Showing posts with label xerographic movement. Show all posts
Showing posts with label xerographic movement. Show all posts

Sunday, March 8, 2015

THE SHRILL

I enter the Crash Zone as if it's some sort of garden party, which is to say uninvited but accepted nonetheless----the whole process very democratic in nature. Quotas have become difficult to maintain and they are willing to spill anyone they can into their wastebasket.
It's a siren night and the sky is as ever endless pitch black yawning over downtown like doom. Neon wails hell in pink, blue, yellow and red, most of all red, and I hear my mother's voice.....
It's all nightscream manic beating delirium as usual on the weekend and the sights and sounds ring immortal...the Stagnant Brothers are on their day in day out shit the overalls rage in the punies' faces bender having raised their routine hell by the Soup Kitchen for supper and now they pursue their bully act by the railroad tracks—I saw them bashing---they had Johnny the Owl Boy trapped in their brutal circle and now he's screwed because he has no friends at his back----the Stags kick the piss out of him and once he's a ragged, unconscious moppet he's just no damn fun to 'em anymore and so they leave him there as if he were naught but discarded furniture---Old Ben and the Preach come along and hoist him vomiting and spitting teeth he is carried his poor sorry beaten carcass home and at one point they're literally having to peel his face away from the pavement-----
The bell in the faraway tower factory industrial clock bongs ten ominously the bloody scenes segue in and out an off-duty traffic cop appears, admonishes the lot of them drunkenly and then vanishes; I feel my wretched hands cramp up and icy pain inches up my wrists. The wigged-out Mariah in her funeral lace her hair flung wildly as she shrieks in terror---I watch her face redden, burn, then crumble like an overcooked, failed ceramic object----
Misbegotten and used up on the corner of Main and Atrocity there is a sexually abused childrens' choir all bruised and in mourning---they weep spring showers and a random co will pause every rotation to shake his club at them...their tears shower and river into the gutter into the sewer and tiny streams traverse the complex body-work of pipes around the underside of the city....the tears spill out amongst the piss and shit and bleach and waste of the whole population, curse the waste, damn the waste---tears flow down the solemn, violated river intermingle with the sewage and out east toward forever...
Meanwhile, topside, all lights blazing in storefronts flicker a tiny second and my eyes and my nerves explode. Broken glass flies and dances—my hair instantaneously goes gray and peels exitedly from my scalp and temples like porcupine quills of fable and all is a careening negative lightning image----
A child is running sideways and reckless up the street, pointing, “the angels are dying,” she yells, “the angels are dying!” I believe her. She and several hundred little friends charge up the street in careless flocks.
The whole street seems to tip diagonally and tons of garbage and paper and debris sail off along the axis to oblivion----cars smash left, right and sideways----
The huge crystal angel sculpture in the center of town explodes and sends itself everywhere in fragments---some several green bystanders are decapitated. Couples and stray dogs fuck and defecate wildly on park benches---quote one witness to the action, “it got real hard to tell the humans from the animals. All had shit all over 'em, but that was, like, beside the point.”
The great titanic angel figure shatters with a great noise and rains its silvery, ragged spore all a kaleidoscopic apocalypse where is my angel? Where is the cataclysm blizzard from whence it came? There is snow in the gutter and the cripple sleeps crutches by his side in an eerie, singing brick and snow revelation wonderland dream silent yet wailing out in the towering, menacing black----
I hear the choirs singing and buzzing off into nothing like transistorized flies emitting telepathic deathscreams. I can't stop any of it. Worlds, entire worlds snuff out under my eyelids and it is all too crowded too much-----in the oriental bazaar rope bridges collapse sending hundreds of hapless consumers plunging to their deaths the flimsy, ornate paper pagoda lamps floating down the ugly stream dampening and shorting out, the only sign that anyone had ever been there to begin with.
Everything's dying in a mournful, contorted collision---my head involuntarily draws on an old playground rhyme cartoon fairytale slice of imagery the stately loving angel I kneel before reaches over and draws a circle on my forehead....
Neon blasts and sparks and the black claims another mechanical victim and the fairytale sprites follow the angels all exploding into falling crystalline ash----
The bald woman yelps like a dog and tears down the street Olympic and hypermotivated because her ass is on fire. Her pillbox hat flies off and tumbles in the opposite direction.
Cletus storms past looking hatefully through everything. He kicks a child and spits at nothing in particular—up the street towards certain oblivion he goes surly in his muscle shirt and looking for a war. Good luck, Cletus---I'm sure you'll find a few.
I'm crawling the sidewalk, now, so low I can taste the ghosts of the whole town's shoes. If there's anything Christ alive in this place where is it? Can I touch something that won't draw blood? I grasp and clutch at singed air...I think my thumb is broken and there's a sharp pain in my stomach that makes me frightened to look down there. I gotta puke....
Ambulances and fire engines and cruisers scream by in a blaring cacophony—I can see the woman over there doubled over grieving---she's belting gospel lugubrious agony like a tortured Mahalia Jackson black armband shatter mercy poster child of woe----she screams in synchronization with every siren shrilling in this shit city---my mother often told me the sound of sirens distressed her; she said it always reminded her of the pain someone somewhere was going through and I know what she meant---the shrill makes me shiver in the strange, dark warmcold and I wish I could hide. My mother said, “God, how those sirens disturb me. They sound like people crying.”
Published 1993 in FAIRY TALES FROM THE URBAN UNDERGROUND (Yorkville Press)

Friday, January 9, 2015

DREAMING, PART THREE


(Excerpt, HELLO, UGLY, a novel by C.F. Roberts)

The gloomy, steamy, neon-diseased beer commercial night parts in half and I'm sitting in this grey, stonelike room. I'm dressed in a white outfit and I have a beard, or rather half a beard. I don't think I've shaved in at least a week.
I'm sitting in this grey chair that looks rugged, like stone, as does all the furniture here. I pick up the white phone on the stone end table and dial the number.
“H'llo?” Says a man on the other end. Instinct. My brain screeches out, this man is an asshole.
And it makes me nervous. “Hi, uh, I'd, uh, like to talk to Zoe, please.” Fuck it, I may as well just get to the heart of the matter and not play around.
“Oh. You'd, uh, like to talk to Zoe, please?” I knew he was an asshole.
“Is Zoe there? I'd like to speak to her.” I know, now, that I'd better be real careful not to sound too desperate. This is the kind of creep who'll just thrive on that, exploit it for all it's worth and throw it right back in my face.
“Yeah,” he sneers, “we have a Zoe here.” I hate him. Smarmy, wiseass fucker. He's making fun of me, but I have to depend on him so I can reach her. Having to tolerate this creep is like having someone put a gun to your head.
“I need to speak with her,” still trying not to sound upset.
“Well, she's a little busy right now,” he says, but I think he may be lying. I hear sounds in the background—people laughing and talking, a TV blaring. It sounds like there's some kind of noisy game show on.
“It's an emergency,” I tell him. “I need to speak with her. Tell her it's Jack and he has to talk to her, she'll say yes.”
There's a brief, edgy, doubtful silence on the other end of the line. Then he speaks up. 'Look, Jack, let me save you the grief. Zoe's busy, now, real busy, and she hasn't got time for this shit.” Amid the laughter I hear Zoe. She blurts out this sentence I don't understand. It sounds like a joke or something, because everyone's laughing, now, and I hear her cackling away, too.
Now I'm getting pissed off. “Busy with what, the fucking television?”
“She can't talk, bub. I think you oughtta be a man and just shove off.”
“No! God dammit, no! You tell her! Right now! Jack needs to talk to her!”
“Ho, ho! Aren't WE demonstrative?”
Sinking heartwise and knowing he's got me by the balls, “I'm sorry. I haven't seen her since she fell down. I need to speak with her. Please. Please.”
“Tell ya what,” he sneers, “I'm a pushover for a good sob story. Lemme just check and see what I can do for you.” He puts the phone down with a loud bonk. I hang on the line and listen as he addresses her. “Hey, Zoe! Blah, blah, blah, blah, blah! Guy named Jack! Blah blah blah!” There's a pause. Then everybody laughs.
He grabs the phone again and now he sounds all jovial. “Hey, ah, Jack Buddy! Zoe wanted me to ask you a question. She wants to know if you'll ever consider making love to someone who has brain damage! Ha! Isn't that a fuckin' smoker?” He rattles off into a torrent of obscene laughter.
“Listen, asshole, put her on! I need to talk to her. Life or death!”
“Aaaaah.....aaahhhh.....sorry, chief, no can do! Zoe's occupado, now, know what I'm sayin'? Like,
REAL indisposed!”
“Please! I have to talk to her, please.”
“Sorry, Jack ole boy, she can't come to the phone.”
“No,” yelling, now, “you're NOT sorry! Tell her I'm here! I need to talk to her!”
“No dice, Jackson,” and the line goes dead.
Now I'm on the street. I'm walking barefoot in some little suburban neighborhood I've never seen before. I step lightly and I watch where I'm going, because I don't want to chance getting any broken glass in my feet or anything.
Step, step, step, step, one foot in front of the other until my foot touches the bird and I jump back. It's dead, squashed, its little face frozen in a painful scream.
“Huh. Huh, huuuuhhh,” and I back up and step on a dead squirrel. Tip toe as I scream and try not to look, shaking all over, but I see a dead dog by my side, run over and ripped in half. “Jesus,"  I pray and I shriek, “oh, Jesus, oh, Jesus, oh, Jesus!”
I find I can't walk two feet without stepping on a dead animal. The bodies go on for miles up the road. Dogs, cats, birds, horses, mice, rats, bunnies. I see a cow. A buffalo. I see a big boa constrictor, torn open and spilled across the gutter. I see a baby, dead. A little, bespectacled girl, dead. I can't turn anywhere to avoid the carnage. It's everywhere, everywhere. It's like a minefield, and here I am in the middle, screaming and shaking and screaming, “oh, Jesus, oh, Jesus, oh, Jesus, JEEEEEEEZUUUUUUUUSSSS....”
“Shut up,” somebody snaps and I look to see my mother glaring out the window of some old colonial house. “God dammit, Jack, quit overreacting! You want people to think you're a freak?!”
I try to answer. I try to ask her to help me, but I can't believe she can't see what's happening, I can't believe it and I try hard to say something but I just stand there amidst all these bodies with my mouth open. Nothing comes out. She looks at me with a grimace of disgust. She pulls herself back into the house and slams the window shut.









Copyright 1990 C. F. Roberts/1991 Shockbox Press/ 2015 Molotov Editions