to a lot of the language-centered poets that were floating around the small press at the time---Sheila Murphy, John M. Bennett, Jake Berry and the like. I never really understood what most of them were getting at, but I liked it.

******

So on Social Media and elsewhere everyone is running around with their hair on fire what with Trumpy, Putin and the latest string of more-or-less token, symbolic Mueller “indictments”. I don't doubt there are some folks out there who are waiting for myself and others to eat some degree of crow, especially as I've been maintaining for quite a while, now, that Russiagate is a lot of bullshit fueled by wishful thinking.
You'll get this paltry concession out of me: It would seem as though we've ascertained that the origin of the DNC “hack” may, indeed have been Russia. And sorry, those of you who are waiting for handwringing, apologies, wailing and gnashing of teeth....but I'm unimpressed by all of this.
I mean, I know you're all panicking and life is terrible and your hair is on fire---and I know, democracy and woe is us and Trump and Putin are butt buddies, and we're going to share 800 shrill memes that express this, and TreasonTM and the Pee Pee tape that we JUST KNOW must exist somewhere, and...and...and....
….and then I shrug my shoulders and say, “well, if the Democrats hadn't RIGGED THEIR OWN PRIMARY....”
I basically don't care WHO was responsible for the DNC Leak----but I'm still glad it happened. We deserve that transparency and we deserve the truth.
And since this whole “who leaked the leak?” business is settled (as far as we know), whaddya say we put the horse back in front of the cart for the first time in a year and change and deal with the REAL issue at hand, which is the one I've been screaming about for a very long time, now?
Namely, (yes) that THE DEMOCRATS RIGGED THEIR OWN PRIMARY. End of discussion. Good night. Mic drop.
And I know you're going to say, “NO, Chuck, NO! That's not important right now, because TRUMP, and because Rachel Maddow, and because the pee-pee tape! And Look, Chuck, LOOK! MEMES!!!!”
And then I say, no----and your insistence that it doesn't matter makes you the world's worst hypocrite. I mean, I get it---you're concerned (and you might not be wrong) about democracy and how bad foreign actors might compromise our ability to have free and fair elections. To which I'll reply once again....THE. GOD. DAMN. DEMOCRATS. RIGGED. THEIR. OWN. PRIMARY. Thereby proving that we don't HAVE free and fair elections.
Now, where was I....? OH. YEAH. Mic Drop.
I've heard further protestations that the Democrats did nothing that was technically “illegal”---unethical, maybe, but not illegal. And my response to that would be, if you're going to engage in apologetics for unethical behavior, then you don't stand a chance when illegal comes down the pike.
And I'm sure there are those of you who are nonplussed by all of this. “But....but....TRUMP!!!!! Life was hunky dory in the good ole US of A until November 2016! It's the worst time ever in history!”
To which I say, the Rape of Nanking called. They want you to keep it the hell down. They're trying to sleep.
Clean your own damn house, #McResistance....then we'll talk.

THISWEEK'S PLAYLIST:
  1. GENE LOVES JEZEBEL-Promise
  2. THE DAMNED-Evil Spirits
  3. THE DAMNED-Strawberries

Wednesday, July 11, 2018

ENTRY

The story in this entry was "Hannibal Shooting Fish in a Bucket".

         “Hannibal Shooting Fish in a Bucket” is part of what I call “The Brookdale Cycle” or “The Extended Brookdale Mythos”----which is my fancy-ass way of saying it's a handful of short stories that revolve kinda loosely around my first novel, HELLO, UGLY and its setting, the fictional town of Brookdale, New Hampshire. Most of the stories center around two characters, either Old Man Delprete (who's referenced in the book but who's long-since out of the picture and faded into local legend by the time the action of the book takes place) and this story's subject, Mike Hannibal.

Hannibal is really just a peripheral character in HELLO---in a book whose main characters tend to be marginalized misfit kids, Hannibal is the kind of unpleasant worm burner that even those misfits are wary of. For whatever reason I found Hannibal to be an interesting enough character to where I revisited him in a couple of different stories. The other story, which is one of the single ugliest stories I've ever written, is relatively recent and I'm still shopping it around to potential publishers----hence you're not gonna see it in this blog anytime soon. I briefly brought “Hannibal Shooting Fish” back into circulation recently and what you're reading is a slight rewrite of the story I was peddling around in the early '90s, but hell with it---no avail----stick a fork in it----it's done.
This particular story picks up after the action in HELLO, UGLY where Hannibal is an adult. He's hanging with a gang of friends and acquaintances but as per usual, he sticks out like a sore thumb.
I think what I was getting at with the shooting of fish and then Hannibal getting sick on seafood at the end of the story was your basic stock Christ symbology---I played with a lot of religious ideas and imagery at that time and I think what I was shooting for was a picture of Hannibal's actions as a “rejection of Christ”....although “Christ”, such as it is here, is more a supernatural proxy for general morality, human decency or just good things in general. I'm not particularly religious and this is not a religious story, per se. Pretty much just a character sketch---one unsavory individual doing stupid shit. Theater of the Irrational.

THIS WEEK'S PLAYLIST:
THE S.E. APOCALYPSE KREW-"RISE" (plug, plug)
STARCRAWLER-S/T
RUSH-"MOVING PICTURES"

Thursday, July 5, 2018

CIRCA MID '90S

THAT'S HOW THEY GETCHA

and so i'm slamming away on the
assembly line packing books in
boxes--i've got it down to a system,
now--fitting in configurations of five
like clockwork--it took me a while
to get the hang of it but here i am
slogging away for the next three
hours---wiley is falling behind after
showing me a few useful tricks and
i'm impressed by my increasing level of success--
--rat in the proletarian maze of industry,
hammering away on pointless activities run
by a clock---it gets boring, naturally,
so i turn it into a private game,
exceeding wiley's progress and as i get better
and better i'm thinking, i've gotcha,
wiley, you old fart, i've really
gotcha, i'm catching up to your slow
old ass--then i realize, hell, i'm
a rube of the first order--i fell
for the game, hook, line and
dead brain cells--that's how you
become a cog in their machine;
that's how they getcha.



HOW CHRISTIAN OF YOU!

the graffiti in the bathroom
read, "let God show you fuckin'

fags the way home...
                               ...Hell"




WHY I HATE TV TALK SHOWS

the bleachers are packed with a greek chorus
of screeching baboons and barking dogs
exercising loud righteous indignation,
braying hellacious disapproval and
otherwise passing judgment on guests who
look differently, act differently, dress
differently, raised some hell, broke some
rules, fucked someone, killed someone,
dared to do ANYTHING
            but stay home and watch TV.




Copyright 1995, 1996, 2018 Molotov Editions

         In my last several months in Nashua, NH I was living in this slum for about $100 a week. I had quit my 14 year hotel job in a 3-month master plan to cash in my 401(k) and relocate to Arkansas. In the months while I was waiting for that money to get cut loose I was frequenting this fly-by-night temp agency around the corner, who would bus us all out to this book binding plant in Westford, Mass. They paid you by the day and a neighborhood bar down the street would cash the checks. After I left the state my Mom told me that agency had folded up as if it were never there. No huge surprise. These poems are some of my output from around that time.



THIS WEEK'S PLAYLIST:
STARCRAWLER-S/T
OMD-DAZZLE SHIPS
COM TRUISE-ITERATION

Friday, June 1, 2018

“IF YOU'VE GOT A PROBLEM, GET OUT OF THE WAY”: YOUR ONE LOUSY TRIGGER WARNING (WHAT TO EXPECT WHEN THE S.E. APOCALYPSE KREW ALBUM COMES OUT)



If producing “The Abbey of the Lemur” for 20 years has taught me anything, it's that people will cue up like it's the ticket line at Disneyland for the opportunity to be offended so they can clutch their pearls in outrage. That sounds hyperbolic, but I'm not joking. One amusing upside to our beating Bob Emenegger's 2003 Obscenity Rap (prompted, according to some, by actors within the Fayetteville City Government, and most definitely spurred on in the public eye by some of their close allies in the local print media) was that it gave people a rough education to the Miller Obscenity Test---because nobody could fathom the fact that we knew and were able to follow those guidelines. People had begun calling in to Fayetteville's Public Access station asking for copies of the Miller Standards in an effort to play amateur District Attorney and try to bust us for Obscenity (it never worked).
While my goal has never been to actively offend audiences (more to entertain, inspire and stimulate----offensiveness is just sometimes a natural by-product of these other goals) the will to provoke has always been in my DNA. When Mike McAdam and I formed the S.E. Apocalypse Krew back in the 80s, some of the paramount things firing me up were the puritanical machinations of the PMRC in their efforts to censor music. Kicking against the pricks is just so deeply ingrained in my nature it's just going to come out of me no matter what the hell I'm doing.
So we knew, back in the 80s and 90s, when we wrote a lot of these songs, that they had potential to push some buttons. Now, in these hypersensitive times, it feels like the potential is more ripe than ever. On our album cover, we proudly boast “No Trigger Warnings”, but in the interest of fairness, because some folks rove around with a score card, if you're punching your ticket for this wild ride, here's a laundry list of trigger warnings, your last shot across the bough----and if pearl-clutching happens to be your pastime-of-choice, we gotcha covered----there's something for everyone.

     “Threats and Warnings”


WHO'LL BE OFFENDED: Authority figures of all stripes, parents, educators, politicians and media.
WHAT IT SEEMS TO BE: A demonic ripdown of all things good, decent and respectable.
WHAT IT IS: Angry polemic against all authority, censorship, safe spaces and people who like to try and candy coat the world.
WHO SHOULD BE OFFENDED: All the aforementioned.

“Time Bomb”

WHO'LL BE OFFENDED: People who are comfortable, in charge and invested in a system where people fall through the cracks, PC types, pleebs, neoliberals and winners.
WHAT IT SEEMS TO BE: Portrait of a man on a rampage---it's bad news bears, man....
WHAT IT IS: Portrait of a man hitting his last straw---and if that scares you, maybe it should.
WHO SHOULD BE OFFENDED: All of the above.

“Kid Eternity”

WHO'LL BE OFFENDED: The overly sensitive, parents, suicide survivors, cutters, histrionics, censorship types, do-gooders, the psychiatric community, people who have no sense of humor.
WHAT IT SEEMS TO BE: An abomination---a tasteless, sick joke.
WHAT IT IS: A lampoon of social hysteria, moral panic and emotional necrophilia with a special dash of disdain for those who opportunistically blame music, movies or video games when a kid goes off the rails.
WHO SHOULD BE OFFENDED: Those who opportunistically blame music, movies or video games when a kid goes off the rails.

“Medicine Cabinet”

WHO'LL BE OFFENDED: Uptight adults, straight edgers, M.A.D.D., D.A.R.E. And the Just Say No Crowd.
WHAT IT SEEMS TO BE: A song that advocates drug abuse.
WHAT IT IS: A song that talks about drug abuse and addiction in an unapologetically non-judgmental fashion.
WHO SHOULD BE OFFENDED: Anyone who can't get past propaganda.

“Waiting for Melissa”

WHO'LL BE OFFENDED: Easy listening fans, Led Zeppelin.
WHAT IT SEEMS TO BE: A smokin' hot instrumental.
WHAT IT IS: A smokin' hot instrumental.
WHO SHOULD BE OFFENDED: Absolutely no one.

“Jesus on a Stick”

WHO'LL BE OFFENDED: Religious people, bigots, conservatives, alt righters, PC liberals, the kinds of SJWs that take everything literally, Trump Supporters.
WHAT IT SEEMS TO BE: A questionably-humored appeal to bigotry and violence.
WHAT IT IS: A savagely humorous indictment of religious bigotry and those who abuse it for fun and profit.
WHO SHOULD BE OFFENDED: Xenophobes, Christians who are bothered over being equated with xenophobes (and, you know, y'all really SHOULD be bothered!)

“Melissa”

WHO'LL BE OFFENDED: People with delicate sensibilities, feminists, SJWs, PC-types.
WHAT IT SEEMS TO BE: Senselessly misogynistic, hateful garbage that implies violence.
WHAT IT IS: Senselessly juvenile, obnoxious racket wrapped up in puerile contempt for no good reason and to no good end.
WHO SHOULD BE OFFENDED: You. Yeah. You.

“Pig”

WHO'LL BE OFFENDED: People who think songs should be nice, unobjectionable and provide good examples for young people.
WHAT IT APPEARS TO BE: Pure, unbridled hatred and hostility.
WHAT IT IS: Pure, unbridled hatred and hostility but it's kind of laughing up its sleeve over the whole thing.
WHO SHOULD BE OFFENDED: Your mama.

“Rise”

WHO'LL BE OFFENDED: Meek people with delicate sensibilities.
WHAT IT SEEMS TO BE: Advocacy for aggression and insensitivity.
WHAT IT IS: Anthem and rallying cry for the Dreg Movement.
WHO SHOULD BE OFFENDED: The complacent, people on victim trips, those who benefit from complacency and victim trips.

“Keep Walking”

WHO'LL BE OFFENDED: Sensitive types, SJWs, Red Pillers, people who get laid.
WHAT IT SEEMS TO BE: Bitter, resentful Incel angst.
WHAT IT IS: An anthem of hope and empowerment for guys and girls who aren't getting any.
WHO SHOULD BE OFFENDED: If you think you might be, you probably should be.

“Truth is Dead”

WHO'LL BE OFFENDED: Politicians, professional liars, punditry, poll takers and self-help gurus.
WHAT IT SEEMS TO BE: Jazzy music wrapped around a rant against media, politics and lies.
WHAT IT IS: Jazzy music wrapped around a rant against media, politics and lies.
WHO SHOULD BE OFFENDED: People who think any of this shit matters.

“Fear and Hate”

WHO'LL BE OFFENDED: Probably anyone in earshot.
WHAT IT SEEMS TO BE: A barreling, abrasive blast of foulmouthed, hostile invective for no discernible reason; Harmful, hateful screaming and threats. Ooooh, angry is bad!!!!!! Stop that!!!! Don't be angry!!!!!
WHAT IT IS: An unsettlingly cathartic swipe at Bully Culture in any and all forms.
WHO SHOULD BE OFFENDED: The top of the food chain.

“23”

WHO'LL BE OFFENDED: Bad Parents, bad lovers, people who like good singing.
WHAT IT SEEMS TO BE: Ethereal angst.
WHAT IT IS: Ethereal, ambiguous angst.
WHO SHOULD BE OFFENDED: Abusers, manipulators, gaslighters.

“Black”

WHO'LL BE OFFENDED: People who think songs should be happy.
WHAT IT SEEMS TO BE: Doom, gloom, paranoia and despair, a piece of music that unfortunately gives voice to disenfranchisement.
WHAT IT IS: Doom, gloom, paranoia and despair, a piece of music that fortunately gives voice to disenfranchisement.
WHO SHOULD BE OFFENDED: Anyone who happens to be a part of the problem.

“Outsider”

WHO'LL BE OFFENDED: The fortunate, elistists, neoliberals, exploiters, the well-adjusted, the ignorant, homeowners.
WHAT IT SEEMS TO BE: The story of a loser on a rampage.
WHAT IT IS: The story of a loser who's probably not doing a goddamn thing.
WHO SHOULD BE OFFENDED: Most definitely the homeowners.

“The Candidate's a Religious Man Talking Blues”
WHO'LL BE OFFENDED: Republicans, Democrats, the Establishment, the Punditry, Washington Insiders.
WHAT IT SEEMS TO BE: An ignorant folk song that lampoons the leaders we hold sacred.
WHAT IT IS: An irreverent throwback to the classic protest song.
WHO SHOULD BE OFFENDED: Politicos of all stripes, spin doctors, social climbers, people who think any of this sad spectacle means anything.

“First Stare”

WHO'LL BE OFFENDED: Pop fans, censorship types, PC feminists, SJWs, weenies, people with dainty palates, twee types, fans of love songs, romantics, dorks.
WHAT IT SEEMS TO BE: Vapid ballad that slides abruptly into a barrage of noise that advocates violence against women.
WHAT IT IS: A goof on asinine top 40 love songs.
WHO SHOULD BE OFFENDED: Humans.


       RISE will be released soon. Stay tuned right here for details.

############

PIG MAN LEVEL TWO: As a lot of you know, late-ish last summer my entire life fell into a hole (in my heel) and I've been struggling to get out ever since. In week two after the skin graft I went back to the doctor to check my progress. I was told the graft had slid but it was still an improvement and what happened wasn't on me. I've been off my foot 95% of the time, and they've told me to just keep doing what I'm doing. Because this happened, of course, I'm inclined to double down on the whole Staying-off-the-foot thang. So I might be scarce 'round these hyar parts for the near future. Don't panic.....still here.

WHAT I'M READING:
A big struggle I've had over the past several years is one that no writer should have to admit to: My snowballing inability to get through a book. Because we're Culture Vultures in this house, the stack of books we've accumulated (that I haven't read) has just grown and grown. And it's not that the books are bad----it's just a bug in my own brain. Which is to say, sorry, fellow scribes, for this egregious infraction----it's not you....it's me.
My latest exercise (over the past several months) has been trying to apply the Japanese business concept of “Kaizen” to my life.....kind of a gradual, incremental improvement model. Take baby steps. Read a page a day. Do an exercise. Try to build on that foundation.
I have good days and bad days, but the gradual rebuilding process is not going badly. So here are some of the books that I'm using to help pull myself up out of the literacy “basement”:

HARLAN ELLISON-I HAVE NO MOUTH AND I MUST SCREAM
RICHARD BRAUTIGAN-TROUT FISHING IN AMERICA
RICHARD BRAUTIGAN-THE PILL VERSUS THE SPRINGHILL MINING DISASTER
ALAN MOORE AND J.H. WILLIAMSON III-PROMETHEA VOL.1

I'm gettin' there.

THISWEEK'S PLAYLIST:
BLUE OYSTER CULT-Agents of Fortune
POESIE NOIR-Pity for the Self or We'll Teach You to Dance
ALICE COOPER-Love it to Death


Wednesday, May 9, 2018

Revisiting SOMETHING HAPPENED







WARNING: If you haven't read SOMETHING HAPPENED and don't know about its shock ending---if you've decided you WANT to read the book and don't want to know how it ends----back off now, because I'll be talking extensively about the ending here. In short: SPOILER ALERT!!!!!
***
Joseph Heller's literary career stands tall on one incredibly formidable foundation: CATCH-22. And that's one helluva foundation, folks-----yes, I admit it, CATCH-22 is one of my favorite novels of all time---from young adulthood up to today, this batshit crazy, ultra-dark comedy has informed most of my views on war, business, authority, bureaucracy, and just about all systems of control. Plenty has been said about CATCH-22 and I can never say enough.....but I'm not here to talk about that today.
After a long lunchtime discussion with my wife last week about our capitalist system and the encouragements it puts on us as a society I thought again about Heller's oft-overlooked second novel. It's time to talk about SOMETHING HAPPENED.
Bob Slocum's got problems; he's got a lot of problems. He's got workplace problems, marital problems, parenting problems and that's just the tip of the iceberg.
He's a paranoid cog vying for a leg up in the corporate machine he works in....most of the colleagues he fears and hates yet seeks to impress are color-coded by name---Black, White, Brown, Green...one co-worker on his way out the door is handicapped and Slocum fantasizes endlessly about kicking his weak leg. He is presumably being groomed to replace this fellow, and he can almost taste it.
He's in a miserable, loveless marriage, his teenage daughter is rebelling and his oldest son is having problems at school. Turns out the kid doesn't play well with others. (“I try to give him a will to win,” complains the kid's gym coach in a parent-teacher conference. “He don't have one. When he's ahead in one of the relay races, do you know what he does? He starts laughing. He does that. And then he slows down and waits for the other guys to catch up. Can you imagine?”) His younger son, Derek (the only family member to whom Slocum actually attributes a name) is ironically the least human of the bunch---obviously severely handicapped (physically, mentally---no doubt both) and the Slocums keep him locked away from the world. Poor Bob frets endlessly about Derek----what are they going to do with him? Should they institutionalize him?
Slocum also moons endlessly about the one who got away, Virginia Markowitz, his long ago office crush, who committed suicide years before. Bob plays long, tortured, drain circling games of What If.
Bob Slocum is one miserable sonofabitch, and he's not especially likeable.
And laying all these cards on the table, how do I begin to sing the praises of this long, solipsistic book that slogs on and on inside the head of its own loathsome (and self-loathing) protagonist while he spends page after page navel-gazing and wallowing in his own private pity party with no discernible end in sight?
SOMETHING HAPPENED is one of my favorite books, and that's no mean feat when you consider the fact that it's over 500 pages long, meanders along in lugubrious fashion and basically has NO PLOT WHATSOEVER....
Maybe it's that the slow-shudder depressiveness played so well into my own back in my 20s when I first read it, but this much I tend to doubt---I never had aspirations to be another ant in the hill and I think I always had more going on in me as far as ideals and attitude. Plus, I could think of several other people I turned on to the book, and they didn't really match the Bob Slocum mindset either. Maybe, is it hangs in the light of cinematic favorites like “Taxi Driver”, deep down we're just maladjusts blundering through the darkness, trying to find our way----and maybe we're all pulled instinctively to rubberneck at a downward spiral.
Or sudden salvation.
Or something possibly worse.
Regardless, we watch Bob Slocum's slow, morbid dissolution as his brain spins in circles, contemplating what it was that brought him to this point in his life---what, indeed, happened? He wonders as we're swallowed by a deep crawl into nothing-----until, very abruptly, the titular “SOMETHING”---happens.
And....SPOILER ALERT.
***

Toward the very end of the second-to-last chapter, Slocum's mooning obsessively about the growing rift between himself and his little boy when there's a commotion and he witnesses the kid pinned underneath a car which has crashed into a storefront. In a blue panic, Bob runs to his boy, who's bloodied and screaming, and holds him tight.
“I have to do something,” Heller, as Slocum, writes. “I hug his face deeper into the crook of my shoulder. I hug him tightly with both my arms. I squeeze.”
Later at the hospital, Bob weeps copiously as the boy is pronounced dead.
In the last chapter, things take a drastic and unexpected turn---after the loss of his son, it's almost as if Slocum's entire life falls neatly into place. Despite the trauma and grief, he....WAITAMINNIT.
BACK IT UP FOR A SEC.

'Death,' says the doctor, 'was due to asphyxiation. The boy was smothered. He had superficial lacerations of the scalp and face, a bruised hip, a deep cut on his arm. That was all. Even his spleen was intact.' “

HE KILLED HIS KID!!!!! HE KILLED HIS KID!!!! HOLY BLOODY FUCKBALLS, HE SUFFOCATED HIS OWN KID!!!!!!!!!
There's a telling point toward the end of the second-to-last chapter, just prior to this abrupt climax, where Heller, as Slocum, writes, “I want my little boy back too.
I don't want to lose him.
I do.”
That passage can read one of two ways. You can read it, “I don't want to lose my boy but I lose him anyway”, or you can read it as, “I don't want to lose my boy, but I do want to lose him.”
Things work out perfect for Bob Slocum after he performs a sort of “self-exorcism”------by smothering his son, who refuses to accept the all-American sacrament of competition, he kills the last remnant of human decency within himself. At that point, he is officially ready to climb the ladder.
GODDAMN. GODDAMN, GODDAMN!!!!! Do you see what I'm saying, here?
His marital problems even out, he and his wife decide (at least temporarily) to refrain from sending Derek off to a home and at work he's able to advance with flying colors and everyone is “pleased with the way I've taken command”.
And Heller's telling us, there's something wrong with this picture.
NO DIGGITY.
At the end of the day, Slocum has to murder that one sliver of hope and goodness within himself----that one fly in the ointment of almighty capitalism---the “problem child” in his ethical makeup, in order to advance in life. That's just a trifle disturbing!
You can grab the brass ring if you want it. What are you willing to lose in the process?


YANKEE POT ROAST #2000: BAD NEWS FOR MY FELLOW NEWZIES

Most people who know me know that I work in the News Industry. Being a genuine weirdo and also someone who probably leans further to the left than the average----well, the average STADIUM full of people, I have my struggles in that setting. And no one bristles harder than my co-workers when they hear the term, “fake news” thrown around. I don't really blame them, either. The people I work with every day at a little local affiliate are serious about what they're doing and I watch them strive hard every day to get stories right. My beef is never with them.
The Big Boys, I got issues with. A lot of issues.
A Monmouth University Poll that was released last month casts a pall over our humble profession that should have my fellow newsies very concerned. And sorry, guys----but I come to bury Caesar, not to praise him.
Thanks, off the top, to Kyle Kulinski and his YouTube channel, SECULAR TALK, where I originally heard about the poll.
77 % say major news outlets report “Fake News”, the poll says. That's a grabber of a headline---both alarming and yet, at the same time, easy for the average cosmopolitan elitist to write off. Sure, they might say, that's an alarming trend, but it's all knuckle-dragging Trumpazoids who follow their leader's every edict, pronouncement and outrageous lie, right?
Uh....sorry, but, no.
The poll in question is squarely bipartisan...
25 per cent of respondents define “Fake News” as false information that is designed to mislead----and that falls pretty well into the realm of how former President Barack Obama defined it when he decried the phenomenon in the press----it's what first popularized the term and we could look at that definition as the “According to Hoyle” definition.
A lot of people, particularly liberals, rallied behind Obama when he made these statements. I wasn't one of them, for reasons that should soon become obvious.
When you throw the term, “Fake News”, out there, it's not your term anymore----it belongs to everyone----and it invites all-and-sundry to fix whatever definition they want on the phrase.
Hence, Fox News grab it and use it however they want. Hence, Donald Trump seizes it and does whatever he wants. My liberal friends might wring their hands and cry “foul” over this, but Obama opened that door. Sorry----he just did. And if you didn't see that coming, well, there are plenty of eye doctors you can visit.
A second, salient point in the poll shows that sixty-five per cent in the poll say that Fake News includes what is covered and what is not covered. Story selection equals bias. In other words, not just lying by commission, but lying by O-mission.
And adherents to the original point might be disturbed by that deviation from Obama's definition, but you know what, kids?
I wholeheartedly AGREE with them. Bias---particularly ESTABLISHMENT bias----***IS*** fake news. Throw a fit and cry all you want. Call me a Russia-Bot. I don't give a rat's ass.
A third point is that forty-two per cent of respondents believe major mainstream news outlets disseminate false information in order to push a political agenda. Eighty-three per cent believe outside groups----major interest groups and lobbies---plant propaganda.
Again----I agree.
And as I said earlier----reponses to this poll are more or less across the board. These definitions are supported by 89 % of Republicans, 82 % of independents and 61 % of Democrats.
Be afraid. You should be.
So should our leaders.
As Kulinski none-too-subtlely puts it, “we live in an age of constant bullshit”, and everyone sees through it except for those slinging it. Don't forget to duck, pilgrim.

******

Speaking of bullshit, have you heard about notable partisan hack Joy Reid and her homophobia problem? Pull up a chair, 'cause it's a good one...apparently Ms. Reid recently got called out for some old blogs she wrote that were homo-and-transphobic in nature. As a stalwart of pseudo-liberal MSNBC, Joy can't be havin' that kind of a sociopolitical albatross around her neck....not she who has railed on identity politics over class consciousness----it just doesn't look good, y'know?
So what does she do? Does she swallow her pride and admit she was wrong? Nope----she obfuscates and blames HACKERS. Yep----she was claiming that she'd been hacked, the old blog posts weren't hers----except that they were. Held up to scrutiny for obvious falsehoods, Reid backpedaled, offered half-assed apologies and maintains that she didn't remember writing those blogs because it's so far away from who she is today that she didn't even recognize the words as her own.
And if you believe that, have I got a bridge for you.
TRUE CONFESSION TIME: Once upon a long ago time, your humble narrator was homophobic. Yep---no joke. A lot of it was based in my religious upbringing and a lot of it was just a defense mechanism within the teenage pecking order----but when I was a kid I threw the term, “faggot”, around with the best of 'em. Of course, I had no clue a lot of the kids I palled around with were gay (and probably deserved some kind of spirit award for kindly putting up with MY bullshit)---sure, the kids we all hated called them faggots, but hey! Everyone you didn't like was a faggot back then. Youth in the '70s.
How I eventually broke free of that kind of thinking as an adult was getting to know REAL GAY PEOPLE (as opposed to their being some abstract spoken about by demagogues) and understanding that they were just regular people like everyone else.
Okay, so I don't like Reid anyway, but if she'd just come out and said, “yeah, that was me back then but it's not me, now, I'm sorry”, it would have been no harm/no foul. We all have stupid old shit we have to work past.
But hackers had a time machine, and they went back to the year whatever and posted incriminating blogs, huh? Kinda reminds me of the Democratic Establishment she gives her fealty to. Embarrassed by the fact that you got caught rigging your own primary? Blame it on “The Russians”.
See? They even tell similar lies!

********

As long as I'm on my yankee pot roast high horse, that whole annual White House Correspondents' Circle Jerk----er, dinner---happened as I was working on this blog and I got to YouTube back (because other than this the annual affair doesn't interest me much at all---) and see the meteoric rise of Michelle Wolf as the great comic mind of this generation. She handily and savagely ripped the Trump Administration, the Democrats (“you guys don't do....ANYTHING!”) and the entire noxious, gladhanding, self-fellating nature of these dinners and the establishment press itself. The whole monologue was pretty spot-on and the press's flailing display of pearl clutching and loud castigation afterwards was a perfect example of how Wolf was right about absolutely EVERYTHING SHE SAID. She particularly nailed the press's pathetic obsession with decorum (last refuge of the disingenuous) and the hypocritical, self-sabotaging culture of “access journalism” which is no good way to run a fourth estate...their collective umbrage shows their true mettle and marks them as an institution that essentially needs to be thrown into a fire.

THIS WEEK'S PLAYLIST:
The S.E. Apocalypse Krew-Rise
Blue Oyster Cult-Secret Treaties
Blue Oyster Cult-Spectres
THE FUTURE (mix CD)

NEXT TIME: For all you geniuses who seem to go out of your way looking for something to find offensive, I've got a special gift for everyone.