Showing posts with label Shockbox Press. Show all posts
Showing posts with label Shockbox Press. Show all posts

Saturday, July 18, 2020

JEZEBEL'S WIG (A Caustic Lament)




    1. I'd gotten tired of peoples' expectations, which is to say everyone expected me to get over it, and none of them would have settled for my dirty shoes on a bet. They're soiled; they're venal. I'm white napkins on spiffy tables. And I know they want to railroad me.
“Deal with it,” she says, and he eyes are all gethsemane, e.g. don't pass this cup under me, Dad.
I grow weary of explaining these things.
Bustling multitudes of walking, phlegm-blasting, yellowjacket casualties ghost over the desert and beat on Jerusalem's door. They're carted off to well-wishing and tea on 18-wheel hearses of sad glory and obligatory fish fountains.
She readjusts her interchangeable coiff and that makes her blonde this week. She likes being a blonde. She excels at being a blonde.
The bodies stink around her, but even in the puke-and-piss-mired nightfall she retains a kind of infernal, unflagging stature. She'll burn all the bridges she must to get her heap of flapjacks. All others be damned, she is the Quintessential Entropy Device.
(Here it should be noted my Better looks over my shoulder and prods me, reminding me of the danger involved when one objectifies an individual as a “Device”. I hawk an erudite loogie and continue)
She rides in state among the festering carnage, trying to be subtle as she pulls up a stocking.

    1. There are too many Bathroom Gods wielding ball peen hammers to impress the compulsions of the weak. We need renovations.
Give me strange dogs, a la Bunuel and Dali. Throw it all out in the open. Give me the primal play of a baby's eye. Give me nails and tacks in technicolor.
Give me irresponsible rhetoric and action—only through unreasonable maneuvers can one hope to subvert the zeitgeist.
Give me a piss-and-vinegar outlook and a mask, a cap and a burlap bag so I might be a burglar of th latent mind. Give me actions above and beyond the deadweight of conscience and consequence.
Give me a horrific effigy god with a blunt barbecue tree stump snout. This deity will be the last word in terror. So terrible that he causes mean-spirited little men to weep in supplication and reconsider their paths in life.
Give me a crew of soaked miscreants too get drunk, ridiculous and sentimental with while oldsters in traditional lederhosen honk on alpine horns and batter accordions with percussive, padded cell furor.
Give me the raw of the movie stripped past the mind's vain distinctions of time and place, revert personage back to archetype, subtle aberrations of nuance and characterization to the most base level of grunting moral and skeletal campfire yarn.
Give me a life without apologies, a clear, uncut conscience not hampered by the nervous tremors of Should.
Give me a premature, hereditary widow's peak. Give me the best thighs on the regional poetry scene after she gets done fucking his image off her body. Give me the knife of her words to twist hard. It's the only defense I have left.
Give me a quaint coastal town, the platonist dream, the dullard standard of a writer's paradise, to strafe and raze and obliterate along with its entire population of fishermen, franco-american blue collar yobbos and yuppie tranquility fiends. What sane scribe can write in paradise?
Give me the ability to piss on a tiara and get past all of this.




'96 or '97, early days in Fayetteville, I think. Never published.

Copyright 2020, C.F. Roberts/Molotov Editions

Wednesday, October 23, 2019

THE WINDSHIELD OF A MOVING CAR IS HARD, ESPECIALLY WHEN YOU DROP ON TOP OF IT FROM THIRTY FEET


Okay, so, note: I said I was going to do this thing over a year ago. It was the most outrageously stupid idea for a short story imaginable.......if you knew me back then you'll remember the quote: "I'm going to write a story about a guy who legally changes his name to Howard the Duck. And I'm going to make it good. And I'm going to get it published."
        And I did, too. Here ya go. 





Howard the Duck stumbles through the intersection of North Street and Mission Boulevard. He coughs. The light changes halfway through his crossing, because the light, the confounded crossing sign, is never up long enough for anyone trying to cross the street. He coughs again, almost trips, and cars begin honking. He finally makes it across and the stream of traffic headed up Mission Boulevard continues on its way. A van full of kids in baseball caps is one of the vehicles that rolls past him. As it goes by, the door slides open and one of the kids leans out bodily. The kid yells, “hey, buddy! Fuck you!!!!”
It sounds, probably due to the wind, the general street ambiance and what have you, as though the kid yelled “puck you.” or maybe “buck you,” but Howard the Duck gets the point.
He doubles over and lets loose a loud, hacking cough and then he tries to flip the kid the bird. The door has closed back up and the van is now safely in the distance, well past his revenge.
Most of the suffering in the world is created by kids wearing baseball caps, Howard the Duck thinks. He looks down at the base of his hand and notices a wad of blood. Goddammit, He thinks, and tries to wipe it off on his jacket. He keeps walking.
Howard the Duck has problems. First and foremost, he has Tuberculosis. He is dying. He's also a pedestrian, which only belabors the point.
There are other problems, though, that only create greater impact in his life.
A. Howard the Duck has a price on his head. He is almost sure of it.
B. He is a walking copyright infringement. And he must allow that this is not an accident of birth but a choice he made, a moral stand that has had ramifications in his life.
      1. Nobody understands him----not his girlfriend, or the guys at work....not even his best friend.
All of which brings him back to his primary goal. He's walking to McDonald's. He's going to meet his friend Spider-Man, to tell him he disapproves of his lifestyle choices.
Howard the Duck shakes his head. Skippy, he corrects himself, not Spider-Man. I refuse to call
him Spider-Man.
Skippy does not understand the weight and the stress of being a walking copyright infringement. Skippy is young, of course, and only sees the glitz and glamour of naming yourself after your favorite character. Howard the Duck realizes all of this and hopes to make Skippy aware of some of the pitfalls he has to live with.
He hears a shout back toward the intersection. He half-turns. He's always looking over his shoulder these days, because he knows Marvel Comics are following him and he is sure that they mean to kill him.
Nothing. This time.
Besides, he thinks, changing your name legally to “Spider-Man” is stupid. Spider-Man is a popular character consumed by the masses for no good reason and to no good end. There is nothing special, risky or meaningful about such a move.
Changing one's name legally to “Howard the Duck” is a bold and deeply personal move that invites hardship and misunderstanding.
A. Few if any people hear “Howard the Duck” and think of Steve Gerber's brilliant, existential satirical comic. They usually think of the horrid '80s movie if they think of anything.
B. There is nothing fun or glamorous about filling out paperwork and signing it as “Howard the Duck”. Try renting an apartment that way. Buying a car. Shit, try VOTING.
      1. And again, the afformentioned understanding that you are a marked man, your days are numbered and Marvel Comics are trying to kill you. And in the case of Howard the Duck, it's just an arrogant grab for intellectual property. There's not even a goddamned profit motive.
He will set Skippy straight on this and more, if it's the last thing he does. And it might be.
His real last given name is “Vlierboom”. He hates it. The guys at the factory simply call him “Boom”, which he's fine with. They can't pronounce “Vlierboom”. Past the bosses who hand him his paycheck and the personnel department who he had to clear the change with he has no desire to share this with his co-workers for all the obvious reasons. He doesn't need any of the wise guys pointing out that he is not actually a duck. He knows that.
It's a point that Jessie, his girlfriend, makes frequently. “I'd be happy to meet you in the middle and call you 'Howard the Man',” she tells him. “I mean, you are a man, you know.”
“That's not the point,” he retorts, “I'm trapped in a world I never made. I literally am that character.”
“You're making a world you never made by calling yourself a duck,” she says. She always falls back on that one and he thinks it's all beside the point but then they smoke up another big fatty, he hacks up a lung and she starts talking to him about how he needs to see a doctor. So nothing is really ever solved in this circular exchange.
It might be a problem of the therapist in question. Jessie says she's a playwrite, although she's never written a play in the whole time he's known her.
Howard the Duck busts his hump for a couple of miles before finally reaching the big intersection and heading to McDonald's on the other side of the street. He winds himself getting across the intersection but makes it in good time. He crumples up by the light post. “Uh-hriiiii-hriiiii-hriiiiii-hriiii,” he coughs.
To get to McDonald's from the corner he has to hike up a steep hill and cross a couple of different parking lots. He thinks that motorists don't know the painstaking difficulty required in going everywhere on foot----needing to walk miles for a futile meeting at McDonalds because your best friend has made a stupid life decision. Of course, the whole process only exacerbates the coughing. He
tries to apply some thought to this. Spider-Man. Why Spider-Man? And for the love of God, how the hell did Skippy slip that one past Judge Dunn?
Judge Dunn hates legal name changes. Jessie had actually told him this back when he first decided to change his name to Howard the Duck. She had a friend, she said, named April Morgan, who decided, for religious reasons, that she wanted to change her name to Purple Vanguard Trixie Diatribe 6. Yes, the number six, that was her last name. Judge Dunn grudgingly gave it to her but not before forcing her to give a long, detailed explanation as to why she wanted the name change and what it meant.
“Later on, like a year later,” Jessie told him, “she thought maybe her choice went a little far and she was having trouble getting jobs...she went back and got it shortened to just 'Trixie Diatribe', and the Judge yelled at her about how much of a burden she was putting on taxpayers. She gave her the name change but told her she didn't ever want to see her in her court again.”
Howard the Duck encountered similar wrath. He explained to the judge that he wanted the name change because he was trapped in a world he'd never made. She told him that such frivolous petitions like his were putting state taxpayers into a world they'd never made, but she grudgingly granted him the name change.
He does not know Trixie Diatribe.
After a herculean hike (and another good, hard cough), Howard the Duck finally makes McDonald's. Skippy is sitting in the booth closest to the exit. He's sipping on a shake. “Took ya long enough,” says Skippy.
“You know how far I had to walk,” rasps Howard the Duck, and this causes him to lurch into another coughing fit.
“You oughtta take a Riccola,” Skippy adds. Howard the Duck stops and regards Skippy's hairy moonface, peering at him guilelessly from underneath a mop of greasy, brown hair. He stops short of ripping him a new one.
“You eating, smart guy?”
Skippy looks down at his shake and then looks back up. “Nah, I'm good. Been waiting for you. For a while.” He holds up his wristwatch for emphasis.
“Alright, well, I've had a long walk, so I'm getting something.” Skippy nods agreeably and Howard the Duck gets in line.
His McDonald's order looks like this:
A. Quarter Pounder, no cheese.
B. 10-piece McNuggets.
        1. Sweet-and-Sour Sauce.
          D. Hot Mustard Sauce
          E. Large Fries.
          F. Medium Diet Coke.
Howard the Duck does not drink Diet Coke because he believes it will make him thin. He drinks Diet Coke because regular coke drinks are too sugary for him.
Upon receiving his order he sits down with Skippy at the booth by the exit.
“Skippy,” he says, and then, seeing Skippy frown, he corrects himself. “Sorry....'Spider-Man'.” Skippy's face softens slightly---apology expected.
“Been missing you at Munchkin, dude,” Skippy says, glazing over the faux pas. “Where ya been?”
“Sick,” says Howard the Duck, coughing again.
“Yeah, no shit,” remarks Skippy. “You oughtta take something for that.”
“I have TB,” Howard the Duck grunts.
Skippy takes another sip off his shake. “Sucks,” he says.
“Yeah,” Howard the Duck says. He tears into the burger and begins coughing again. This time it seems like the ketchup is setting it off, but everything sets it off. The cold air. The car exhaust. The food. You name it.
“Damn, dude,” Skippy says again.
“I'm dying,” says Howard the Duck.
“I guess,” Skippy muses.
“You're a goddamned idiot,” says Howard the Duck.
“What do you mean?”
“First and foremost, you don't listen to anything anyone tells you. That's just for starters.”
“Huh?! Dude, I have absolutely no idea what you mean!”
“I bet you don't, but that's just for starters!”
“What the hell, pal???? We haven't seen you for weeks at Munchkin.....months, maybe----and then you're all yellin' and attackin' and callin' names?”
Howard the Duck regards Skippy with a hard look and several vignettes go through his head:
A. Impalement
B. Castration
      1. Waterboarding, however hot, hip and trendy that may come off.
All of the above scenarios are accompanied by happy whistling music. There are a multitude of grievances at work in his head right now, but he puts them all aside in favor of one, which in his mind represents everything.
“Spider-Man,” he sighs.
Skippy smiles. “That's my name, don't wear it out!”
“Are you on crack, you fuckin' moron?! Seriously, are you sure your parents weren't related? Answer that for me, will ya?”
“Dude!”
“Don't 'Dude' me again, okay, ya mongoloid? Just what the fuck is wrong with you???”
“What do you mean??? Dude, what's up your ass????”
“Okay, so first off, I have to know, how hard did Judge Dunn jump down your throat when you told her you wanted to change your name to Spider-Man?!”
“Not at all! Man, she was a stand-up Judge!”
“Yeah, I'll bet she was.”
“Listen, just because she was a cooze to you doesn't mean she didn't learn something and lighten the hell up, man.....”
“Yeah? Yeah? What, exactly, do you figure she learned, huh?”
Skippy stammers for a few seconds and licks his lips. “Ah, maybe she got more tolerant of other peoples' individuality? And maybe you could re-learn some of that?”
“Oh, really? And whose individuality did she get more tolerant of? Explain that to me, will ya?”
“People like US, dude!!!! People who have their own ideas! People who don't march to everyone else's drummer, you know?”
“People like us,” crabs Howard the Duck, half under his breath. “Explain to me, exactly, how calling yourself 'Spider Man' helps you assert your individuality.”
“Well,” says Spider-Man, look a little nonplussed, “you know!” He gestures frantically to Howard, as if that should speak for itself.
“No,” Howard the Duck smiles. “I don't. How about you explain it to me?”
Spider-Man now has a look of concern and frustration on his moonface. It reads a mix of “you should understand this already, dude,” coupled with a dash of “I thought you were my friend”.
“You know....being the Hero. Being your OWN hero! What you always tried to tell me!”
Howard the Duck is not placated. “I don't remember ever telling you that.”
“Well, not in so many words....”
“It's my moral obligation to call you on your shit, genius,” Howard the Duck sneers. “I'm dying, do you understand that? I'm DYING. And on top of that my life is shit. Marvel Comics are coming to kill me. And if they're coming to kill me, you'd better believe they're coming to kill you! Do you have any clue as to the can of worms you've popped upon yourself?”
Skippy cocks his head, not unlike one of those pug dogs who doesn't understand what it's being told by its owners. “No one's going to kill you, my friend! How could you think something like that?!”
“Fuck you!” Howard the Duck says though gritted teeth. The dumpy employee cleaning tables across the way stares their way and it's over. Howard the Duck knows he's been made. “Calling yourself 'Spider-Man'-----what kinds of sacrifices does that really require you to make? How much harder has it made your life? Do you have any idea of the cliff you're headed for???”
Again, the quizzical expression. “What are you talking about? You're starting to worry me, bro!”
“Why 'Spider-Man'?!” Howard the Duck is trying his damndest not to scream in Skippy's face right there in the restaurant now. “Justify that to me, will you please? Why the hell was it such a big deal for you to call yourself 'Spider-Man'? What made you think that was such a good idea?”
Skippy stammers, “it's just my own personal choice!” He waits expectantly, as if that should be a satisfactory response.
“I get that part. What the hell is so great about Spider-Man to where you're going to change your name to that?”
Skippy looks agog as if to say, how can you even ask that? “Dude! What's so great about Spider-Man? What's so great about Howard the Duck? So, see how easy that is?”
“You're avoiding the question! What the fuck does goddamn Spider-Man say about you?”
Skippy looks contemplative for the first time ever and he chews into his answer with some level of deliberation. “Well,” he says, as if thinking about it for the first time ever, “Spider-Man is cool.”
Howard the Duck fights back a scream. “Please continue.”
Skippy searches for the words. “Spider-Man is a badass. And by taking the name I become a badass!” He smiles hopefully.
“Kill me,” groans Howard the Duck. He lets loose a frail, spluttering cough.
Now Skippy goes on the offensive. “Listen, where do you get off? I made a personal choice that's very important to me. Spider-Man is cool, everyone knows that! What the hell's so great about calling yourself Howard the Duck?! I saw that movie when I was a kid----it sucked ass!”
Howard the Duck affixes a dead stare on Skippy.
“Yeah, you heard me,” Skippy says, more emboldened. “I saw that movie. Howard the Duck sucks ass. So don't go trying to judge me!”
Howard the Duck gets up out of his seat. He suffers an explosive coughing fit.
“That's right, buddy,” grins Skippy. “So how do you like it?” Howard the Duck hobbles out the door, hacking uncontrollably.
With great difficulty, he makes it across the parking lot and into the woods out in back of the shopping plaza. He finds a treestump in a clearing and rolls himself a cigarette. He smokes and coughs and smokes and coughs and then he just sits there for several hours, thinking and yet trying not to think because thinking hurts too much.
It's getting dark. He's wasted his entire day on this worthless errand. He hobbles at least a mile to the Gas Mart. There's at least one good reason to stop there---they've got one of the few still-functioning payphones----hell, maybe the very last----in town.
He sees that it's fifty cents per call and he wistfully remembers back when a dime was required.
He stops for a second and remembers when there were payphones.
Howard the Duck doesn't have a cell phone. He dislikes and distrusts them. He had a little flip phone at one point---he got rid of it because it was problematic and everyone was looking at him as if they thought he was a drug dealer.
He dials up Jessie. “I need to see you,” he wheezes
“That's cool,” she says, her aloof, baked tones coming across the phone line. “Dude, this is amazing---I have to show you!”
“What?” Howard the Duck is irritated. His head's still back in McDonald's with Skippy, who legally changed his name because he thought it would be cool.
Spider-Man, he corrects himself.
Jessie disrupts his personal hell. “I'm back! I'm done! I wrote a musical! A whole musical! It's finished!”
Howard the Duck is not in the headspace for this. “What?”
“I wrote a musical-----big, broadway, all the bells and whistles-----I wrote a musical based on WATERSHIP DOWN!”
It's as if someone hit him in the face with a brick. “WATERSHIP DOWN???”
“Omigod, babe, it's so amazing....I feel like it came out of me through some other force----this is going to change everything!”
“Hold on, back it up a sec. WATERSHIP DOWN, that's a book about rabbits, isn't it?”
“No! It's an allegory----it's an epic and an exodus about people who leave their homeland and fight to make a new existence.....”
“Epic and an exodus, Jessie----are the characters in the story or are they not rabbits?”
“I....they are but they're not,” long silence. “Dude, you're really harshing my buzz, okay? Come over----I'll play you the songs. They'll make you believe, just like the world is going to believe!”
A harsh wheeze turns into another coughing jag. He manages to eke out “I'm dying,” into the phone.
“God, there you go being negative again! Come to my place! I'm going to play you my songs and....”
“I saw Skippy. He changed his name to Spider-Man.”
“Wow. That's crazy.”
“He doesn't even know. He doesn't even know.....”
“Howard, you need to stop, okay? It's a little weird, just like changing your name to 'The Duck' is a little weird, but it's fine! That's his choice!”
“No, but his reasoning, Christ, it's so dumb! “
“Boy, there's the pot calling the kettle black! Dude! Drop all your crazy no-hope and come hear all the songs. And quit worrying!”
“ 'Kay,” he grumbles. “I'll be over soon.”
“ 'Bout time! Love you!” She coos.
“Yeah,” he grumps and hangs up the phone. He ambles past the front window of the Gas Mart and sees that there's a comic rack in there.....understocked and lonely, but goddammit, it's an According-to-Hoyle comic book rack. A twentyish, unkempt, long haired kid is loitering by it, thumbing through a dog-eared Archie comic.
The kid looks up and stares through the window at him, as does the fat clerk with the muttonchop sideburns behind the counter.
Payphones. Comic book racks. There's something not right about this place....these people. Time to leave.
He worries that they might all be agents of Marvel Comics, sent to watch him. Or apprehend.
He walks along the dark road and hits the trailer park where Jessie lives by eight thirty in the evening. Several things happen:
A. Jessie plugs in her Casio synth and plays Howard the Duck all the songs from her WATERSHIP DOWN musical, in sequence. She talks about how she wants all the actors to wear hats with bunny ears and she shows him some of her choreography ideas.
B. Howard the Duck goes out to the tiny kitchenette, grabs a steak knife and stabs Jessie forty times.
    1. He lights a number of glass-encased Catholic saint candles around the house and places them all around the gas stove.
    1. He opens up all the gas valves on the stove and heads out.
E. He begins the arduous hike back to his own place. He never gets there. He's found dead by the side of the road the next morning. The eventual autopsy report mentions exposure and exhaustion. And Tuberculosis.
News of the oddball murder/death makes the rounds on all the local news affiliates, everyone has a good laugh over the whole thing and it is quickly forgotten. He is consistently referred to in the reports as “Howard Vlierboom” instead of his legal name, but everyone takes a moment out to laugh over his given name. No mention is ever made of his obsession with an arcane cult comic book character.
Skippy is overcome with grief because of the death of his friend.
A. He belly flops off the overpass on Exit 76 one Saturday morning.
B. He goes straight through the windshield of a Mini-Cooper, accidentally killing a family of four who were visiting from Oregon.
    1. Several state highway workers are wounded in the wreck.
The entire region is shocked and saddened by Skippy's death. Roadside tributes are erected in his honor. His sister tearfully tells the local media that he had been very despondent over the last several weeks. She describes him as “an old soul” and says that he loved comic book heroes like Spider-Man.
Spider-Man ephemera pops up along with the usual bouquets and crosses along the spot where Skippy ended his life. Years go by but sad and haunting stories are handed down and exchanged for decades to follow, regarding the tragic story of The Spider-Man of Exit 76.




Copyright 2018 C.F. Roberts, published in UNLIKELY STORIES MARK V. Copyright 2019 Molotov Editions


THIS WEEK'S PLAYLIST:

ALICE DONUT-Pure Acid Park
WAYNE SHORTER-Juju
SWANS-The Seer
SWANS-To Be Kind
VIC BONDI/ARTICLES OF FAITH-Fortunate Son EP

Saturday, July 6, 2019

ENTRY

The story here was "Second Coming" Copyright 1993 C.F. Roberts, 2019 Molotov Editions. Comic by William Landsburg, published in DIMINISHED RESPONSIBILITY, 1994.
As I'm going through a lot of old writings trying to pull things together for collections this one is tentatively falling into the "near miss" category. Maybe that'll change, I don't know. Originally run in mine & Alfred Vitale's maxi-chap, "Fairy Tales from the Urban Holocaust", it was picked up, shortly thereafter, by this William Landsburg cat who wanted to run it in his zine, DIMINISHED RESPONSIBILITY, as a comic. It kind of bears the whole standard Rhett and Link query, "will it comic?" Apparently so, much to my surprise. I like it. My favorite part is on the last page, where the mob attack Jesus and he goes into a karate pose. It cracks me up that the one guy jumping him looks like some kind of mutant potato monster. Nice that some dude thought enough of my story to turn it into a comic. The overall tone of the zine is very anti-religion....Landsburg asked me if I was a big atheist---I told him not necessarily, I just disliked organized religion. Still do, obviously.
      The genesis of the story for me happened at some point in the late 60s or early 70s when my Dad and I were in a car one night and I heard a newscast on the radio telling a story about some guy entering a church during a service and smashing up statuary and causing a ruckus, claiming he was Jesus Christ. Obviously the story stuck with me.
        The ending ties directly into my from-the-ground-up mess of a forthcoming novel, HOME. So I guess at some point you're going to see "Mr. Jesus" turn up at the asylum. What happens after that, God knows. But I guess I ought not dismiss it out-of-hand. Anyway, for now, there it is, "Second Coming".
THIS WEEK'S PLAYLIST: 
THE CLASH-Clash on Broadway
THE BUTTHOLE SURFERS-Independent Worm Saloon
HEAVY MEAT-(comp, various artists)

Friday, February 15, 2019

WRONGDOING WROULETTE


I've been sitting on this one for an inordinate length of time for absolutely NO GOOD REASON other than my own stupid lack of organization and distraction with other (mostly asinine) things. But I've been wanting to do it and there's no time like the (while I've got a brief, sane window) ever-fragile present.......Uncle Chuck has been on an INCREDIBLE ROLL these past few months as far as placing short stories and other sundries....some publishers out there have been VERY KIND to your strooly and I think it's crucially important to help promote these good people and their efforts.
While I'm running hot and cold on a lot of my bigger, more ambitious projects, the art of the short story is one that I've always had a particular liking for, and lately I've glommed on to it, HARD. I like playing with these compact narratives and I feel like I'm producing a lot of good ones. So I'm emphasizing that, but I've got other goodies in store. Anyway, here comes a laundry list of publications, webzines and publishers that kick ass and they deserve both your attention and your support, so pull out yer spiral notebooks and take note......
     We're gonna go back to October 2018 for the first couple. I teased my contributions to UNLIKELY STORIES MARK V a few months back, and they're HERE. I mean, THESE ARE THE LINKS TO THE STORIES.
http://www.unlikelystories.org/content/jesus-superman-and-rice-patties?fbclid=IwAR0up52UbYy4hQNgD80VII3UNReo1zfk5K2wCHCu6r3dw4VlGcZ5c3eupDg

http://www.unlikelystories.org/content/the-windshield-of-a-moving-car-is-hard-especially-when-you-drop-on-top-of-it-from-thirty?fbclid=IwAR0ogh1j0BKouCLK3Nek4h6zBE0gsAt9AEEWBtKv5MBeMAf-HwF4ZyzUg8Y

"Jesus, Superman and Rice Patties" is an OLD story, very early, recently rewritten. "The Windshield of a Moving Car is Hard, especially when you drop on top of it from thirty feet" is FAIRLY NEW. Some friends might remember me threatening to write a story about a guy legally changing his name to "Howard the Duck" YEAH, WELL, I WENT THOUGH WITH IT. You can read it RIGHT THERE.
     In general you need to check out UNLIKELY STORIES MARK V when you get a chance.....Jonathan Penton has put together a fine rolling periodical with piss, verve and color.

      Another person deserving of your interest and support is Sreemanti Sengupta at Odd Books and the ODD MAGAZINE. She puts together a unique pastiche of webzine and tiny-but-mighty publications. Fourteen bucks gets you a year's package, and you really need to experience the joy yourself (as I did) of getting this beautiful stack in the mail...
Not that I'm not part of the cavalcade or anything....
       "The Day the Sun got an Eye Gouge" is a weird one, and you need to consider that in light of the last one I linked to. If you like stories about all-day eclipses, animals wearing sun visors, kids with Asperger's Syndrome and flying, talking pot roasts, then fire up a big spliff and check it out!!!!!! (Not that I advocate that kind of thing or anything). While you're at it, though, check the Odds and their entire catalogue out at length.

https://www.theoddmagazine.com/

      Okay----next up: FEARLESS!!!! Goddamnit, what can I say about FEARLESS???
Kevin Hibshman and I go back, WAY back to the Mesozoic Era, when we both crawled out of the primordial ooze and started lobbing xerographic molotov cocktails around. Somewhere amid that ferocious melee we peered around the swamp at each other and said, "hey, buddy!"
FEARLESS (originally DISTURBING DREAMS AND DRIED BLOOD) is an underground lit INSTITUTION and it's been around forever. Anytime FEARLESS appears in any incarnation it's an event. This time out it's pretty extraordinary, like a little poetic thoughtbomb, and it gives me all the nostalgic feels for the days when we were running out to places like Kinko's or Staples to print up en masse and drop all our sodden product on an unsuspecting public. Despite our current digital mileu Kevin replicates our old DIY, cut-and-paste ethic to PERFECTION.


        https://archive.org/details/Fearless66

THAT'S IT, RIGHT THERE. THAT'S THE LINK TO THE MAG ITSELF. Click that and you can read it and you can download it for your very own. Don't say I never gave you nothin'.
        I've got a few poems in here, although the biggest point of excitement (for me) is the first appearance in publication of the Fugues....little dream logic prose pieces I started doing recently (Actually, the first Fugue seen publicly was Fugue Seven, which I ran back in September and which was written explicitly for this blog). I think my original thought was that the Fugues were going to largely be erotica, but...y'know...I just can't do anything straight down the middle....but I've got more of these things to throw around, so....don't forget your helmets!
https://www.amazon.com/dp/1794097392?fbclid=IwAR2tFbjvm4aw6Z-R94dm1hPclj7gHrHK8C4GFg4gphCjL23ZEsjYOy3reog

        Last but hardly least I need to give a shoutout to the fine folks at ALIEN BUDDHA PRESS who are running a monster of an operation and are more productive than any small press I think I've ever seen. Red Focks and Co. have their game DOWN. I'm appearing in three of Alien Buddha's jams, right now, all of which look great and all of which have emerged at a startlingly fast rate. OH---YEAH---and as you can see from the link above, they're all available through Amazon.

       I was pretty excited when the call went up for a drug-centered anthology as I'd been thinking for a while about a new strain of literature that I referred to as "Pharma-Punk" (and I'm sure there are plenty of folks who've been writing along those lines forever)----in writing this kind of open-ended speculative fiction revolving around substance abuse I'm following the lead of writers like Hank Kirton and Shannon X. Caine, both of whom are exceptional with the pseudo-genre. My entry with Alien Buddha is "Wet", set in a bleak, dystopian future (what a dull, stagnant term) where we follow several sketchy characters in search of their drug of choice. I'm real proud of this one.
         ALIEN BUDDHA ZINE #3  and TALES FROM ALIEN BUDDHA 4 feature my short stories, "The Jennifer Tree" and "Faith",  although I'm actually a little fuzzy on which story appears in which publication. You know what, though? You should pick 'em all up. Chase 'em down on Amazon.
       Anyway, that's the roundup and that's what I've been up to these past few months. So curl up with something good to read and give some of these outfits some much deserved attention.

THIS WEEK'S PLAYLIST:
1. IDLES-Brutalism
2. BRIAN JONESTOWN MASSACRE- Strung Out in Heaven
3. BRIAN JONESTOWN MASSACRE-Thank God for Mental Illness
4. SKINNY PUPPY-Rabies
     


Saturday, September 29, 2018

FUGUE SEVEN PLUS GENERALIZED WRONGDOINGS



FUGUE SEVEN: SICKNESS AND MOURNING
(Slight Return)

by C.F. Roberts

I'm sick....if you have the misfortune of seeing me I look like some sad cartoon bug or something. I haven't bathed in the better part of a week, I'm in constant pain, I can't eat and I really am truly the sickest I've been in decades.
The little black cat is curled up in a ball by my side----she won't leave. She rests half on my body, half off, because it hurts so much when she's on top of me that I won't stop moaning and groaning.
What's she thinking? Is she afraid I'm going to die? I'm loathe to say what my cat is thinking, but I guess I appreciate the good thoughts.
Two years later I've recovered from my illness. There have been fluctuating ups and downs in life.
On this day that same little cat that would not leave my side is dying on the living room floor in front of me. I spent the last several days watching her deteriorate to the point where she has been lying limp on the arm of the couch, choosing to sleep most of the day.
Now she has abandoned all places of comfort, choosing instead to lie flat on her side. My wife strokes her softly and she shudders, letting out a weak, noiseless cry.
We tell her we love her and we're here----right here with her and we're not going away. We hang back and talk as she lies still.
After a while we realize she's gone.
Some close friends go behind our backs and do us the kindness of paying to have her cremated. She is returned to us a week or so later, her ashes in a tiny, wooden container with her name emblazoned across the top. It looks like a tiny casket and it's hard to believe a little box like that contains what used to be a cat.
I show it to our male. He rubs up on it with a great deal of affection. I don't know if any part of him understands that what we're showing him is his sister, but he seems to like it a lot, regardless.
We place it on our mantlepiece with some of our favorite things---Exotica records, Halloween decorations, anything Hawkwind ever did. We burn some incense and place a little cheezit cracker on the tiny casket. She loved them. She would steal snacks like that right out of our hands.
She was cantankerous, unruly, unrelenting, loyal and beautiful. I'll spend the rest of my life wondering if I was worthy of her company.


Copyright 2018 Molotov Editions


While I'm kicking around like a lout and trying to preserve my 900th skin graft I figure I haven't done any kind of a status update in a while...lot of exciting news on the writerly front.
I guess that the latest is that in early October ( Projected as sometime in the week of Oct. 7-13) UNLIKELY STORIES MARK V will be running my short stories, "Jesus, Superman and Rice Patties" and "The Windshield of a Moving Car is Hard, Especially when you Drop on Top of it from Thirty Feet" over two consecutive days. Keep an eye peeled. This publication rocks, they've been kicking it for a very long time and you can check them out HERE:

http://www.unlikelystories.org/

In addition, THE ODD MAGAZINE and Odd Books are going to be doing my short story, "The Day the Sun got an Eye Gouge" as a mini-chap at some point in the future....I latched onto the Odds earlier this year and fiercely recommend them----they've got something fresh ad unlike anything else going on! Look them up HERE:

https://www.theoddmagazine.com/

One of these stories is actually one of my oldest ever, which up to this point I've never been able to place---the other two are significantly newer. Keep an eye peeled for this stuff....they're three of my favorite stories and I can't wait for people to read 'em.



       Let's see---what else? OH!!!! YEAH!!!!! MY BAND PUT OUT A GODDAMN ALBUM!!!!!! As I've been slinging the hash of hype for a while, it's probably important that I finally get to actually pimp this thing! We even have our first video out!!!!! And if you haven't seen it, here it is:


Sorry if you've gotta sign in----the sticky wicket of having to farm a music video with a few naughty words through the local Access Station/Media Center---but they're a great help to me----have been for many years, god bless 'em!
Anyway, yeah, that's me----I produced and edited the video, those are my paintings and my grotty vocals you're hearing-----sublime music  by the great Mike McAdam and percussive contributions by Brad Rondeau! Enjoy.
        We're talking about putting the album out on CD Baby in the future----until that happens, if you want a copy of the CD, well....if you're in NWA you can find it at our favorite musical haunt,
https://www.facebook.com/blockstreetrecords/
If you can't get it there, contact me. I'll see if I can't set ya up.

THIS WEEK'S PLAYLIST:
BAUHAUS-Burning from the Inside
BAUHAUS-The Sky's Gone Out
KISS-Rock'N'Roll Over
THE GUN CLUB-Louder than Live

Friday, August 31, 2018

THE MASK

          “Smile, willya?!” Squalled Nadine. “Jesus H. Christ, you'd think your face'd crack open!”

Bailey felt a smirk coming on, but now he had a need to fight it back down, which he did successfully. He, Othmar, Emily, Nadine, Dennis and Darren were together for the usual AM coffee splurge and gab at Denny's---Saturday night drifting into sunrise and no one had to go to work on Sunday morning----even Emily had a week or so to kill before she'd have to catch the shuttle back to New York...

“Jesus,” Nadine bitched, “Don't you EVER smile?! You're doing okay, getting a free ride to all the galleries, getting good meals----what's your problem?!”

“Bailey's got no problems,” Othmar, as usual, coming to his rescue, “he just has a sense of purpose!”

“He'll smile when he has a reason,” said Dennis.

“You have to know ole Bailey as long as we have,” said Emily, “to know that when he's zoning like that it doesn't mean he's got a problem.” She reached over and patted Bailey on the shoulder. “He's a very sensitive boy, and a fine artist in his own right.”

“The best,” helped Othmar. “It's just a matter of our convincing the rest of the world so.”

“We'll get there, ole Bailey,” drawled Dennis, “Do not fret. We're all gonna get where we're goin' someday.”

“I know,” said Bailey, and rode with it—Othmar and Emily and the gang were good friends, but as ever, he could have done without the testimonials.

Nadine harped on. “I don't know----I don't get it---we're all having a good time and there you are, pal, off in the doldrums!”

“I'm having a good time,” Bailey offered weakly.

“And you just--”

“You see?” Darren barked. “You see?! He's having a good time, dear! Now, willya get off the poor guy's case?”

Subject matter picked up and moved on---there was no sense in killing a whole evening/morning arguing about Bailey's facial expression.

Dennis was clipping off on one of his college-era road rambles. “So, anyway, Texas, down to the border, right? There are six of us, all crazy and half-in-the-bag in that one tiny car.....”

“Must smelled dandy,” Nadine editorialized.

“So, what do you figure a cop would have to say about it?” Continued Dennis.

The booth was situated beside the picture window and Bailey found himself drawn to stare out into the parking lot---it was three o'clock, give or take, and the asphalt, at least on this side of he building, was empty----dead for a Saturday night, here. It was early September, time of dying sun and heat and Bailey knew the snow wasn't far off, now, that it would be blessing the ground like a sad angel powder...millions of tiny crystals pushing the black out, showering the vacant earth....

“--Hey, Bailey?”

“Huh?”

“I said, 'are you ready to pack it in?' “ Repeated Othmar.

“Oh! Sorry! Sure, I'm all set.”

“Jesus! Earth to Bailey!”

“He looks tired,” said Emily. “C'mon, Bailey, we'll take you home.”

“Later, all.”

“ 'Bye,” the gang saluted, all wired-but-tired and gabhappy.

“And goddammit, try to cheer up, will you?” Yelled Nadine.

A yeah, yeah, yeah would have done, but Bailey opted to retain his dignity with silence. Outside, the wind blew---Bailey was right; Winter, long off, still, but sure, was a shadowy creep aking its overtures to the land.

“Don't listen to Nadine,” grumbled Emily. “She's just a bitch, she doesn't see your inside.”

“Sometimes I wish I couldn't,” joked Bailey.

“Cut the crap,” said Othmar, fishing through his pockets for the car keys. “Man, you bug me when you start talking like that.”

Othmar drove downtown to Bailey's Canal Street apartment---he was animated, as he frequently was on those occasions when Emily was in town, going off ragtime about all things art and sex and machinery. His and Emily's creation-in-the-works was a sculpture of tire irons that were welded together....the whole mess was obviously erotic in nature but maybe the full effect hadn't been fully realized, yet, since at present it still looked like a gnarled patchwork of tire irons. But it was always good to see a surprise unfold, and dammit, Othmar was happy and excited, and that hand to count as a positive, right?

Bailey laughed....he enjoyed Othmar's enthusiasm, but it was hard to get around the fact that he was tired.

Othmar pulled up to the curb. “Need any help getting in the door?”

“No,” said Bailey. “I think I know my way by now.” He loped up to the front door, searched his coat pocket, found the keys, turned momentarily to wave goodbye and let himself in.

Othmar put it into drive.

“Othmar?”

“S'up, babe?”

“I wish you'd put in a word with Bernice for Bailey. I kind of worry about him, living in that dump. I mean, your place isn't THAT much more expensive.”

“Oh, Em,” sighed Othmar, “we're talking Bailey, here, and you've known him as long as I have. You know how he is and you know what he HAS to do----he wants to live in a place that's 'alive', a place where there's a lot going on....it helps him. Somehow. He keeps saying.”

“I know,” Emily grudged. “But I wonder sometimes if it doesn't hurt him, as well. Look at Bailey, in shittown, Bailey, with his candles and his books and his little glass angel figurines----he needs it, or he says he needs it, but there's a big contradiction there. I think he's very frail.”

Othmar shrugged a shoulder. “I know, but it's Bailey, who's on a fixed income, who ain't rich by any stretch, and neither am I, but he thrives on it.”

“He says he thrives on it.”

“Maybe he needs it. Bailey and the glass angels and shittown.”

“Whatever. Still, I worry.”

“Yeah, well....maybe sleep on that worry,.” Othmar pulled into the Dell Street parking lot. “I'll see about talking to him.”

“ 'Kay,” smiled Emily. Obviously no constructive thought was about to transpire before a decent night's sleep at this point.


******

In the dim light of his apartment Bailey admired the decorations on his single end table by the couch he'd fished out of the dumpster last Christmas. He was proud of what was evolving as kind of an interchangeable, free-flowing diorama. There were the candles and all the glass angels, of course, those were a natural given, here, but also the various actors----the Godzilla, Jet Jaguar, Ultraman and King Caesar action figures; Time Traveler, his old, stalwart Micronauts doll from grade school; GI Joe and a few molded plastic ninjas, all forming a phalanx around and on top of his pill organizer. It was almost a political statement for him at this point----no man enters, no man leaves.

He'd had conversations with Bruce and Mike, a couple of the local guys from the neighborhood.

---”hey, Dave, we ain't seen ya much lately!” Everyone in the neighborhood Bailey saw called him “Dave”---not out of any malice, he was sure of that, but everyone, for whatever reason, was sure he was “Dave”, and acted like he should know who they were, even if he didn't.

Was there a guy named “Dave” walking around town that looked exactly like Bailey?

It didn't bother him enough to correct them, though. He was alright with letting it go.

---”we don't never see ya down to the community council no more, Dave! How come you don't go there?”

---”I don't want to.”

----”Aww, you know they got lotsa good drugs, Dave!”

----”Yeah, that's okay, I don't want to.”

----”Aw, everybody misses ya downa community council, Dave!”

Bailey was jarred out of this memory but hooting and hollering from several people outside. It suddenly occurred to him that he was sitting, buck naked, in front of those windows on the side of the house.

Hell, the apartment was like a fishbowl---windows EVERYWHERE. Even here on the second floor, in low light, the neighbors were getting a show.

“WOOO! Shake it for me, baby!!!!” Hollered a woman out in the darkness.

“Getcher pants on, faggot,” snarled a male voice. “You're scaring the children!”

Bailey made to get up and make a run for the bedroom and whatever surgical equivalent to pajamas he could find there but in the end he sat back down. Bolting and getting dressed was almost an admission of guilt, and Bailey wasn't about to play that game with these troglodytes.

The catcalls eventually died down. Bailey made his way to the darkened front room for some peace.

It wasn't that there were less windows in the front room but they mostly faced the street below and the lights were all off.

Bailey sat on a motheaten couch that had been left by a previous tenant. The place, whatever Othmar and Emily wanted to say about it, had no shortage of couches.

Down in the street, some unseen man yelled to some invisible addressee. The man sounded as though at least half his civilized demeanor had somehow taken a slip down the evolutionary board. Scuffle in the dirt, sound of a bottle breaking.

The candles were out. Bailey crouched on the floor and tightened up into a ball.

The man outside screamed in an anguished rage where the last vestiges of his humanity seemed to slip away forever.

Bailey clutched the sides of his head. “Stop,” he groaned.” Make it stop. Make it stop.”


*******


Othmar had a package to pick up at the post office on the South End. Bailey had a few hours to kill---hell----it seemed as though Bailey never had anything but time---and so he accompanied Othmar for the ride.

“Emily get back okay?”

“Yeah....kinda nice, though.....some obligations kinda going by the wayside.....she'll be back up here mid-week.” Othmar looked pretty stoked.

“That's good,” said Bailey. “She gonna be in town for the opening?”

“Yeah, at this point, most likely,” said Othmar.

“I used to go to the South End post office a lot,” said Bailey, “back when I was more into the mail art thing. I'd go out there and then I'd hit the McDonald's and I'd eat my burgers and read my mail. I don't really do that anymore.”

“You look sad, pal, “ said Othmar, “how you been?”

Bailey shrugged. “Okay, I guess. It's just---I don't know---sometimes I wonder what the hell's happening.”

“What do you mean?”

“It's hard to explain.” Bailey's soft voice was more quiet and halting than usual---it sounded funeral parlor to Othmar. “You know....those times when you're moving through a crowded room and you think you heard someone calling your name? Then you turn and you stare at them and you realize they weren't talking to you at all? Then you try to cover up by staring at everyone else in the room in kind of a roundabout way and then you just look confused and stare down at your shoes? Then you laugh to yourself and you shake your head and half the people there are staring at you and wondering what the hell is going on and so you just slink out of the room but halfway out you say, oh, God, what am I doing and you go back in and you look around again but nothing's any different, it's just, like, pffft! Pffft! Pffft!” He made small, sad, explosive gestures with his right hand to accompany each “pfft”, “and there's nothing you can do so you leave anyway, but then it feels...unfinished? You've got this bad feeling deep down but it's like there's nothing you can do? You know those times, Othmar?”

“No,” Othmar frowned.

“Oh,” said Bailey, his fingers roaming delicately, nervously, across his face. “Well, it's not too important.”

They arrived at the post office. There was no line and Othmar mailed off his package. Bailey cut loose and ran down the hall to check his P.O. Box. He rejoined Othmar out the door.

“Anything?”

“Nada,” said Bailey. The two got back in the car.

“Didn't realize you still kept your P.O. Box down here. Thought you'd given up on the Mail Art thing.”

“Oh, yeah, I have,” said Bailey. “I still get my monthly check, you know, and I figured it'd be too early in the month to come looking for it, and I was right, but we were here, and I thought, well, when in Rome....”

“How's that going?”

“It's alright,” said Bailey, “You know, you go down to your appointment every six months or so and they draw your blood and the Chinese guy gropes your balls and tells you to cough and then they ask you questions. 'Have you had any accidents over the last six months?' And you say, 'no,' and they say, 'do you hear voices?' And you tell them, 'no,' and they ask you, 'do you have any special powers---can you turn invisible or fly or read minds?' And you say, 'no, I can't do any of those things,' and they sign a bunch of papers and re-up you on your meds and you keep getting your nut check in the mail.”

Othmar winced. “Dude, don't say that.”

“What---'Nut Check'? Dude, if I can have a sense of humor about this, you can, too.”

“Bailey, ole bud, are you doing okay?”

“Yeah, I guess....why?”

“Emily and I were talking and sometimes we worry about you, living out there on Canal Street and whatnot.”

“I'm okay.”

“We're not real sure. Listen, Bailey, all I'm saying is that if you want to move to, say, where I'm living, I'm sure I can badger Bernice into cutting you a decent deal on the rent...”

Long silence. “That's nice, Othmar, but I'm okay.”

“You sure?”

“Yeah.”

“You SURE you're sure?”

“Yeah.”

“Absolutely, positively, a hundred percent sure?”

“Yeah.”

“Pinky swear?”

“Dude.”

So began the long, quiet drive back to Canal Street. Bailey spoke up first. “Winter's coming, soon.”

“Yeah,” said Othmar. He hated Winter.

“I like the snow,” said Bailey. “When it's virgin snow. It's like angel powder, and I like it when it covers up all the dirt.”

“Yeah,” said Othmar.


*******


It was a long time ago----Bailey remembered he was eight and he and his father sat together on a jetty on the Cape. He was crying and his father was trying to brace his leg, trying to yank a rusty, barbed fishing hook out of his foot. It was painful----blood was all over the rock. “Eeeyeeyeeee,” cried little Bailey.

“Shaddap,” yelled his father. “It'll be out in a second...quit yer yeein'.” His father pulled. It was still caught in his foot. It seemed that blood was everywhere.

“Eeeeeyeeeyeeeyeeeeee,” squealed Bailey.

His father boxed his ears. “Stop that goddamn yeein',” he snarled.

Blood on the jetty and the boy was crying. Seagulls yakked and tittered. Ocean bellowed.

*******

He knew his name was Bailey and that was the end of the discussion. Othmar and Emily knew he was Bailey-----even Nadine knew he was Bailey.

It didn't matter what all the people on the street said, what they said down at the temp agency, what they said down at the neighborhood bar where he cashed his checks. He was BAILEY. And all those check stubs on the kitchen table addressed to “David Sinclair”, whoever had put them there, didn't matter, either.

He was going to make a moral stand and be who he was, regardless of the box people tried to put him in. He grabbed a pair of scissors that he had lying loose on the couch cushion for God knows how long....relic from the mail art days. And goddammit, he thought as a side note, all his friends and colleagues around the country----whatever may have happened to them at this point.....they knew him, too. They knew he was Bailey.

The first things he pulled out of his pocket were his driver's license and his social security card. He cut them both into tiny, jagged pieces.

There were others, of course----the library card was one-----these two were the big ones, though. That was an ideal place to start.

For a hot second it was his plan to take the whole bolus of gnarled, segmented card stock and laminated plastic and dump it all in the trash. He hesitated, though, and thought better of it. If it was all located in the same place it was almost a guarantee that anyone could assemble all the remnants, no matter how erratically he may have cut them, and reassemble them as they'd been before.

He wasn't going to let that happen!

He dropped a few scattered bits in the trashcan....he had a couple of little dustbins around the house----one in the bathroom and one in the den-----he supposed these were options, but even then, were they all too close for comfort?

No----Bailey decided he would dispose of them over a period of several weeks, so as not to arouse suspicion. He played with the idea of dropping various pieces around town----maybe he could take the bus one day, have a little trip around town and deposit the random pieces in various trashcans and dumpsters.

He wished it were more feasible to travel out of state.....that would be even better.

He sat and thought about that for a while.


********


Wednesday, and the TV was going. Some lecherous kiddie show host rasped in a cancerous deadpan while holding a tiny girl on is lap. Bailey winced.

Out in the muddy courtyard, two dogs were tangling and snapping---could it have been that two of the men from Saturday night had become dogs?

He laughed out loud, then scowled. He hurled one of the glass angel figurines at the far wall. It smashed. On the other side of the wall, next door, a fist pounded in response and a man's voice boomed, foreign and judgmental.

Bailey crept over to the broken angel on his hands and knees. Fretting and whimpering, he scooped up the pieces. “You never hurt anyone,” he told the broken glass as he wept.

Bailey felt stray shards digging into his knees and the heel of one hand. He tried to sooth himself. Winter would come soon, it would come soon....

Winter. The snow.

Crystal showers in the dark.

Bailey stood up. He ran over to the figurine shelves, heart beating rapidly, and he yanked the top shelf off its brackets....


********


It was two o'clock Friday afternoon when, after two hours of trying to raise Bailey either by phone or by knocking on the door, Othmar, Emily and Dennis finally got the gumption to get the spare key from Jake, Bailey's landlord, and get into the apartment.

They pulled the bed covers away from him, fearing the worst. Bailey was alive, though locked obstinately in a fetal position. They dragged him out of bed.

Bailey's face was frozen in a horrific grimace that resembled that sad-or-tragic side of the two dramatic personae masks. The corners of his mouth were turned down in a grotesque, exaggerated manner—it was a perfectly formed crying-mouth, matched by two similarly perfect crying-eyes, which were, in turn, complimented by a tragically knit brow.

“Bailey,” whispered Othmar, “what the hell is this?”

Bailey refused to answer Othmar, barely acknowledging anyone else in the apartment. He sat on the foot of his bed, his rueful facial expression gruesome and unmoving.

Dennis sat down beside him. He put a sympathetic hand on Bailey's shoulder. “Buddy, what is it? Huh? Are you okay?”

“Apparently not,” snapped Othmar.

“What's the deal, man?” Asked Dennis, undaunted. “We're your friends, man!”

Bailey shook Dennis off, stood up feebly and hobbled into the kitchen, where he collapsed by the sink. He lay there, imploded and mute in the corner, his back to the other three.

Othmar followed him. “Bailey! Come on, man, talk to me! What's wrong? What's with the face?”

No response.

Emily noticed a small, college ruled notebook on Bailey's reading table. The book was marked, in ballpoint scrawled block letters, “JOURNAL”. She picked it up.

Othmar was in the kitchen, talking softly to Bailey, who wouldn't drop that ugly, wounded facial expression. Dennis sat where he was, on the edge of the bed, quiet, staring at the floor. Emily began thumbing through entries in Bailey's journal.

One simply read,


Despondent.


Emily flipped a few pages. Another one read,


Othmar, Emily, Nadine and all the others. I love them. I am not functioning on their level

of existence, never can, never will. I am everybody's silly child.


More pages. She stopped on another one dated Sunday.


A bunch of neighbors, sitting on the porch, were just hanging out. The one lady's big, black dog started barking at me like it always does. Everyone else was friendly enough. “He still doesn't like you,” she said, referring to the dog. I went inside and I heard her say, “because you're an asshole, that's why he don't like you.” I spent the whole night wondering what I did to deserve that, from her AND the dog.


She felt her eyes filling. More pages. Lots of long raving about his identity, the long fight for it, and moral stands against....she wasn't sure what. His father? People he barely knew around town? It read like a thesis statement. Then the last entry.


The angels are dying! The angels are dying!

It was then that she saw all the smashed crystal on the far side of the living room.

“Oh, God,” moaned Emily, hands to mouth, “I saw it all coming, I saw it all coming....”

Dennis looked up. “Huh? Saw what coming? Hey, Em, you okay?”

“Othmar....”

Othmar was in the kitchen, trying to talk to the unresponsive Bailey.

“Othmar?” Emily's hands were shaking. She dropped the journal with a loud Thak! On the linoleum.

Othmar looked over his shoulder for a second, then turned back to Bailey.

Emily's voice was weak and tremulous now. “Othmar....? Pal....?”

“What?!” He snapped. It was the first time he'd ever raised his voice to her.

“I feel sick,” she said. She was aware of her legs giving way. Othmar bolted halfway across the kitchen and caught her as she pitched forward.


**********


They brought him to the car, almost having to carry him. He wouldn't drop the face.

Their first notion was the emergency room. It turned into a fight at the Admissions Desk.

“Bailey,” said Othmar. “Bailey Sinclair. We don't know what's wrong with him. He won't talk.”

“David,” said Emily.

“What?”

“David Sinclair. That's his name.”

“Bailey. His name is Bailey.”

“No, Othmar, it's David.”

“Bullshit, he's Bailey. We've known him most of our lives. He's Bailey!”

“That's not his legal name, Othmar! You know that!”

“I know who he is!”

“Listen,” scolded the Admissions Nurse. “If this is going to turn into a screaming match you can take it to another hospital in another town, okay?”

Eventually it wound being pointless, anyway. No insurance, no info, no word on any family members. Othmar and Emily were aware that Bailey's father was SOMEWHERE out in the world but they didn't know where and they doubted Bailey had kept tabs on him.

Ultimately the little group were tossed out.

For a couple of days they carried on stoically, hoping that conditions would change and that Bailey would revert back to normal, but his peculiar catatonia persisted. He functioned, but would not change the frozen frown, would not speak and appeared not to listen.

They took turns minding him overnight---Dennis on Friday night, Othmar and Emily on Saturday. They brought him to Denny's Sunday night to sit with the gang. He wouldn't eat or drink. In fact, if he ever ate or drank (or pissed or shat, for that matter) in the state he was in, no one ever saw him do so.

Nadine was her usual pain in the ass self and took it upon herself to wreck the already rough proceedings.

“I told ya,” she harped, “you brought it on yourself. You never listened. I said, 'smile!' And did you? No. What----was your face going to crack open? Now it has! Look at you now, you freak! You're a joke!”

“You watch what you say about him,” said Emily through her teeth. “You don't know him---you never knew him!”

“Go back to New York, miss fancypants! Go back to la-la land! You and your fat, stupid boyfriend have done everything to enable this and look at him!”

“Fuck you,” exploded Othmar, and now the whole room had eyes on their booth.

“Come on,” said Nadine, physically yanking Darren out of the booth with her. “Not dealing with these people and their delusional garbage anymore.”

“'Bye,” called Darren helplessly after them.

“Yeah, 'bye,” hollered Nadine without turning around. “Call me when the UFO lands!”

The remainder of the gang was quiet and somber. Things soon broke up and Othmar and Emily packed up Bailey and dragged him along. There was no point left, nothing to discuss.


*******


The silent, grief-faced golem that was once Bailey stood by the river, staring at it through the chain link fence. Othmar scuffed his feet in the dirt and loitered uncomfortably and spoke to it.

“Emily says it's a waste,” Othmar said. The Bailey-thing, like always, said nothing.

“I don't get you,” Othmar continued. “Why?” He was ready to cry. “We're your friends, man, and we're here! We always have been!”

No reply. Bailey squinted tragically at the polluted river and the old mill district.

“Dammit, Bailey, what's it take? I'm not a mind reader! How do I reach you?”

Nothing.

“Jesus.” Othmar cuffed the Bailey-husk on the shoulder and started crying. “Bailey? Say something, willya? Emily's waiting. I have to go. Bailey?”

Nothing.

Othmar wiped his eyes and touched Bailey's shoulder. “I'm done, man. I love you.” He was halfway down the length of the old, blown-out factory when he turned, looked back, saw no change and kept walking, eventually disappearing around the corner.

The Bailey-thing, now unattended, crumbled into a semi-fetal sitting position and the river burbled beyond the fence. Bailey rested between the corner of the building and the fence, staring through the pained slits of his eyes at the rolling water. Hours passed. The shadow of the fence grew long and cagelike across his form. Bailey calmly hid his face in his hands.

Winter was almost here.

Published in THE MEAT FACTORY AND OTHER STORIES (Alien Buddha Press)


THIS WEEK'S PLAYLIST:
ALICE COOPER-Love It to Death
ALICE COOPER-Goes to Hell
SKINNY PUPPY-Rabies
SKINNY PUPPY-Mind: The Perpetual Intercourse
BLUE OYSTER CULT-Agents of Fortune
THE GUN CLUB-Larger than Live

Wednesday, July 18, 2018

LIL' THOUGHT BOMBS





MASKING TAPE i plaster
on a phony face a smile
devoid of meaning and
sincerity then i remove
it
no point
no point
habit keeps this facade
this forced conformity
repellent, anathema
no reason
no reason
care too little for
protocol to superimpose
this fallacy
mask of enthusiasm dies
under deadweight of truth
you see these eyes dead
balls of clay lodged in
my face the mask no longer
fits vitality will not
flicker on this screen
no effort
no effort
why lie to you?
myself?
today i found out about you
how you're just like every
one else i can't show my
eyes without betrayal of
their screaming weeping
wounded nakedness




EXIT singed
remnants of
this room
blasted hole
of my outgo
vapor trail
static lingers
electric pieces
of me i
cling to shards
of floorboard
of your consciousness
this burnt pile
of wreckage
simple seconds
mute exit
one bullet
one delusion
empty handed
empty chamber
buzzing after
glow my ghost
coagulates for
a look at the
carnage
no answers
no response
exit
just exit
just walk away
from all of this


HERE the pug
turns to the
diva and requests
a guesstimated
death toll



Copyright 1993 Shockbox Press, 2018 Molotov Editions

These lil' poems were part of a (lost) chapbook I did called THOUGHTBOMB 2462. Haven't seen it in years----if there's a master copy on my person I've sure not found it. Too bad, too, as it was kind of a fave. As you can see by the samples it all followed kind of a unified structure and I was kinda proud of it. The big centerpiece was this longish, self-indulgent poem called “Coffee Table Cerebellum Fugue”. “CTCF” was kind of a conscious tribute to a lot of the language-centered poets that were floating around the small press at the time---Sheila Murphy, John M. Bennett, Jake Berry and the like. I never really understood what most of them were getting at, but I liked it.

******

So on Social Media and elsewhere everyone is running around with their hair on fire what with Trumpy, Putin and the latest string of more-or-less token, symbolic Mueller “indictments”. I don't doubt there are some folks out there who are waiting for myself and others to eat some degree of crow, especially as I've been maintaining for quite a while, now, that Russiagate is a lot of bullshit fueled by wishful thinking.
You'll get this paltry concession out of me: It would seem as though we've ascertained that the origin of the DNC “hack” may, indeed have been Russia. And sorry, those of you who are waiting for handwringing, apologies, wailing and gnashing of teeth....but I'm unimpressed by all of this.
I mean, I know you're all panicking and life is terrible and your hair is on fire---and I know, democracy and woe is us and Trump and Putin are butt buddies, and we're going to share 800 shrill memes that express this, and TreasonTM and the Pee Pee tape that we JUST KNOW must exist somewhere, and...and...and....
….and then I shrug my shoulders and say, “well, if the Democrats hadn't RIGGED THEIR OWN PRIMARY....”
I basically don't care WHO was responsible for the DNC Leak----but I'm still glad it happened. We deserve that transparency and we deserve the truth.
And since this whole “who leaked the leak?” business is settled (as far as we know), whaddya say we put the horse back in front of the cart for the first time in a year and change and deal with the REAL issue at hand, which is the one I've been screaming about for a very long time, now?
Namely, (yes) that THE DEMOCRATS RIGGED THEIR OWN PRIMARY. End of discussion. Good night. Mic drop.
And I know you're going to say, “NO, Chuck, NO! That's not important right now, because TRUMP, and because Rachel Maddow, and because the pee-pee tape! And Look, Chuck, LOOK! MEMES!!!!”
And then I say, no----and your insistence that it doesn't matter makes you the world's worst hypocrite. I mean, I get it---you're concerned (and you might not be wrong) about democracy and how bad foreign actors might compromise our ability to have free and fair elections. To which I'll reply once again....THE. GOD. DAMN. DEMOCRATS. RIGGED. THEIR. OWN. PRIMARY. Thereby proving that we don't HAVE free and fair elections.
Now, where was I....? OH. YEAH. Mic Drop.
I've heard further protestations that the Democrats did nothing that was technically “illegal”---unethical, maybe, but not illegal. And my response to that would be, if you're going to engage in apologetics for unethical behavior, then you don't stand a chance when illegal comes down the pike.
And I'm sure there are those of you who are nonplussed by all of this. “But....but....TRUMP!!!!! Life was hunky dory in the good ole US of A until November 2016! It's the worst time ever in history!”
To which I say, the Rape of Nanking called. They want you to keep it the hell down. They're trying to sleep.
Clean your own damn house, #McResistance....then we'll talk.

THISWEEK'S PLAYLIST:
  1. GENE LOVES JEZEBEL-Promise
  2. THE DAMNED-Evil Spirits
  3. THE DAMNED-Strawberries