Tuesday, February 26, 2019

YAY!!!! I get to be the 9,000th person on the internet who makes fun of "The Room"!!!


Heather got me a fascinating batch of birthday presents a coupla weeks ago---everything was in couplets. Two albums by The Brian Jonestown Massacre (“Strung Out in Heaven” and “Thank God for Mental Illness”) two books by or about Punk Rock/Counter culture legend Penny Rimbaud and a DVD copy of Tommy Wiseau's “The Room”, accompanied by its companion piece, Greg Sestero's making-of-the-movie book, THE DISASTER ARTIST (Don't get me started on the James Franco biopic. He's a tourist in this neighborhood at best---a condescending hipster colonialist with the stench of Hollywood Trash all over him----to quote John Waters, “here in Mortville we don't like social climbers!!!!”)
So, last night we finally cracked open “The Room” and watched it, and by the last half hour Heather was apologizing to me, which was unnecessary, but...
SWEET JESUS!!!! What the hell, Tommy Wiseau?????
I mean, I've seen enough comedic breakdowns on this thing to where I knew everything about it and everything that happens in it, but to see it all laid out in front of you, unexpurgated, back to front, naked, raw, ugly and sad, that's different....
My relationship with “The Room” has become a complicated one—I remember waking up one night  and throwing on “Adult Swim” only to see “Tim and Eric”----in fact, AS's ENTIRE SCHEDULE—was pre-empted by this horrid soap opera-looking thing where some greasy freak named Johnny was racing around having conniptions over who knows what and all the other cast run around wringing their hands over him, and I'm like, “who the fuck is this Johnny idiot and why am I supposed to care?!”
Years later, here it is, full on, and if that's not call enough for a Silkwood Shower, go pay attention to politics for a while.
Wiseau in recent years has usurped Ed Wood for the worst filmmaker ever mantle. To be fair, Wood never deserved that. His naïve charm, his pure gumption and his love for his profession rose above his deficiencies, or in many cases created a nice melange. Wiseau, likewise, probably doesn't deserve such distinction, as luminaries such as James Nguyen and Neil Breen are already making him look like Eisenstein. Wiseau, to his credit, seems to have an understanding that there is this thing out there somewhere called cinematography, and that it can be a nice creation.
If there's any value to “The Room”(Outside the memeworthy quotes---”oh hai Mark! Oh hai Lisa! Oh hai Denny! Oh hai Doggy! Oh hai gun barrel!”) it probably exists in the incredulous conversations one can have during or after (“Oh---damn---that was an hour and a half of my life!”---”What the hell were they thinking?!”). It's a similar phenomenon to what happens in the wake of “Cannibal Holocaust”, except that, with the former, there are bigger questions about the morals of filmmaking, beyond even the intended metanarrative, whereas with “The Room”, it kind of dies on the level of “The Room”----that was terrible, amirite?! Let me count the ways in which it was terrible...
As kind of a side note, a trailer is included on the DVD that undoubtedly happened after “The Room” started attaining cult status...Wiseau was trying to remarket it as a “Black Comedy”. HOLD ON. BULLSHIT. Sorry----you are not permitted to enter Annexia. I am the Black Comedy Police, and I said, NO. I'm an aficionado of Black Comedy----I'm a Black Comedy PURIST, a Black Comedy FUNDAMENTALIST, and my crazy-ass Black Comedy Madrasa says, NO, for the love of Yossarian, you don't get in, sir! Tough titty.
Not that I fault the guy for trying to make a buck, but NO---your pretensions of Black Comedy stop on the end of my fist, sir.
I could rip up “The Room” on any number of fronts---bad green screen, shit performances (although I have a hard time faulting the actors for being unable to convey a script that has no idea what it is to be a human), the sheer, destructive egomania of the auteur---but what I'm going to focus on is the real elephant in the room (or the elephant that ate the room)---the writing.
Great Googly Moogly. Let me take a second out to run my hands across the top of this desk just to make sure there are actual MOLECULES there. Okay. Okay. Okay. I think the universe is stabilizing. So, first you get the “Johnny” character (Wiseau himself), and he's a nice guy, very trusting and altruistic and he's all goodness and light, and (in view of the narrative) a man beyond reproach. It's almost like “Rashumon”, minus any of the cynical, knowing irony.
Then you've got Lisa, Johnny's fiancee---we learn over the course of the film that Lisa is “very beautiful”, a litany repeated endlessly by Johnny and others---she's also callous, duplicitous and completely self-serving, as evidenced by her mantra, “I'm going to do what I want.” You hear THAT a lot, too, as well as her constant response to anyone else's woes, “oh, don't worry about it, it'll be okay!” Lisa would probably qualify as a sociopath, but that's assuming, for five seconds, that “The Room” had any remote understanding of how human beings work.
Third of all you have Mark. Mark is Johnny's best friend. We know this because he repeats it continually, usually while preparing to bone Lisa. In fact, half the dialogue in this film is so repetetive and constant it's like an endless mobeius loop....to quote Heather, “if you made a drinking game out of half this dialogue you'd be clinically dead by the end!”
The last main character is Denny, a weird and disturbing boy-man who also lives in the building. We learn along the way that Johnny thinks of him as a son and pays both his rent and his college tuition. Denny is arguably the creepiest character on the story---he's a constant tagalong/human dingleberry and he has an unhealthy desire to be with Johnny and Lisa especially when they're trying to get intimate. Why? I don't know why.
There are other characters and other plot points, too (I'll get to those in a sec) although the main gist of it is the very simplistic structure of Lisa and Mark's betrayal of Johnny leading to his eventual hissy fit and suicide at the end. Other characters and plot points pop in and out for no reason whatsoever. Some rando couple pop into Johnny and Lisa's apartment and have sex for no discernible reason. Characters appear and disappear. Lisa's mother announces she has breast cancer, with all the crushing gravitas of last week's fender bender. Lisa blows off this revelation like she does everything else in the movie and it is never mentioned again. Denny is in trouble with a local drug dealer. This becomes an issue once and is then completely forgotten about. There is a scene at a coffee shop where we are treated to two sets of customers placing their full orders and being seated before Johnny and Mark come in, place THEIR full orders and are seated, whereupon the “important” slice of dialogue starts. WHAT THE HELL IS THIS-----SILAS MARNER???? Fuckin' TOLSTOY????
Throughout the story people behave in a way that is categorically unlike the way humans act ANYWHERE. People perpetually show up for visits or deep, heart-to-heart conversations that last 3 to 5 minutes and resolve zilch before getting back up and saying, “well, I've got to go,” and walking back out the door. I mean, this motif is CONSTANT. It's COPIOUS. It HAPPENS IN AN ENDLESS STREAM.
And then there's the football. THE FOOTBALL. THE GODDAMN FUCKING FOOTBALL. MEIN GOTT. Not that actual football games are taking place, but a perpetual bit of recreation and bonding the males in this movie engage in is that they go off somewhere with a GOD DAMN FOOTBALL and they all run around and toss it back and forth...these endless games of catch with the goddamn football!
So my theory is that Tommy Wiseau is actually a space creature---his mission is to report back to his alien brethren regarding life on earth and that “The Room”, rather than an actual film for human consumption, is his report back to the homeworld about us and what he believes we're like. His hypothesis is laughed out of the building and now he's stuck here, a la “The Man Who Fell to Earth”.
Heather did me one better and suggested “The Room” is actually a sly reboot of “Robot Monster”. Tommy/Johnny is actually supposed to be Ro-Man. Lisa is the oldest daughter Ro-Man must kill but develops feelings for. Mark is a hybrid of the patriarch/scientist and also the alpha male boyfriend of the daughter. Denny is the kid who dreams the whole thing (or DOES he???) Lisa's mother...? She might be one of those lizards they crib in from a different film, pretending it's a “dinosaur”. Yeah. I'm sure that's it.
There seems to be this whole school of film criticism out there, now, that encourages you to throw any sad, demented theoretical comparison out there, and posit it whether it can be backed up or not. Heather's “Robot Monster” theory is as sound as any of the others. I think it's time to nominate her for a Rondo....
In the meantime, do yourself a favor and check out “Robot Monster”----it's better than “The Room”. Or check out “Plan 9 from Outer Space”. Or “The Star Creatures”. Or “Manos: The Hands of Fate”. Okay---that last one was a tough call...nope. Sticking to it.



Later on we got some better entertainment going----ALL THE COLORS OF GIALLO featuring four hours of classic Giallo trailers with commentary by the great Kat Ellinger. A much more rewarding experience, and, dare I say it? Infinitely better than “The Room”.

UP NEXT: “The Meat Factory” (previously unpublished!) plus 2019's long range-but-attainable goals
'Til then....Aloha!

Friday, February 15, 2019

WRONGDOING WROULETTE


I've been sitting on this one for an inordinate length of time for absolutely NO GOOD REASON other than my own stupid lack of organization and distraction with other (mostly asinine) things. But I've been wanting to do it and there's no time like the (while I've got a brief, sane window) ever-fragile present.......Uncle Chuck has been on an INCREDIBLE ROLL these past few months as far as placing short stories and other sundries....some publishers out there have been VERY KIND to your strooly and I think it's crucially important to help promote these good people and their efforts.
While I'm running hot and cold on a lot of my bigger, more ambitious projects, the art of the short story is one that I've always had a particular liking for, and lately I've glommed on to it, HARD. I like playing with these compact narratives and I feel like I'm producing a lot of good ones. So I'm emphasizing that, but I've got other goodies in store. Anyway, here comes a laundry list of publications, webzines and publishers that kick ass and they deserve both your attention and your support, so pull out yer spiral notebooks and take note......
     We're gonna go back to October 2018 for the first couple. I teased my contributions to UNLIKELY STORIES MARK V a few months back, and they're HERE. I mean, THESE ARE THE LINKS TO THE STORIES.
http://www.unlikelystories.org/content/jesus-superman-and-rice-patties?fbclid=IwAR0up52UbYy4hQNgD80VII3UNReo1zfk5K2wCHCu6r3dw4VlGcZ5c3eupDg

http://www.unlikelystories.org/content/the-windshield-of-a-moving-car-is-hard-especially-when-you-drop-on-top-of-it-from-thirty?fbclid=IwAR0ogh1j0BKouCLK3Nek4h6zBE0gsAt9AEEWBtKv5MBeMAf-HwF4ZyzUg8Y

"Jesus, Superman and Rice Patties" is an OLD story, very early, recently rewritten. "The Windshield of a Moving Car is Hard, especially when you drop on top of it from thirty feet" is FAIRLY NEW. Some friends might remember me threatening to write a story about a guy legally changing his name to "Howard the Duck" YEAH, WELL, I WENT THOUGH WITH IT. You can read it RIGHT THERE.
     In general you need to check out UNLIKELY STORIES MARK V when you get a chance.....Jonathan Penton has put together a fine rolling periodical with piss, verve and color.

      Another person deserving of your interest and support is Sreemanti Sengupta at Odd Books and the ODD MAGAZINE. She puts together a unique pastiche of webzine and tiny-but-mighty publications. Fourteen bucks gets you a year's package, and you really need to experience the joy yourself (as I did) of getting this beautiful stack in the mail...
Not that I'm not part of the cavalcade or anything....
       "The Day the Sun got an Eye Gouge" is a weird one, and you need to consider that in light of the last one I linked to. If you like stories about all-day eclipses, animals wearing sun visors, kids with Asperger's Syndrome and flying, talking pot roasts, then fire up a big spliff and check it out!!!!!! (Not that I advocate that kind of thing or anything). While you're at it, though, check the Odds and their entire catalogue out at length.

https://www.theoddmagazine.com/

      Okay----next up: FEARLESS!!!! Goddamnit, what can I say about FEARLESS???
Kevin Hibshman and I go back, WAY back to the Mesozoic Era, when we both crawled out of the primordial ooze and started lobbing xerographic molotov cocktails around. Somewhere amid that ferocious melee we peered around the swamp at each other and said, "hey, buddy!"
FEARLESS (originally DISTURBING DREAMS AND DRIED BLOOD) is an underground lit INSTITUTION and it's been around forever. Anytime FEARLESS appears in any incarnation it's an event. This time out it's pretty extraordinary, like a little poetic thoughtbomb, and it gives me all the nostalgic feels for the days when we were running out to places like Kinko's or Staples to print up en masse and drop all our sodden product on an unsuspecting public. Despite our current digital mileu Kevin replicates our old DIY, cut-and-paste ethic to PERFECTION.


        https://archive.org/details/Fearless66

THAT'S IT, RIGHT THERE. THAT'S THE LINK TO THE MAG ITSELF. Click that and you can read it and you can download it for your very own. Don't say I never gave you nothin'.
        I've got a few poems in here, although the biggest point of excitement (for me) is the first appearance in publication of the Fugues....little dream logic prose pieces I started doing recently (Actually, the first Fugue seen publicly was Fugue Seven, which I ran back in September and which was written explicitly for this blog). I think my original thought was that the Fugues were going to largely be erotica, but...y'know...I just can't do anything straight down the middle....but I've got more of these things to throw around, so....don't forget your helmets!
https://www.amazon.com/dp/1794097392?fbclid=IwAR2tFbjvm4aw6Z-R94dm1hPclj7gHrHK8C4GFg4gphCjL23ZEsjYOy3reog

        Last but hardly least I need to give a shoutout to the fine folks at ALIEN BUDDHA PRESS who are running a monster of an operation and are more productive than any small press I think I've ever seen. Red Focks and Co. have their game DOWN. I'm appearing in three of Alien Buddha's jams, right now, all of which look great and all of which have emerged at a startlingly fast rate. OH---YEAH---and as you can see from the link above, they're all available through Amazon.

       I was pretty excited when the call went up for a drug-centered anthology as I'd been thinking for a while about a new strain of literature that I referred to as "Pharma-Punk" (and I'm sure there are plenty of folks who've been writing along those lines forever)----in writing this kind of open-ended speculative fiction revolving around substance abuse I'm following the lead of writers like Hank Kirton and Shannon X. Caine, both of whom are exceptional with the pseudo-genre. My entry with Alien Buddha is "Wet", set in a bleak, dystopian future (what a dull, stagnant term) where we follow several sketchy characters in search of their drug of choice. I'm real proud of this one.
         ALIEN BUDDHA ZINE #3  and TALES FROM ALIEN BUDDHA 4 feature my short stories, "The Jennifer Tree" and "Faith",  although I'm actually a little fuzzy on which story appears in which publication. You know what, though? You should pick 'em all up. Chase 'em down on Amazon.
       Anyway, that's the roundup and that's what I've been up to these past few months. So curl up with something good to read and give some of these outfits some much deserved attention.

THIS WEEK'S PLAYLIST:
1. IDLES-Brutalism
2. BRIAN JONESTOWN MASSACRE- Strung Out in Heaven
3. BRIAN JONESTOWN MASSACRE-Thank God for Mental Illness
4. SKINNY PUPPY-Rabies
     


Saturday, February 2, 2019

ENTRY




This entry was "Fort Apache the Exchange", pending publication in GUERILLA GENESIS PRESS

There are days when you wake up and realize your story has surpassed its best-by date. Such was the case today with "Fort Apache the Exchange".
      God knows it's not an OLD story and usually I feel justified in peddling these things 'til they have a long, white beard. The danger, though, of doing topical/satirical SF is just that because you're dealing with specific topics and specific issues in specific times, you end up putting an expiration date on your work....which is why for the most part I prefer to deal with BROAD, UNIVERSAL politics as opposed to specific issues tied to specific time frames.
     Obviously, a chunk of this spoofs colonialism, which is a pretty broad subject that you can do a lot with. Colonialism, though, is just a bug rather than the feature.
     At the time I wrote it the TEA Party had some wheels under them and the Occupy Movement was very much on the wane. I was still trying to process my own poor associations from my five-minutes in the local version of the Occupy Movement, but that's another rant for another time. So basing it around what I saw going on as well as my own years of experience as an activist, it was my own look at the way Neoliberals (my favorite targets), elites in general and/or the people in charge of any given system view and relate to activists, protesters and/or movements.
       From my own lens, having dealt with both power structures and their friends and mouthpieces in the media, elites do not understand activists, or at the very least they make a disingenuous show of not understanding them, instead dismissing their concerns as "incoherent" or "conspiracy theories". The Aliens in "Fort Apache" are actually on the benevolent side (or at least that's how they see themselves)...of course, there's the genuine culture barrier. 
      Thing is, at this point in time this chunk of history is just water under the bridge and there's really no pressing relevance to push. I can't really justify keeping "Fort Apache" in circulation so you all get it here.

THIS WEEK'S PLAYLIST:
1. WE'RE DESPERATE (Rhino L.A. Punk comp)
2. THE BOLSHOI-A Way: The Best of the Bolshoi
3. BLACK SABBATH-Vol. 4



Friday, January 4, 2019

NEW (ish) SONG LYRICS





Banged out some new lyrics. Okay....slight exaggeration. They've been floating around in my head from anywhere between 2 or 3 months and over a decade. But you know, when you can't get rid of the noise in your head, there's really only one answer, and that's to put it out in the world. Aren't you lucky?
So, officially, then, welcome to the first new blog of 2019....

EVERYBODY KNOWS

Everybody Knows
that the deck is stacked and the pigs are laughing
Everybody Knows
Even the white hats are bought and sold
Everybody Knows
The arc of history is long and pointless
Everybody Knows
all this shit is getting old

Everybody Knows
that it's game over and you get nothing
Everybody Knows
you eat shit at the end of the day
Everybody Knows
that when they smile they're not your friends
Everybody Knows
Past the facade they've got zero to say

Everybody Knows
the temptation's great to pack it in and go home
Everybody Knows
it's too fucked up to work anymore
Everybody Knows
the night won't end but the sun also rises
Everybody Knows
you've gotta find a reason to get out the door


“Everybody Knows” came to me in a dream. Quit laughin', it happens. My zine came to me in a dream, and that was actually a thing for a while. In the dream, I was trying to join my “band” on an outdoor stage. I was having to crawl across this metal grating that was suspended ten feet over the ground and I was having to crawl out on my hands and knees. The band blew through the first couple of numbers in the set while I struggled out, and the bassist, a small woman with a moss green dye-job, took over yelling duties. When I finally made it to the stage they handed me the mic and I yelled this song (note that I always refer to it as “yelling” rather than “singing”), never getting up from my hands and knees. The song has haunted me for a couple of months, now, so there it is. The only line I really solidly had was the last one---Yeah, life is shit but you gotta man up and keep goin'. Existential-Core.



UNDEAD WAGE SLAVE

The speed of the cycle is starting to slacken
the spokes of the wheel are cold and cracking
You don't wanna be the just-home headline
when these defects start to unwind

CHORUS:
And in the night
While you're going to sleep
We come back, we come back
We come back, we come back

The pace of the cycle's too fast to manage
the center of the wheel is hot and damaged
a few more junkers thrown on the scrap heap
one more mongoose screaming for upkeep

CHORUS

If this one doesn't work they can suck me
The center of the wheel is white and fluffy
it ain't like all of the brickbats 'll hurt me
It's coming up on beer thirty

The exit might be a little too bumpy
we go to the ground, it's called winning ugly
If you don't think the dead come alive
You should see the place at quitting time

CHORUS
REPEAT CHORUS


This one's been kicking around my head for well over a decade at this point and it was too strong to resist. The genesis of it was inspired back in the day when the Rude were making the rounds and I'd occasionally try to pen lyrics for them. This one was always floating around just below the surface.
The two songs that actually provided me with rhythmic templates, weirdly enough, were “Bloodsucker” by Deep Purple and “Distant Illusion” by Flipper. Contradictory pairing? Maybe, whatever. It worked for me.
The imagery might seem obtuse and surreal. Most people who knew me back then will read this and know the references and get where I'm coming from because I spent 11 years working graveyard shift in a wheel factory. I think it goes over better if you DON'T know that. “What the hell is this 'wheel'? Some kind of metaphor?!" No----it's just a wheel, ponyboy, but whatever your read is, it's probably more interesting than mine.

WHITE KNIGHT


You're a white knight and you're on the make
but you'll play it cool and you ain't gonna fake
You've got plans
You've got plans
You're gonna treat her right and show you're a man

You're a white knight, regular paragon of chivalry
you've got cred, you even voted for Hillary
You've got plans
You've got plans
You even pimped out your shitty old van

CHORUS:
You're such a nice guy, uh-huh
you're such a nice guy, uh-huh
such a nice guy
'til she tells you “No”

You're a white knight and you've worked on your lines
Cry on my shoulder, baby I got the time
You've got plans
You've got plans
She's gonna be eating out of your hands

CHORUS

You're a white knight with egg on your face
Big night down the drain, what a disgrace
You had plans
You had plans
Now you've gotta a hot date with your right hand

CHORUS

A big trope with the S.E. Apocalypse Krew was a whole slew of Guy-who-can't-get-laid songs. As far as what made it out onto the album, “Keep Walking” is probably the big example. “Melissa” and “First Stare” also edge into that territory but not really. One back in the 80s and 90s we did that also wound up having a couple of different demo versions (of varying quality) was one called “Dog Boy”, which I always jokingly referred to as our “Bon Jovi Song”----it was certainly one of our more accessible numbers---but it kind of tread the waters of “miserable sad sack develops a crush on this chick and gets nowhere”----all done kind of humorously with some great, funny lines (I thought so, anyway). For every “Keep Walking” and “Dog Boy”, though, there were half a dozen similar ideas half-written, with titles like “Looking for Rejection”, “Jeal-Lousy” and “The Night is for Lovers”, which eventually evolved into a short story...we went to that well a lot, and I guess my attitude is, if you're going to go to that well you need to make it a little different and new....
“White Knight” might be kind of a related item and it popped into my head, likewise, late last year and became a thing...so I came up with the idea of a song about “nice guys”, who-----when you scratch the surface just a little, are really just dicks. The title was gonna be there, no matter what, because it was too apropos to leave alone. The obvious tie in with Incel/Red Piller culture is there, and as I've said a few times before, I've got no love for that kind of toxic mindset. But obviously----what can you do? The whole “White Knight” trip is an actual thing----you trot it out and everyone knows exactly what it is and nobody likes it-----even the guys who ARE “white knights” don't like it.
The rhythmic template going through my head for this one was early Plasmatics tunes, primarily ones like “Master Plan”, “Butcher Baby” and “Headbanger”. Ran it by the Missus, who looked at it an immediately identified it as kind of “a kickass punk rock tune....I could see an all-girl outfit doing this, like Easy Hate Coven....”
Yeah, there you go----Happy 2019.


Song lyrics copyright 2019 C.F. Roberts/ Molotov Editions. Extraneous ramblings courtesy of your Mama.


THIS WEEK'S PLAYLIST:
BRIAN JONESTOWN MASSACRE-METHODRONE
BRIAN JONESTOWN MASSACRE-STRUNG OUT IN HEAVEN
BLUE OYSTER CULT-SECRET TREATIES
BLUE OYSTER CULT-SPECTRES

Sunday, November 11, 2018

A STEAMING PILE OF RANDOM


Several scrawled passages I found on a stray piece of paper while cleaning.


No one ever tells you the truth in this town. It's not that they're lying but most of them are vague. The ones who aren't vague are the worst human beings alive. That's what kind of town this is.


Lamentations of the Lesser Afflecks


I was in launch to a beautiful woman but then bop bop bop bop bop bop bop bop bop


“They treat the poor like animals. They hand you a can of hooves and tell you it's Deviled Ham.”


“It looked like a pine cone except it was made of flesh. Like a flesh pine cone. It was just lying there. They call them 'Pequods', I think.”


Exhaustion, defeat and points West


Spokes or maybe fingers


Listen, listen, listen, listen, listen


I know I said maybe it was a fork but maybe you shouldn't always ask those questions


This is in my handwriting and I'm fairly certain most of it emanated from my mind. Except for that part about the can of hooves-----I'm almost 100% positive I was taking dictation from Heather Drain on that one.

Copyright 2018 Molotov Editions. We don't care if you don't like it.



Saturday, September 29, 2018

FUGUE SEVEN PLUS GENERALIZED WRONGDOINGS



FUGUE SEVEN: SICKNESS AND MOURNING
(Slight Return)

by C.F. Roberts

I'm sick....if you have the misfortune of seeing me I look like some sad cartoon bug or something. I haven't bathed in the better part of a week, I'm in constant pain, I can't eat and I really am truly the sickest I've been in decades.
The little black cat is curled up in a ball by my side----she won't leave. She rests half on my body, half off, because it hurts so much when she's on top of me that I won't stop moaning and groaning.
What's she thinking? Is she afraid I'm going to die? I'm loathe to say what my cat is thinking, but I guess I appreciate the good thoughts.
Two years later I've recovered from my illness. There have been fluctuating ups and downs in life.
On this day that same little cat that would not leave my side is dying on the living room floor in front of me. I spent the last several days watching her deteriorate to the point where she has been lying limp on the arm of the couch, choosing to sleep most of the day.
Now she has abandoned all places of comfort, choosing instead to lie flat on her side. My wife strokes her softly and she shudders, letting out a weak, noiseless cry.
We tell her we love her and we're here----right here with her and we're not going away. We hang back and talk as she lies still.
After a while we realize she's gone.
Some close friends go behind our backs and do us the kindness of paying to have her cremated. She is returned to us a week or so later, her ashes in a tiny, wooden container with her name emblazoned across the top. It looks like a tiny casket and it's hard to believe a little box like that contains what used to be a cat.
I show it to our male. He rubs up on it with a great deal of affection. I don't know if any part of him understands that what we're showing him is his sister, but he seems to like it a lot, regardless.
We place it on our mantlepiece with some of our favorite things---Exotica records, Halloween decorations, anything Hawkwind ever did. We burn some incense and place a little cheezit cracker on the tiny casket. She loved them. She would steal snacks like that right out of our hands.
She was cantankerous, unruly, unrelenting, loyal and beautiful. I'll spend the rest of my life wondering if I was worthy of her company.


Copyright 2018 Molotov Editions


While I'm kicking around like a lout and trying to preserve my 900th skin graft I figure I haven't done any kind of a status update in a while...lot of exciting news on the writerly front.
I guess that the latest is that in early October ( Projected as sometime in the week of Oct. 7-13) UNLIKELY STORIES MARK V will be running my short stories, "Jesus, Superman and Rice Patties" and "The Windshield of a Moving Car is Hard, Especially when you Drop on Top of it from Thirty Feet" over two consecutive days. Keep an eye peeled. This publication rocks, they've been kicking it for a very long time and you can check them out HERE:

http://www.unlikelystories.org/

In addition, THE ODD MAGAZINE and Odd Books are going to be doing my short story, "The Day the Sun got an Eye Gouge" as a mini-chap at some point in the future....I latched onto the Odds earlier this year and fiercely recommend them----they've got something fresh ad unlike anything else going on! Look them up HERE:

https://www.theoddmagazine.com/

One of these stories is actually one of my oldest ever, which up to this point I've never been able to place---the other two are significantly newer. Keep an eye peeled for this stuff....they're three of my favorite stories and I can't wait for people to read 'em.



       Let's see---what else? OH!!!! YEAH!!!!! MY BAND PUT OUT A GODDAMN ALBUM!!!!!! As I've been slinging the hash of hype for a while, it's probably important that I finally get to actually pimp this thing! We even have our first video out!!!!! And if you haven't seen it, here it is:


Sorry if you've gotta sign in----the sticky wicket of having to farm a music video with a few naughty words through the local Access Station/Media Center---but they're a great help to me----have been for many years, god bless 'em!
Anyway, yeah, that's me----I produced and edited the video, those are my paintings and my grotty vocals you're hearing-----sublime music  by the great Mike McAdam and percussive contributions by Brad Rondeau! Enjoy.
        We're talking about putting the album out on CD Baby in the future----until that happens, if you want a copy of the CD, well....if you're in NWA you can find it at our favorite musical haunt,
https://www.facebook.com/blockstreetrecords/
If you can't get it there, contact me. I'll see if I can't set ya up.

THIS WEEK'S PLAYLIST:
BAUHAUS-Burning from the Inside
BAUHAUS-The Sky's Gone Out
KISS-Rock'N'Roll Over
THE GUN CLUB-Louder than Live

Friday, August 31, 2018

THE MASK

          “Smile, willya?!” Squalled Nadine. “Jesus H. Christ, you'd think your face'd crack open!”

Bailey felt a smirk coming on, but now he had a need to fight it back down, which he did successfully. He, Othmar, Emily, Nadine, Dennis and Darren were together for the usual AM coffee splurge and gab at Denny's---Saturday night drifting into sunrise and no one had to go to work on Sunday morning----even Emily had a week or so to kill before she'd have to catch the shuttle back to New York...

“Jesus,” Nadine bitched, “Don't you EVER smile?! You're doing okay, getting a free ride to all the galleries, getting good meals----what's your problem?!”

“Bailey's got no problems,” Othmar, as usual, coming to his rescue, “he just has a sense of purpose!”

“He'll smile when he has a reason,” said Dennis.

“You have to know ole Bailey as long as we have,” said Emily, “to know that when he's zoning like that it doesn't mean he's got a problem.” She reached over and patted Bailey on the shoulder. “He's a very sensitive boy, and a fine artist in his own right.”

“The best,” helped Othmar. “It's just a matter of our convincing the rest of the world so.”

“We'll get there, ole Bailey,” drawled Dennis, “Do not fret. We're all gonna get where we're goin' someday.”

“I know,” said Bailey, and rode with it—Othmar and Emily and the gang were good friends, but as ever, he could have done without the testimonials.

Nadine harped on. “I don't know----I don't get it---we're all having a good time and there you are, pal, off in the doldrums!”

“I'm having a good time,” Bailey offered weakly.

“And you just--”

“You see?” Darren barked. “You see?! He's having a good time, dear! Now, willya get off the poor guy's case?”

Subject matter picked up and moved on---there was no sense in killing a whole evening/morning arguing about Bailey's facial expression.

Dennis was clipping off on one of his college-era road rambles. “So, anyway, Texas, down to the border, right? There are six of us, all crazy and half-in-the-bag in that one tiny car.....”

“Must smelled dandy,” Nadine editorialized.

“So, what do you figure a cop would have to say about it?” Continued Dennis.

The booth was situated beside the picture window and Bailey found himself drawn to stare out into the parking lot---it was three o'clock, give or take, and the asphalt, at least on this side of he building, was empty----dead for a Saturday night, here. It was early September, time of dying sun and heat and Bailey knew the snow wasn't far off, now, that it would be blessing the ground like a sad angel powder...millions of tiny crystals pushing the black out, showering the vacant earth....

“--Hey, Bailey?”

“Huh?”

“I said, 'are you ready to pack it in?' “ Repeated Othmar.

“Oh! Sorry! Sure, I'm all set.”

“Jesus! Earth to Bailey!”

“He looks tired,” said Emily. “C'mon, Bailey, we'll take you home.”

“Later, all.”

“ 'Bye,” the gang saluted, all wired-but-tired and gabhappy.

“And goddammit, try to cheer up, will you?” Yelled Nadine.

A yeah, yeah, yeah would have done, but Bailey opted to retain his dignity with silence. Outside, the wind blew---Bailey was right; Winter, long off, still, but sure, was a shadowy creep aking its overtures to the land.

“Don't listen to Nadine,” grumbled Emily. “She's just a bitch, she doesn't see your inside.”

“Sometimes I wish I couldn't,” joked Bailey.

“Cut the crap,” said Othmar, fishing through his pockets for the car keys. “Man, you bug me when you start talking like that.”

Othmar drove downtown to Bailey's Canal Street apartment---he was animated, as he frequently was on those occasions when Emily was in town, going off ragtime about all things art and sex and machinery. His and Emily's creation-in-the-works was a sculpture of tire irons that were welded together....the whole mess was obviously erotic in nature but maybe the full effect hadn't been fully realized, yet, since at present it still looked like a gnarled patchwork of tire irons. But it was always good to see a surprise unfold, and dammit, Othmar was happy and excited, and that hand to count as a positive, right?

Bailey laughed....he enjoyed Othmar's enthusiasm, but it was hard to get around the fact that he was tired.

Othmar pulled up to the curb. “Need any help getting in the door?”

“No,” said Bailey. “I think I know my way by now.” He loped up to the front door, searched his coat pocket, found the keys, turned momentarily to wave goodbye and let himself in.

Othmar put it into drive.

“Othmar?”

“S'up, babe?”

“I wish you'd put in a word with Bernice for Bailey. I kind of worry about him, living in that dump. I mean, your place isn't THAT much more expensive.”

“Oh, Em,” sighed Othmar, “we're talking Bailey, here, and you've known him as long as I have. You know how he is and you know what he HAS to do----he wants to live in a place that's 'alive', a place where there's a lot going on....it helps him. Somehow. He keeps saying.”

“I know,” Emily grudged. “But I wonder sometimes if it doesn't hurt him, as well. Look at Bailey, in shittown, Bailey, with his candles and his books and his little glass angel figurines----he needs it, or he says he needs it, but there's a big contradiction there. I think he's very frail.”

Othmar shrugged a shoulder. “I know, but it's Bailey, who's on a fixed income, who ain't rich by any stretch, and neither am I, but he thrives on it.”

“He says he thrives on it.”

“Maybe he needs it. Bailey and the glass angels and shittown.”

“Whatever. Still, I worry.”

“Yeah, well....maybe sleep on that worry,.” Othmar pulled into the Dell Street parking lot. “I'll see about talking to him.”

“ 'Kay,” smiled Emily. Obviously no constructive thought was about to transpire before a decent night's sleep at this point.


******

In the dim light of his apartment Bailey admired the decorations on his single end table by the couch he'd fished out of the dumpster last Christmas. He was proud of what was evolving as kind of an interchangeable, free-flowing diorama. There were the candles and all the glass angels, of course, those were a natural given, here, but also the various actors----the Godzilla, Jet Jaguar, Ultraman and King Caesar action figures; Time Traveler, his old, stalwart Micronauts doll from grade school; GI Joe and a few molded plastic ninjas, all forming a phalanx around and on top of his pill organizer. It was almost a political statement for him at this point----no man enters, no man leaves.

He'd had conversations with Bruce and Mike, a couple of the local guys from the neighborhood.

---”hey, Dave, we ain't seen ya much lately!” Everyone in the neighborhood Bailey saw called him “Dave”---not out of any malice, he was sure of that, but everyone, for whatever reason, was sure he was “Dave”, and acted like he should know who they were, even if he didn't.

Was there a guy named “Dave” walking around town that looked exactly like Bailey?

It didn't bother him enough to correct them, though. He was alright with letting it go.

---”we don't never see ya down to the community council no more, Dave! How come you don't go there?”

---”I don't want to.”

----”Aww, you know they got lotsa good drugs, Dave!”

----”Yeah, that's okay, I don't want to.”

----”Aw, everybody misses ya downa community council, Dave!”

Bailey was jarred out of this memory but hooting and hollering from several people outside. It suddenly occurred to him that he was sitting, buck naked, in front of those windows on the side of the house.

Hell, the apartment was like a fishbowl---windows EVERYWHERE. Even here on the second floor, in low light, the neighbors were getting a show.

“WOOO! Shake it for me, baby!!!!” Hollered a woman out in the darkness.

“Getcher pants on, faggot,” snarled a male voice. “You're scaring the children!”

Bailey made to get up and make a run for the bedroom and whatever surgical equivalent to pajamas he could find there but in the end he sat back down. Bolting and getting dressed was almost an admission of guilt, and Bailey wasn't about to play that game with these troglodytes.

The catcalls eventually died down. Bailey made his way to the darkened front room for some peace.

It wasn't that there were less windows in the front room but they mostly faced the street below and the lights were all off.

Bailey sat on a motheaten couch that had been left by a previous tenant. The place, whatever Othmar and Emily wanted to say about it, had no shortage of couches.

Down in the street, some unseen man yelled to some invisible addressee. The man sounded as though at least half his civilized demeanor had somehow taken a slip down the evolutionary board. Scuffle in the dirt, sound of a bottle breaking.

The candles were out. Bailey crouched on the floor and tightened up into a ball.

The man outside screamed in an anguished rage where the last vestiges of his humanity seemed to slip away forever.

Bailey clutched the sides of his head. “Stop,” he groaned.” Make it stop. Make it stop.”


*******


Othmar had a package to pick up at the post office on the South End. Bailey had a few hours to kill---hell----it seemed as though Bailey never had anything but time---and so he accompanied Othmar for the ride.

“Emily get back okay?”

“Yeah....kinda nice, though.....some obligations kinda going by the wayside.....she'll be back up here mid-week.” Othmar looked pretty stoked.

“That's good,” said Bailey. “She gonna be in town for the opening?”

“Yeah, at this point, most likely,” said Othmar.

“I used to go to the South End post office a lot,” said Bailey, “back when I was more into the mail art thing. I'd go out there and then I'd hit the McDonald's and I'd eat my burgers and read my mail. I don't really do that anymore.”

“You look sad, pal, “ said Othmar, “how you been?”

Bailey shrugged. “Okay, I guess. It's just---I don't know---sometimes I wonder what the hell's happening.”

“What do you mean?”

“It's hard to explain.” Bailey's soft voice was more quiet and halting than usual---it sounded funeral parlor to Othmar. “You know....those times when you're moving through a crowded room and you think you heard someone calling your name? Then you turn and you stare at them and you realize they weren't talking to you at all? Then you try to cover up by staring at everyone else in the room in kind of a roundabout way and then you just look confused and stare down at your shoes? Then you laugh to yourself and you shake your head and half the people there are staring at you and wondering what the hell is going on and so you just slink out of the room but halfway out you say, oh, God, what am I doing and you go back in and you look around again but nothing's any different, it's just, like, pffft! Pffft! Pffft!” He made small, sad, explosive gestures with his right hand to accompany each “pfft”, “and there's nothing you can do so you leave anyway, but then it feels...unfinished? You've got this bad feeling deep down but it's like there's nothing you can do? You know those times, Othmar?”

“No,” Othmar frowned.

“Oh,” said Bailey, his fingers roaming delicately, nervously, across his face. “Well, it's not too important.”

They arrived at the post office. There was no line and Othmar mailed off his package. Bailey cut loose and ran down the hall to check his P.O. Box. He rejoined Othmar out the door.

“Anything?”

“Nada,” said Bailey. The two got back in the car.

“Didn't realize you still kept your P.O. Box down here. Thought you'd given up on the Mail Art thing.”

“Oh, yeah, I have,” said Bailey. “I still get my monthly check, you know, and I figured it'd be too early in the month to come looking for it, and I was right, but we were here, and I thought, well, when in Rome....”

“How's that going?”

“It's alright,” said Bailey, “You know, you go down to your appointment every six months or so and they draw your blood and the Chinese guy gropes your balls and tells you to cough and then they ask you questions. 'Have you had any accidents over the last six months?' And you say, 'no,' and they say, 'do you hear voices?' And you tell them, 'no,' and they ask you, 'do you have any special powers---can you turn invisible or fly or read minds?' And you say, 'no, I can't do any of those things,' and they sign a bunch of papers and re-up you on your meds and you keep getting your nut check in the mail.”

Othmar winced. “Dude, don't say that.”

“What---'Nut Check'? Dude, if I can have a sense of humor about this, you can, too.”

“Bailey, ole bud, are you doing okay?”

“Yeah, I guess....why?”

“Emily and I were talking and sometimes we worry about you, living out there on Canal Street and whatnot.”

“I'm okay.”

“We're not real sure. Listen, Bailey, all I'm saying is that if you want to move to, say, where I'm living, I'm sure I can badger Bernice into cutting you a decent deal on the rent...”

Long silence. “That's nice, Othmar, but I'm okay.”

“You sure?”

“Yeah.”

“You SURE you're sure?”

“Yeah.”

“Absolutely, positively, a hundred percent sure?”

“Yeah.”

“Pinky swear?”

“Dude.”

So began the long, quiet drive back to Canal Street. Bailey spoke up first. “Winter's coming, soon.”

“Yeah,” said Othmar. He hated Winter.

“I like the snow,” said Bailey. “When it's virgin snow. It's like angel powder, and I like it when it covers up all the dirt.”

“Yeah,” said Othmar.


*******


It was a long time ago----Bailey remembered he was eight and he and his father sat together on a jetty on the Cape. He was crying and his father was trying to brace his leg, trying to yank a rusty, barbed fishing hook out of his foot. It was painful----blood was all over the rock. “Eeeyeeyeeee,” cried little Bailey.

“Shaddap,” yelled his father. “It'll be out in a second...quit yer yeein'.” His father pulled. It was still caught in his foot. It seemed that blood was everywhere.

“Eeeeeyeeeyeeeyeeeeee,” squealed Bailey.

His father boxed his ears. “Stop that goddamn yeein',” he snarled.

Blood on the jetty and the boy was crying. Seagulls yakked and tittered. Ocean bellowed.

*******

He knew his name was Bailey and that was the end of the discussion. Othmar and Emily knew he was Bailey-----even Nadine knew he was Bailey.

It didn't matter what all the people on the street said, what they said down at the temp agency, what they said down at the neighborhood bar where he cashed his checks. He was BAILEY. And all those check stubs on the kitchen table addressed to “David Sinclair”, whoever had put them there, didn't matter, either.

He was going to make a moral stand and be who he was, regardless of the box people tried to put him in. He grabbed a pair of scissors that he had lying loose on the couch cushion for God knows how long....relic from the mail art days. And goddammit, he thought as a side note, all his friends and colleagues around the country----whatever may have happened to them at this point.....they knew him, too. They knew he was Bailey.

The first things he pulled out of his pocket were his driver's license and his social security card. He cut them both into tiny, jagged pieces.

There were others, of course----the library card was one-----these two were the big ones, though. That was an ideal place to start.

For a hot second it was his plan to take the whole bolus of gnarled, segmented card stock and laminated plastic and dump it all in the trash. He hesitated, though, and thought better of it. If it was all located in the same place it was almost a guarantee that anyone could assemble all the remnants, no matter how erratically he may have cut them, and reassemble them as they'd been before.

He wasn't going to let that happen!

He dropped a few scattered bits in the trashcan....he had a couple of little dustbins around the house----one in the bathroom and one in the den-----he supposed these were options, but even then, were they all too close for comfort?

No----Bailey decided he would dispose of them over a period of several weeks, so as not to arouse suspicion. He played with the idea of dropping various pieces around town----maybe he could take the bus one day, have a little trip around town and deposit the random pieces in various trashcans and dumpsters.

He wished it were more feasible to travel out of state.....that would be even better.

He sat and thought about that for a while.


********


Wednesday, and the TV was going. Some lecherous kiddie show host rasped in a cancerous deadpan while holding a tiny girl on is lap. Bailey winced.

Out in the muddy courtyard, two dogs were tangling and snapping---could it have been that two of the men from Saturday night had become dogs?

He laughed out loud, then scowled. He hurled one of the glass angel figurines at the far wall. It smashed. On the other side of the wall, next door, a fist pounded in response and a man's voice boomed, foreign and judgmental.

Bailey crept over to the broken angel on his hands and knees. Fretting and whimpering, he scooped up the pieces. “You never hurt anyone,” he told the broken glass as he wept.

Bailey felt stray shards digging into his knees and the heel of one hand. He tried to sooth himself. Winter would come soon, it would come soon....

Winter. The snow.

Crystal showers in the dark.

Bailey stood up. He ran over to the figurine shelves, heart beating rapidly, and he yanked the top shelf off its brackets....


********


It was two o'clock Friday afternoon when, after two hours of trying to raise Bailey either by phone or by knocking on the door, Othmar, Emily and Dennis finally got the gumption to get the spare key from Jake, Bailey's landlord, and get into the apartment.

They pulled the bed covers away from him, fearing the worst. Bailey was alive, though locked obstinately in a fetal position. They dragged him out of bed.

Bailey's face was frozen in a horrific grimace that resembled that sad-or-tragic side of the two dramatic personae masks. The corners of his mouth were turned down in a grotesque, exaggerated manner—it was a perfectly formed crying-mouth, matched by two similarly perfect crying-eyes, which were, in turn, complimented by a tragically knit brow.

“Bailey,” whispered Othmar, “what the hell is this?”

Bailey refused to answer Othmar, barely acknowledging anyone else in the apartment. He sat on the foot of his bed, his rueful facial expression gruesome and unmoving.

Dennis sat down beside him. He put a sympathetic hand on Bailey's shoulder. “Buddy, what is it? Huh? Are you okay?”

“Apparently not,” snapped Othmar.

“What's the deal, man?” Asked Dennis, undaunted. “We're your friends, man!”

Bailey shook Dennis off, stood up feebly and hobbled into the kitchen, where he collapsed by the sink. He lay there, imploded and mute in the corner, his back to the other three.

Othmar followed him. “Bailey! Come on, man, talk to me! What's wrong? What's with the face?”

No response.

Emily noticed a small, college ruled notebook on Bailey's reading table. The book was marked, in ballpoint scrawled block letters, “JOURNAL”. She picked it up.

Othmar was in the kitchen, talking softly to Bailey, who wouldn't drop that ugly, wounded facial expression. Dennis sat where he was, on the edge of the bed, quiet, staring at the floor. Emily began thumbing through entries in Bailey's journal.

One simply read,


Despondent.


Emily flipped a few pages. Another one read,


Othmar, Emily, Nadine and all the others. I love them. I am not functioning on their level

of existence, never can, never will. I am everybody's silly child.


More pages. She stopped on another one dated Sunday.


A bunch of neighbors, sitting on the porch, were just hanging out. The one lady's big, black dog started barking at me like it always does. Everyone else was friendly enough. “He still doesn't like you,” she said, referring to the dog. I went inside and I heard her say, “because you're an asshole, that's why he don't like you.” I spent the whole night wondering what I did to deserve that, from her AND the dog.


She felt her eyes filling. More pages. Lots of long raving about his identity, the long fight for it, and moral stands against....she wasn't sure what. His father? People he barely knew around town? It read like a thesis statement. Then the last entry.


The angels are dying! The angels are dying!

It was then that she saw all the smashed crystal on the far side of the living room.

“Oh, God,” moaned Emily, hands to mouth, “I saw it all coming, I saw it all coming....”

Dennis looked up. “Huh? Saw what coming? Hey, Em, you okay?”

“Othmar....”

Othmar was in the kitchen, trying to talk to the unresponsive Bailey.

“Othmar?” Emily's hands were shaking. She dropped the journal with a loud Thak! On the linoleum.

Othmar looked over his shoulder for a second, then turned back to Bailey.

Emily's voice was weak and tremulous now. “Othmar....? Pal....?”

“What?!” He snapped. It was the first time he'd ever raised his voice to her.

“I feel sick,” she said. She was aware of her legs giving way. Othmar bolted halfway across the kitchen and caught her as she pitched forward.


**********


They brought him to the car, almost having to carry him. He wouldn't drop the face.

Their first notion was the emergency room. It turned into a fight at the Admissions Desk.

“Bailey,” said Othmar. “Bailey Sinclair. We don't know what's wrong with him. He won't talk.”

“David,” said Emily.

“What?”

“David Sinclair. That's his name.”

“Bailey. His name is Bailey.”

“No, Othmar, it's David.”

“Bullshit, he's Bailey. We've known him most of our lives. He's Bailey!”

“That's not his legal name, Othmar! You know that!”

“I know who he is!”

“Listen,” scolded the Admissions Nurse. “If this is going to turn into a screaming match you can take it to another hospital in another town, okay?”

Eventually it wound being pointless, anyway. No insurance, no info, no word on any family members. Othmar and Emily were aware that Bailey's father was SOMEWHERE out in the world but they didn't know where and they doubted Bailey had kept tabs on him.

Ultimately the little group were tossed out.

For a couple of days they carried on stoically, hoping that conditions would change and that Bailey would revert back to normal, but his peculiar catatonia persisted. He functioned, but would not change the frozen frown, would not speak and appeared not to listen.

They took turns minding him overnight---Dennis on Friday night, Othmar and Emily on Saturday. They brought him to Denny's Sunday night to sit with the gang. He wouldn't eat or drink. In fact, if he ever ate or drank (or pissed or shat, for that matter) in the state he was in, no one ever saw him do so.

Nadine was her usual pain in the ass self and took it upon herself to wreck the already rough proceedings.

“I told ya,” she harped, “you brought it on yourself. You never listened. I said, 'smile!' And did you? No. What----was your face going to crack open? Now it has! Look at you now, you freak! You're a joke!”

“You watch what you say about him,” said Emily through her teeth. “You don't know him---you never knew him!”

“Go back to New York, miss fancypants! Go back to la-la land! You and your fat, stupid boyfriend have done everything to enable this and look at him!”

“Fuck you,” exploded Othmar, and now the whole room had eyes on their booth.

“Come on,” said Nadine, physically yanking Darren out of the booth with her. “Not dealing with these people and their delusional garbage anymore.”

“'Bye,” called Darren helplessly after them.

“Yeah, 'bye,” hollered Nadine without turning around. “Call me when the UFO lands!”

The remainder of the gang was quiet and somber. Things soon broke up and Othmar and Emily packed up Bailey and dragged him along. There was no point left, nothing to discuss.


*******


The silent, grief-faced golem that was once Bailey stood by the river, staring at it through the chain link fence. Othmar scuffed his feet in the dirt and loitered uncomfortably and spoke to it.

“Emily says it's a waste,” Othmar said. The Bailey-thing, like always, said nothing.

“I don't get you,” Othmar continued. “Why?” He was ready to cry. “We're your friends, man, and we're here! We always have been!”

No reply. Bailey squinted tragically at the polluted river and the old mill district.

“Dammit, Bailey, what's it take? I'm not a mind reader! How do I reach you?”

Nothing.

“Jesus.” Othmar cuffed the Bailey-husk on the shoulder and started crying. “Bailey? Say something, willya? Emily's waiting. I have to go. Bailey?”

Nothing.

Othmar wiped his eyes and touched Bailey's shoulder. “I'm done, man. I love you.” He was halfway down the length of the old, blown-out factory when he turned, looked back, saw no change and kept walking, eventually disappearing around the corner.

The Bailey-thing, now unattended, crumbled into a semi-fetal sitting position and the river burbled beyond the fence. Bailey rested between the corner of the building and the fence, staring through the pained slits of his eyes at the rolling water. Hours passed. The shadow of the fence grew long and cagelike across his form. Bailey calmly hid his face in his hands.

Winter was almost here.

Published in THE MEAT FACTORY AND OTHER STORIES (Alien Buddha Press)


THIS WEEK'S PLAYLIST:
ALICE COOPER-Love It to Death
ALICE COOPER-Goes to Hell
SKINNY PUPPY-Rabies
SKINNY PUPPY-Mind: The Perpetual Intercourse
BLUE OYSTER CULT-Agents of Fortune
THE GUN CLUB-Larger than Live