Monday, January 25, 2021

SCENES FROM AN IMAGINARY MOVIE: HELLO, UGLY 11-13

 

TRIGGER WARNING: AUTHENTIC DIALOGUE


  1. INT. THE GYMNASIUM, BROOKDALE HIGH SCHOOL. A SECTION OF THE BLEACHERS IS PULLED OUT AND THE BOYS’ GYM CLASS ARE SEATED ON THEM. MOST OF THE CLASS ARE DRESSED FOR GYM; TEESHIRTS, SHORTS, SWEATS AND SNEAKERS---WITH THE EXCEPTION OF A SMALL CONTINGENCY OF STONERS, WHO ESCHEW GYM WEAR AND GIVE OFF AN AIR OF PRACTICED DISINTEREST. DOWN TOWARD THE FRONT, BRYAN HARRIS AND A NUMBER OF HIS FRIENDS, ALL POPULAR JOCKS, HANG TOGETHER AND LAUGH AND JOKE. SEVERAL ROWS BACK, THE CAMERA PANS ACROSS JACK AND A MOTLEY ASSORTMENT OF CAST-OFFS: BLINKY EPSTEIN, A SMALL, INTENSE, BESPECTACLED BOY, MARC HODGE. A LANKY, AWKWARD, EFFEMINATE BOY WITH AN UNEVEN HAIRCUT, AND HANNIBAL, A SKINNY, MEAN-LOOKING KID WITH RATLIKE FEATURES.


THE CLASS IS BEING LECTURED AND BERATED BY COACH BELLOW, A CRAGGY, 50ish GYM COACH. ON THE OTHER SIDE OF THE GYM, THE GIRLS’ GYM CLASS IS SITTING ON ANOTHER SET OF BLEACHERS AND THEY ARE BEING LECTURED BY THEIR GYM COACH.


BELLOW:


I know a lot of you ladies have been habitually turning up out of uniform (BRIEF CUT TO THE STONER KIDS, LOOKING BORED) and not participating, and we’ve been going real easy on you….that is OVER as of this semester. You don’t show up in uniform, you don’t participate, you get a failing grade for the day!

\

JACK (V.O.):


There’s this long-running myth that we youngsters go to P.E. to get some much-needed circulation and to help build our young bodies. It’s a crock of shit, of course. This class has, since the puberty heyday of Junior High, revolved around our dicks, and not much else. It’s a big, staged battleground, where we get our manhood tested, and not everyone wins.


DURING DIALOGUE AND NARRATION, A SILENT SCENARIO PLAYS OUT:

JACK GAZES OVER AT THE GIRLS ON THE BLEACHERS ACROSS THE GYM. CHERYL KINGSLEY IS ONE OF THE GIRLS IN THAT CLASS. HE STARES WISTFULLY ACROSS THE GYM AT HER. SHE APPEARS TO BE LOOKING BACK. SEVERAL ROWS BELOW, BRYAN HARRIS GAZES AT HER AND SMILES. CUT TO CHERYL, LOOKING BORED BUT ALSO SMILING.


BELLOW:


Anyway, ladies. As the weather’s bad and we can’t put your sorry butts through too much wear and tear, I’ve got paperwork to do, so you get to play Bombardment.

(AN ASSISTANT COACH DRAGS OUT A LARGE SACK OF PINKISH-PURPLE KICKBALLS AND DUMPS THEM ON THE FLOOR.)


GENERAL RELIEF AND EXCITEMENT FROM THE BOYS. THE ASSISTANT COACH PUSHES A SLIDING PARTITION CLOSED, SEPARATING THE GIRLS’ END OF THE GYM FROM THE BOYS. JACK WATCHES CHERYL DISAPPEAR BEHIND THE PARTITION.


BELLOW:

Harris and Redmond! You guys are captains. Now, behave yourselves, girls…(HEADS OUT BACK, LEAVING THE BOYS MORE OR LESS UNSUPERVISED).


BRYAN HARRIS AND PHIL REDMOND, ANOTHER OF THE JOCKS, CHOOSE

PLAYERS. EVENTUALLY IT WHITTLES DOWN TO THE STRAGGLERS.


REDMOND:


Hannibal.


HANNIBAL JOINS REDMOND’S TEAM.


BRYAN (pointing out Jack):


Shit-for-brains. (JACK REFUSES TO MOVE) What are you, deaf? (JACK STANDS, DEFIANT) Pettet! Come on! (JACK CONCEDES TO STEP IN WITH THE TEAM, FOLLOWED BY SNICKERS. ONE BOY SAYS, “DUUHHHH”.)


BRYAN:


Fuckin’ space cowboy…


REDMOND:


I’ll take Hodge.


MARC HODGE JOINS REDMOND’S TEAM. ONE OF THE OTHER KIDS CALLS HIM, “FAGGOT”. SEVERAL OTHERS LAUGH AND MAKE FART SOUNDS.

BLINKY, ODD MAN OUT, JOINS HARRIS’S TEAM.


BRYAN:


Hey, trade.


REDMOND (LAUGHING):


Yeah, right?


BRYAN:


Come on! Blinky for Levine---whaddya say?


REDMOND:


Sure, guy….


BRYAN:


Okay….check it out. The Jew and the mouthbreather, here, for Levine. You outnumber us.


REDMOND:


Throw in Quinn.


BRYAN:


Cut me some slack, man, you outnumber us!


REDMOND:


Yeah, with cannon fodder! (Bryan looks upset) Alright---tell you what---I’ll take your trade and you’ll STILL be cryin’ for your Mommy at the end of this game.

BRYAN:

That’s what I’m talking about….now we’re cookin’ with gas.


REDMOND:


Jack, Blinky, come on. (JACK AND BLINKY CROSS OVER AND LEVINE, A BIGGER, STRONGER KID, GOES TO HARRIS’S SIDE. SEVERAL OF THE KIDS START CHANTING, “JEWBOY” AT BLINKY.)


BLINKY:


HEY! (STOPS HALFWAY. GETTING IN LEVINE’S FACE.)

You’re Jewish too, you fuck. Why don’t you say something? (LEVINE SMILES AND SHRUGS. ONE BOY YELLS, “COME ON. YOU PUSSIES!”)


LEVINE:


I might be half Jewish, but I’m not a whiney kike like you, Lipschitz.


BLINKY LETS IT DROP AND ANGRILY CROSSES TO THE OTHER TEAM AMIDST CATCALLS.


HODGE (to Blinky):


They’re bigger than you---they’re stronger than you. Too. Do you wanna be a hero? Do you wanna die a virgin?


BLINKY:


Fuck you, man---grow some balls, or at least some dignity!


HANNIBAL:


Okay. Girls---you can have your family spat later---let’s put the hurt on!


THE TWO TEAMS CONVERGE IN BATTLE. BOMBARDMENT IS A VARIATION OF DODGEBALL, WHERE TWO TEAMS ARE ARMED WITH A DOZEN OR SO BALLS. RATHER THAN BEING “OUT” WHEN HIT, PLAYERS IN BOMBARDMENT ARE SIMPLY ABSORBED INTO THE OTHER TEAM. THIS GOES ON UNTIL ONE TEAM REMAINS.

BALLS FLY AND SEVERAL BOYS ARE HIT. BLINKY TAKES A BALL DIRECTLY TO THE FACE. HODGE IS HIT IN THE LEG AS HE TRIES TO FLINCH AWAY FROM THE BALL. JACK MAKES IT PAST THE FIRST ROUND. HE SEIZES A BALL FOR HIMSELF, THROWS IT AT BRYAN BUT MISSES. HANNIBAL HITS A LARGER BOY POINT BLANK IN THE STOMACH. AS THE KID FALLS OVER, HANNIBAL SEIZES THE REBOUNDING BALL AND HITS HIS FALLEN VICTIM IN THE FACE WITH IT.


HANNIBAL:


Suck on that, Biff!


MORE BALLS FLY BACK AND FORTH. KIDS ARE HIT AND THEY TRADE BACK AND FORTH ON TEAMS. AT ONE POINT, JACK ENDS UP ON BRYAN’S TEAM. DODGING A BALL, JACK STUMBLES PAST BRYAN, WHO “ACCIDENTALLY” ELBOWS HIM IN THE FACE.


CUT TO: THE GYM LOCKER ROOM. CLOSE-UP ON BRYAN HARRIS, IN THE SHOWER.


BRYAN (Booming like a foghorn):

CUUUUUUUUUUNNNNNNT!!!!!!!


ANOTHER BOY (Picking up the yell):


Clit-TORIS!!!!!!!!!!!!!!!!!!!


THE CAMERA PANS DOWN THE ROWS OF LOCKERS WHERE THE BOYS ARE CHANGING. DOWN ONE ROW WE SEE A VERY LARGE BOY GRAB BLINKY BY THE SHOULDERS AND SLAM HIM, HARD AND REPEATEDLY, INTO THE LOCKERS. HANNIBAL IS PULLING OFF HIS SHIRT AND OBSERVING THE SCENE DISPASSIONATELY.


LARGE BOY:


WHAT?! WHAT?! You little kike faggot----don’t you EVER! TALK! BACK! To ME! AGAIN!


THE CAMERA MOVES TO THE NEXT ROW. JACK IS CHANGING UP. ONE BOY, BILL COURTNEY, ADDRESSES JACK.


COURTNEY:


Hey, Jackie----whaddya think of Debbie Lord?


JACK (V.O.):


Bill Courtney is not my friend and he doesn’t care what I think. He’s trying to fuck with me.


COURTNEY:


Well, I think she’s fuckin’ hot, man---I can just see her spreading her legs in front of me, that hot monkey of hers open wide, and that clit of hers shooting out six inches for me to taste….


JACK:


“Hot Monkey”?


BEHIND JACK, A TUBBIER BOY NAMED BILLY ARSENAULT SITS DOWN.


BILLY:


Don’t waste yer time, Courtney---Jackie’s not interested in girls, are ya, Jackie-Wackie?


JACK GLARES AT ARSENAULT.


COURTNEY:


Woah-ho-ho, careful, Billy, I see his nostrils flaring.


BILLY:


Aw, it’s cool. Me and Jack have an understanding. Why doncha come on over and suck my left nut just once, Jackie?


JACK:


Why don’t you come suck my ass forever, Arsenault?


BILLY:


Gee, Jack, I didn’t know you were that kind of girl!


COURTNEY, AT THIS POINT, IS TEASING MARC HODGE WITH PHIL LEVINE. HE HAS FORGOTTEN ALL ABOUT JACK.


COURTNEY:

Hey, Hodge. ever fart?


HODGE:


What?


LEVINE (stupid & slurring):


“Whuuuuut?”


COURTNEY:


Do you ever fart?


HODGE(after a long, nervous pause):


Yeah. Yeah, I fart….


COURTNEY:


I don’t!


HODGE(dumbfounded):


What? Y-yes, you do…..I….

COURTNEY AND LEVINE:

\

ONLY DWEEBS CUT THE CHEESE!!!!!!!!!!!!!!! (LEVINE SNAPS HODGE’S ASS WITH HIS TOWEL. HODGE FLINCHES AND TRIES TO GET AWAY.)


LEVINE (laughing):


Faggot! (FARTS LOUDLY)


CUT TO: JACK WATCHING THIS SCENARIO WITH DISGUST. BEHIND HIM, BILLY ARSENAULT GRINS.

BILLY:


Whatsamatter Jackie-poo----you saving it for Marc? You wanting to give him the high, hard one in the butt? (JACK GLARES AT BILLY ARSENAULT AND WALKS OUT OF THE AREA) Oh, Jackie, don’t walk out on me now!!!!!!!


12. OUTSIDE IN THE HALLWAY. THE BOYS ARE LINED UP IN THE HALLWAY OUTSIDE THE GYM, WAITING FOR THE BELL TO RING. JACK,

LOOKING SICK TO HIS STOMACH, IS TOWARD THE FRONT OF THE LINE.

SNIPPETS OF CONVERSATION POP OUT OF THE CROWD---“MY DICK, YOUR SISTER.” “FAGGOT.” “POONTANG”.


JACK (V.O.):


We’re not civilized. It’s a fucking Barbarian testing ground, and people love and support the shit, top to bottom. It’s a joke. Making the Grade. Proving you’re Man enough. Maybe, deep down, people have this stupid-ass need to be powerful and strong and moronic and bigoted and ass-kicking. Maybe it’s all just nature. Maybe that makes me the unnatural one. They’d agree to that, I’m sure. I think I’d rather be dead than have to live by their Nazi Jockstrap code of ethics.


DISSOLVE TO A FLASHBACK OF THE MANDATORY PEP ASSEMBLY FOR THE HOMECOMING GAME IN NOVEMBER.


JACK (V.O.)


It was an assembly for the Homecoming Game. Brookdale Nuremburg. Why the hell are these things Mandatory? I mean, why do we all have to go? All more Master Race Mania. People can hype up all the bovines into a bloodthirsty frenzy---we must be fiercely loyal to our alma mater and rally behind those real men, The Brookdale Lions.


THROUGHOUT THE NARRATION THE CAMERA PANS ACROSS THE GYM AND WE SEE FACULTY MAKING EXCITED SPEECHES, CHEERLEADERS DOING THEIR ROUTINES, THE LIONS (Brookdale’s football team) CHARGING INTO THE GYM AND EVERYONE CHEERING AND GOING BERSERK. THE CAMERA FINALLY SETTLES IN ON A MALCONTENTED, APATHETIC LITTLE SECTION OF THE BLEACHERS. JACK AND A NUMBER OF OTHER OUTCASTS SEEM TO BE STOICALLY TOLERATING ALL THE GOINGS ON.


JACK (V.O.):


Everyone was having the usual conniption fit, making the wave, stomping and yelling. It’s been a black mark regularity since Junior High that there’s always one Deviant little section at these things who don’t act up, never make noise….that’s cool by me, ‘cause I guess that’s where I belong in the scheme of things. We are a sad lot….so unpatriotic. So lacking in pep.


VOICE:


Jack!!!!!


JACK LOOKS DOWN TOWARD THE FLOOR. CAROL GATES AND HER BEST FRIEND, ZOE MILLER, ARE STRAGGLING IN. ZOE, DWARFED BY CAROL, LOOKS LIKE A BOHEMIAN NIGHTMARE.


JACK:


Zoe! How’s your attitude?!


ZOE (yelling):


My attitude sucks!!!!! (THE TWO GIRLS SHUFFLE OFF IN AN ATTEMPT TO FIND SEATS)


SEVERAL MORE SHOTS OF CHEERLEADERS FORMING PYRAMIDS, PEOPLE CHEERING AND JACK’S LITTLE SECTION OF BLEACHER LOOKING APATHETIC.

CUT TO: SCHOOL LETTING OUT---JACK MAKES A QUICK EXIT INTO THE STUDENT PARKING LOT. CHERYL KINGSLEY AND A GAGGLE OF HER FRIENDS CROSS JACK’S PATH. THE GIRLS ARE IN MID-CONVERSATION.


CHERYL:


…Heard she’s going with Steve…


JO ANN :


OH-MY-GOD!


AMY:


He is SOOOO hot….


JILL:


But SHE’S so….


JO ANN BREAKS FREE OF THE GROUP AND GETS UP IN JACK’S FACE.


JO ANN:


Oh, HI, honey, you’re so CUUUUUUUUUUUUUUTE….


THE GIRLS EXPLODE INTO LAUGHTER. JACK CONTINUES ON, HEAD DOWN. BRIEF SHOT OF CHERYL, LOOKING BACK, NOT LAUGHING. JACK DOES NOT SEE THIS.


A FEW ROWS OVER, A MOB OF KIDS BURSTS OUT OF THE GYMNASIUM . IT IS MADE UP OF MEMBERS OF THE FOOTBALL TEAM AND OTHER KIDS. THEY ARE CARRYING A LARGE, PAPIER MACHE CAGE CONSTRUCT WITH A LARGE POSTERBOARD SIGN ON IT, READING, “STOMP THE EAGLES”.

JACK WATCHES AS THE MOB STORMS ACROSS THE STREET AND OFF SCHOOL PROPERTY. THE KIDS FORM A CIRCLE AND THERE IS MUCH COMMOTION, JUMPING AROUND AND CHEERING. JACK DRAWS CLOSER, STILL MAINTAINING A COMFORTABLE DISTANCE. IN THE CENTER OF THE MOB, TWO BOYS HAVE TAKEN THEIR SHIRTS OFF. THEY BEAT EACH OTHER BLOODY AS THE OTHER KIDS CHEER THEM ON. THE FIGHT EVENTUALLY GRINDS TO A HALT, AND EVERYONE BRINGS THE TWO TIRED, BLOODY COMBATANTS TOGETHER TO SHAKE HANDS AND MAKE UP. AS THE TWO ATTEMPT TO DO THIS, SOME OF THE CROWD VIOLENTLY SHOVES ONE BOY INTO THE OTHER AND THE BRAWL STARTS UP AGAIN. IT DOESN’T LAST LONG, THOUGH, AND EVENTUALLY, THE BOISTEROUS MOB BREAKS UP AND RETURN TO SCHOOL GROUNDS TO PACK IT IN, CATCH THEIR BUSES, DRIVE HOME OR WHATEVER.

JACK PASSIVELY WALKS ACROSS THE STREET TO GET A LOOK AT THE TABLEAU. THE GROUND IS ALL TORN UP, TORN BITS OF CLOTHING, RIBBON AND THE PAPIER MACHE CAGE, WHICH LIES IN RUIN, ARE STREWN EVERYWHERE. THE “STOMP THE EAGLES” SIGN BLOWS BY LIKE A TUMBLEWEED.

IN THE MIDDLE OF THE MESS, JACK FINDS A DEAD BIRD, OBVIOUSLY A SACRIFICIAL “MASCOT” FOR THE OPPOSING TEAM, THE EAGLES, THE BIRD HAS LITERALLY BEEN STOMPED TO DEATH. JACK GLARES AT THE DEAD BIRD, DOUBLES OVER, VOMITS AND BEGINS CRYING UNCONTROLLABLY. EVENTUALLY, HE REGAINS SOME COMPOSURE, SUMMONS HIS STRENGTH AND DIGS A SMALL HOLE IN THE DIRT. HE PUSHES THE BIRD INTO THE HOLE WITH HIS FOOT AND PUSHES THE DIRT BACK OVER IT. HE PULLS HIMSELF TOGETHER AND LIMPS BACK TO THE EDGE OF THE ROAD.


BEFORE HE CAN CROSS, A SMALL, BLUE CAR ZOOMS BY. IT IS FILLED WITH KIDS. “STOMP THE EAGLES” IS SCRAWLED ACROSS THE CAR IN SHAVING CREAM. ONE BOY HANGS HALFWAY OUT THE WINDOW AND LEERS AT JACK.


KID (tongue hanging out):


MUUUUUUUUUUUUUUUUHHHHHHHHHH!!!!!


THE CAR SPEEDS AWAY. JACK STARES AFTER IT, LOOKING WOUNDED.


JACK(V.O.):


It was the face of everything people stand up and cheer for. (AS JACK’S NARRATION CONTINUES, THE SCENE DISSOLVES BACK TO HIM, STANDING IN LINE IN THE HALLWAY.) This world is a meat factory. It’s a slaughterhouse jockeyed by goons who wear the hallowed school colors. I can dream up plenty of nice images and memories to make me say, oh, it’s not that bad---then the dead bird pops up again and proves me wrong. Hell, it was patriotic! It was good, clean fun! It was for pride, for the fucking Lions! It was apple pie and “be true to your school”.


THE BELL RINGS, JERKING JACK OUT OF HIS FUNK. HE BEGINS MOVING FORWARD, BUT IS OBVIOUSLY STILL DISTURBED.


BILLY (moving up behind him):


Move yer big, fat smelly ass, you faggot retard! Some of us have to get to…


JACK WHIRLS AROUND AND THROWS A RIGHT CROSS TO BILLY ARSENAULT’S JAW. BILLY FALLS BACKWARD INTO THE CROWD. STILL HOT, JACK TURNS AND CONTINUES WALKING, VERY QUICKLY. BILLY STAGGERS BACK UP THROUGH THE CROWD AND SLAMS HIS LOOSELEAF NOTEBOOK DOWN SQUARELY ON JACK’S HEAD. HE STUMBLES OFF TO THE SIDE AND JACK CONTINUES WALKING.


JACK:


What was that----a piece of paper??? (CONTINUES WALKING, VERY QUICKLY) (V.O.): I figure I save about as much face as he did. I pretend I’m walking away with dignity…just a little, just a tiny bit….



13. INT. SENIOR COMMONS ROOM, BROOKDALE HIGH SCHOOL. CLOSEUP SHOT OF ZOE MILLER. P.O.V. JACK. SHE IS SCANNING JACK’S HEAD FOR ANY POSSIBLE INJURIES. ZOE IS A PETITE, BOHEMIAN BRUNETTE WHO WEARS GLASSES.


JACK:

Any blood?


ZOE:


Nope…sorry, Jack---no big, brave battle scars today. Only thing wounded is your pride.


JACK:


Figures. (TWO JOCKS LOOM INTO THE SCENE)


JOCK #1:


Hey, Zook---isn’t this OUR usual seat?


JOCK #2:


Yep. Hey, Misery Chick! We’re evicting you.


ZOE:


Suck me until I bleed.


JOCK #2:


LISTEN, bitch…


JOCK #1:


Hey! Buddy! You need to try and control your woman---keep her mouth shut!


JACK:


She’s not “My Woman”. And please---suck her until she bleeds. (THE TWO SEEM TO SILENTLY DECIDE IT’S NOT WORTH THE TROUBLE AND THEY WANDER ON. JACK AND ZOE SETTLE DOWN.)


ZOE:


Smell the genius in THIS room!


JACK:


So, Zoe, how’s your attitude?


ZOE:


My attitude sucks.


JACK:


Atta girl. How’s your day been?


ZOE:


Well, I was up ‘til two in the morning, working on some new sketches, and that wasn’t real good for me, but inspiration is sometimes a cruel mistress---so I’m fairly exhausted, still.


JACK:

I’ll bet.

ZOE:


Then there’s Home Ec, and I can’t stand LeBeau, she’s such a cow---I think she picks on me, personally---takes out all her rage against feminism and 21st century thought on poor little Miss Miller. Sexual Revolution? All my fault. Watergate? All my fault. The stupid economy? Guess who? I’m her own private nightmare, you know…


JACK:


That’s what I keep hearing. So, other than the heartbreak of Cow Economics, how’s life with the Zoster?


ZOE:


Oh…..alright, I guess….I was talking to Carol last night…..


JACK:


Yeah?


ZOE:


Oh, God, she was going on about this weekend camping trip she’s going on with her brother and a few of his friends…she kept giggling and laughing and cutting out of the conversation and saying, “stop it! Stop it!” And I asked her who she was talking to and she said, “oh, it’s my boyfriend, he keeps tickling me!”


JACK:


Who’s her boyfriend?


ZOE:


She doesn’t have one…she’s been doing this for a couple of weeks, now---she makes them up.


JACK:


Jesus Christ!


ZOE:


I know, right? God, Jackie, I just don’t know what to do with her!!!! (THERE IS A LOUD RUCKUS OUTSIDE THE COMMONS ROOM) What the fuck?!


KIDS BEGIN FILING OUT TO SEE WHAT’S GOING ON.


JACK:


Oboy! Go, lemmings, go!


ZOE:


Don’t be so cynical, young man---the entire foundation of our culture is built on the desire to rubberneck at car accidents, and you know that you want to! Future generations depend on it!


JACK:


Yay, future!!! Before too long we’ll be making toast with shoehorns and riding around the skies in flying cars---we’ll be just like the fucking Jetsons!


ZOE:


I know, right? Come on---before the carnage is over---let’s be good Americans!

(THE TWO GATHER UP THEIR BOOKS AND BAGS AND HEAD OUT INTO THE HALL)


JACK AND ZOE BLUNDER INTO A LARGE BOTTLENECK IN THE HALLWAY. IN THE MIDDLE OF IT, BRYAN HARRIS AND A STONER ARE SQUARED OFF IN A FIST FIGHT. KIDS ARE SURROUNDING THEM, THROWING THEIR FISTS AND CHANTING, “FIGHT! FIGHT! FIGHT! FIGHT!”

JACK SEES CHERYL, LOOKING DISTRESSED, ON THE OTHER END OF THE HALLWAY.


KIDS:


FIGHT! FIGHT! FIGHT! FIGHT!


JACK LOOKS OVER HIS SHOULDER AND SEES SEVERAL KIDS HOLDING UP THEIR CELL PHONES. HE LOOKS MOMENTARILY PERPLEXED AND ANNOYED BY THIS AND TURNS BACK TO THE ACTION. PEOPLE ARE CHEERING ON EITHER ONE OF THE TWO BOYS. BEFORE EITHER OF THEM CAN MAKE ANY HEADWAY, THREE TEACHERS INTRUDE AND BREAK UP THE FIGHT.


TEACHER:


Okay! Break it up! Everybody get to your classes! (BRYAN AND THE STONER KID ARE HAULED OFF BY THE TEACHERS. THE CROWD DISPERSES.)


ZOE:


Gladiatorial contest’s over---let’s go, Jack--- (GRABS JACK’S ARM. JACK LOOKS BACK OVER HIS SHOULDER AND SEES CHERYL WANDER OFF LOOKING DISGUSTED)


HANNIBAL (Turning up behind Jack & Zoe):


Looks like Biff got a chance to show off his dick size again….Cheryl has to be on the bottom tonight.


JACK (looking annoyed):


Biff…what, Hannibal? You mean Bryan?


HANNIBAL:


Bryan. Biff. They’re ALL fuckin’ Biff!


ZOE PULLS JACK BACK INTO THE COMMONS ROOM.


ZOE:


OKAY, back to reality. Wednesday we do the library, right?


JACK:


Huh?


ZOE:


The library. We agreed on that, right? Hello? Report for Bannister’s Class? Sacco/Vanzetti trial?


JACK:


Oh. Oh. Oh. Shit---that’s due next week, huh?


ZOE:


You are correct, sir! You win the Prize. Wednesday is still good for you, right?


JACK:


Yeah! Sure…


ZOE:


Cool! Am I driving?


JACK:


Could you?


ZOE:


I suppose…hey---hanging out with Blinky tonight---he’s wanting to play Magic: The Gathering. You wanna come?


JACK:


Huh? Oh---no, I’ve gotta work tonight, and then I gotta read a couple chapters….


ZOE:


You sure? It’s gonna be me and half a dozen virgins----I’m going to need SOME protection….


JACK (laughing):


Naw---wish I could----I’d prefer it. (THE BELL RINGS)


ZOE:


Damn!!! Okay---gotta go---seeya!


JACK:


Yeah. Seeya. (THE TWO GO THEIR SEPARATE WAYS. AS JACK WALKS DOWN THE HALL A WAYS HE IS STOPPED BY MRS. ROSEN, AN ENGLISH LIT TEACHER)


MRS. ROSEN:


Jack!


JACK:


Hey, Mrs. Rosen….


MRS. ROSEN:


Jack, you’re one of my best students---how would you feel about doing me a favor?


JACK:


Will if I can…what’s up?


MRS. ROSEN:


I have a student in one of my classes…this student is finishing up the same unit you are….she’s sort of floundering on Thomas Hardy. How do you feel about tutoring?


JACK:


Tutoring?


MRS. ROSEN:


Just help her get through JUDE THE OBSCURE, Jack. I think she’s sincere in her desire to do well----just see if you can prevent her from flunking the unit.


JACK:


Yeah, I guess it’s mot much of a problem!


MRS. ROSEN:


GOOD! That’s my boy. (SHE HANDS HIM A PIECE OF PAPER) So, how did you feel about Mr. Hardy?


JACK:


I liked it---had a really profound effect on me. (SECOND BELL RINGS) Hey, Mrs. Rosen…? Could you do me up an admit slip?


MRS. ROSEN:


Oh, absolutely! (SHE SCRAWLS A NOTE OUT ON A NOTEPAD) Thank you, Jack! (SHE HANDS HIM THE ADMIT SLIP AND HE HEADS OFF. HE GLANCES DOWN AT THE NAME OF THE STUDENT HE WILL BE TUTORING)


CUT TO: A CLOSE-UP OF THE NAME AND PHONE NUMBER. IT IS CHERYL KINGSLEY’S.


JACK (V.O.):


Oh my god.


Copyright 1990 C.F. Roberts, 2011 C.F. Roberts, 2021 C.F. Roberts/Molotov Editions

This little curio is from roughly a decade ago, when I took my novel, HELLO, UGLY, and over a couple of different drafts, adapted it into a screenplay. Special thanks in these efforts went to my eternal support system, Heather Drain, and to some other faraway friends whose screenplay work provided me with a template to work from. I'm aware of some basic theories on screenplays----the later draft was more an According-to-Hoyle workable screenplay, the stripped down sort of which I might hand to a film studio, where a lot of blank spaces are left for the director to work with and fill out as he or she might please.
     This one...? Is from the first draft, which you might call my "Director's Cut". If I were the filmmaker, this is the version I'D make!
      The new edition allowed me a good opportunity to update things---after all, in the late '80s, when I wrote the original book, everyone didn't have a cell phone. Things like YouTube and TikTok and Social Media were just a zygote in some media mogul's eye at that stage in the game.
       Much of the dialogue stays pretty much the same and maybe some of my younger, more politically gentle readers might be taken aback by some of it----or maybe not. This is what locker rooms sounded like when I was a kid, and despite the hype I can't imagine they're any different or any more enlightened now.
     Decided over the weekend that my first book-length project for 2021 is to do a final rewrite/update of the book, and I'm changing the working title from HELLO, UGLY to THE BIG UGLY. Be ready. 

Friday, January 1, 2021

NEW YEAR 2021: IT IS ACCOMPLISHED (Move Along! Nothing to See Here!)

 


BURNT SUNFLOWER: SELECTED POEMS 1991-2020

Johnny Kissed

About Your Cesspool

Good American

Sleeping on a Mattress

Indigo

The Icon and What I Plan to do to Her

Archangel

Paul said "Steel Pig Woman"

Urbanite Comedy

Coke

Rainbow Land

Meat and Chrome, Mockingbird Sonata

When the Big Car

Paisley

Bottom Level

Burnt Sunflower

The Sleek Young Elephants

My Own Private Jonestown

Last Will and Testament




THE EVANGEL: TALES OF THE IRRATIONAL

The Great Tradition

Three Significant Days in Othmar's Life

Snapshot of the Rural Pogroms

Faith

The Day the Sun got an Eye Gouge

Boil Order

The Crazy Fuckers

Hubcap Diamond Star Halo

Fat Chance

trinityTrinityTRINITY

After Carnival

Hannibal Shooting Fish in a Bucket

The Seven Virgins of Eufaula

Second Coming

Bottle Brigade

Blankenshipp's Confession 

The Song of Roland

Queries as to the Well-Being of Officer Gurwitz

Fort Apache the Exchange

Junkyard King

The Windshield of a Moving Car is Hard, Especially when you Drop on top of it from 30 Feet

The Walk

Uncle Drew's Lysergic Backbrain Apocalypse (Slight Return)

Give Up the Sun

Wet

Coup d'Etat

The Shrill



*********

PROJECTED FOR 2021

HELLO, UGLY (rewrite)

HOME

zebra zebra LION zebra

INDIGO (A Novel)


Happy New Year from the Firefly Abode


Tuesday, December 15, 2020

NOVEL EXCERPT-HELLO, UGLY

 



Now it's gym, a year ago, and we're playing soccer outside. I'm the goalie, not by choice. Everyone wants to kick ass in the field and be a Real Man. They also want to win, which is funny as hell, because they made me the goalie.

“I don't want to be the goalie,” I tell them. “I can't catch the ball, and... “

“You get in that net and stop those balls,” says Gossling, “or I will stop you. Hear me, bitch?”

“Get in there, faggot,” helps Bryan.

Ultimately, in spite of these dickweeds, I decide, what the fuck? I'm stuck with it and I may as well try my best with what meager sportsmanlike coordination I have. I put a considerable effort into stopping the first goal. I fail.

“You fuckin' faggot,” screams Eric Holmes. “Catch the fuckin' ball!”

“Stupid!”

“Hey,” I try to tell them, “I told you I wasn't good at...”

“UUUUUUUUUUDUUUUUUUUUUUUUHHHH!!!!!!” Slurs Holmes.

“Faggot!”

“Stop those fuckin' balls, you faggot, you goddamn retard! And you'd better not fuck up!!!”

Twice I try, for some reason. Twice I fail.

Gossling, screaming and spitting, “WHY THE FUCK DON'T YOU STOP THE GODDAMN FUCKIN' BALL????? PETTET, YOU FUCKIN' MORON!!!!!!!”

“Well,” I begin.

“DUUUUUHHHHHHHH, OOOOIIIIIEEEEEE!!!!!”

“Well,” I continue, as he keeps yurching, still hoping maybe the voice of reason can squeeze itself in edgewise somewhere, “if you don't like the way I do it, maybe get someone in here who can...”

Screaming like a tyrant and spitting in my face, “YOU FUCKIN' FAGGOT, YOU STAY IN THIS FUCKIN' NET!!!! YOU STOP THOSE GODDAMN BALLS, OR I'LL KICK THE LIVING SHIT OUT OF YOU, YOU FUCKIN' RETARD!!!!”

Another round. The other team goes for their goal. I stand aside and let them get it.

“GODDAMN YOU, FUCKIN' PETTET!”

“FAGGOT!”

“YOU STOOPID SHIT!” Roars Gossling. “YOU STOOPID FUCKIN' FAGGOT, YOU LET THAT BALL GO THROUGH, YOU FUCKIN'...”And I spit in his face and start walking off the field.

“YOU FUCKIN' SONOFABITCH!!! YOU FAGGOT! YOU STUPID, SHITTY, FUCKIN' COCKSUCKIN'...” He lands a nice, hard punch on my back.

“Let him go! Leave him alone,” hollers Coach Giras. I exit the soccer field. I sit in the dirt and think about guns.


Copyright 1990 C.F. Roberts, 2020 Molotov Editions.


This'll be my final blogpost for 2020. Hope the end of the year finds you well. Yeah, I know it's been a haul. Lost a kitty who meant the world to me. Got a new precocious little runt that looks uncannily like both him and his late sister. Lost a stepsister. Goddammit, though, I got a book published (which you should buy)

https://www.amazon.com/dp/B0858TY6M8?ref_=pe_3052080_397514860%22With&fbclid=IwAR1a_VhrXIvD6T8NhXdIhUG4GtBCfWNlBJmX2rNvAi_AF0tc_xB0K2GUXaw

and just finished writing a new one. So, blessings, curses, the whole shebangabang. Not to sound flippant over the whole thing---just the crazy ebb and flow of life.

OH---YEAH----we had an election, and the winner was....Goldman Sachs. Again. I've pretty much divorced myself from electoral politics at this point and consider it to be a destructive, worthless waste of time. In January I'll probably pen a postmortem on the 2020 spectacle and/or the Trump years in general. If you're in the tank for either Trump or Biden, know up front that I hate them both with the intensity of a thousand suns (anyone who knows me knows this) and you're probably not going to like what I have to say. Be there or be square, Juice Dogs.


THIS WEEK'S PLAYLIST:

  1. SNIPS-LaRocca

  2. THE ROLLING STONES-Let it Bleed

  3. SHARKS-Jab it in Yore Eye

  4. ALICE DONUT-The Untidy Suicides of your Degenerate Teens


Monday, November 23, 2020

BOTTOM LEVEL

 








  1. momanddad tell measachild to avoid ingestion of lead paint chips

which have been clinically proven to contain arsenic slash cyanide slash

strychnine slash lsd slash cocaine slash heroin slash smog slash and slash

or less than the daily maximum allowance of riboflavin


too late the heroes for i'd already done my share of munching and so

was rendered fuckupforlife


later on in the screaming, skinned knee schoolkid days other children

ran from me because i glowed in the dark like an aurora monster model

icing vegetation within a thirty foot radius o lookathim lookathim in my

superman suit but what was happening wasn't my incredible powers it

was gang abuse, was alien virus haunting, unshakeable


now older on my stage refusing to act my age this is me let it be

BRAIN IN A CAGE and proud red sign flickers for your loud, hoary

approval and i open my cranium spurting


jizz

blood

tears

braincake

to show you.


--APPLAUSE--


    1. meanwhile, in comfy suburbianestledinnowhere, leaveittobeaverbradybunch

      man finds himself irritated by BORED meeting, comes home to ralph the

      cocker spaniel and the kids who are playing with their beav and wally dolls

      while watching the cabbage patch kids on tv. Wife has a rolling pin and is

using it to beat the dust out of the cat, three weeks dusty but at a later time

determined to be three weeks dead


“hi, honey, got my wall street journal and my beer in the fridge,” he smiles,

slipping the youngest son into the sock drawer,

“oh, i'm fine,” wife trills, windexing the toaster

with a wistful, faraway glance she dreams picturesque reveries of burying a

meat cleaver in his forehead and WOULDN'T IT BE NICE sing the beach boys

on environmentally-controlled radio



    1. “hi,” i say to her sad eyes as godzilla dismounts from his holy ass

4 x 4 and caves my face in for talking to his girl

i bite him in his flabby alcoholic tit and run for pride, vaunted, exalted PRIDE

is a negligible frill in the face of self preservation

tearful in my fool beer it always ends this way

nursing my bruises i plot to neuter the evil bastard and his porcine slut

while they sleep

this last, i think, will be paramount, satisfying cruelty

getting them right where it hurts most---in the raison d'etre

proud o scarred saint i become of these wounds for they name me martyr,

carrier of a little-recognized state of mind

and when they fade i am full of chagrin


    1. The convenience store spiel

      it's 7-11 and he wears a harley vest

      he leers and gags and spits and is boisterous and loud and

      unruly with his beer buddies and he talks about “lynyrd skynyrd”

      and “kickin' some faggot's ass” i try not to let him see me

      eyeing the comic books

      why?

      He's on his own mission

      he has own own fucking trajectory and it has nothing to do

      with that worm in the corner

      the blasphemy in his mind

      the flotsam barely thought or whispered

      the cardinal sin, fool, you bite back on every day

      in every aspect of this aberration you call a life:

      I AM.


      1. It was a dream i had once

        it was a sunny, clear day and i was waist deep in a pool it was

        my duty on that day to keep an eye on the baby ducks

        inordinantly large body count that day bouyant they would

        be but every now and then one would forget how to swim and

        so then drown

        PAINFULLY

        duty then under circumstances saw me having to dredge

        up the bodies that had floated to the bottom of the pool and

        in the distortions of the dream the bodies had shriveled to the

        size of breakfast cereal marshmallows

        at the same time the abstract effect remained terrible and

        disturbed me profoundly because they retained the

        shape and color of ducklings

        about then i would hear the spectral burble of childhood

        enemies preparing to pelt me with rocks

        i would hear bomber squadrons droning in

        can you relate?

        Dream as recorded has no beginning and no formal ending

        it's just there, crucified in the time and the place of things

        suspended and that is all

      2. WHAT ARE YOU DOING?

        Playing with the ants.

        WHY?

        Don't look at me that way.

        WHY ARE YOU PLAYING WITH THE ANTS?

        Because they're more fun than people and they cause me no pain

        go away you suck you see the world through a rose colored

        vantagepoint of what OUGHT to be linear limited in scope

        deluded slash oppressive slash happy slash like all the others

        but is it real i think not people like you make me long to be

        attached to a respirator (as in DEAD)

        this is fun

        it's theraputic for me and

        who are you to play judge and jury because i choose to

        play with the ants please go away

      3. i was sitting in a small, family type eatery sipping

        on a cup of bad coffee gazing out the window i saw a

        murder being committed in the distance

        a man in a tank top chased a refined looking girl out

        of a beauty salon he was screaming at her smashing her

        delicate frame against a chain link fence she objected

        and struggled, her face beat red she tried to escape but

        couldn't i felt very frightened for her

        my bovine waitress poured me more bad coffee

        stared and smiled at the carnage “my husband did that

        to me last week,” she said warmly

        “why?” i asked

        “it was valentine's day, he wanted to give me a romantic

        evening”

        “i'm afraid,” i told her, “i think we should get help, i think

        he's really going to hurt her”

        the waitress eyed me like i was a blasphemer

        “why?” she asked, “it's so obvious how in LOVE they are

        and who are you to come between two LOVERS? You

        make me sick, mister, enjoy your coffee!”

        she left me there to watch

        i became very upset and before anyone came

        to help the girl, the man killed her

      4. the cowboy movie spiel

        i'm the bad guy

        yeah i'm the bad guy

        i dwell alone in the corridors of stone

        and i lurk in the shadows while you live a lie

        i'm the bad guy

        i reached behind the mirror

        and fell inside a thousand hells

        but they're inside you as well

        and i want you to see them all

        so i'm the bad guy

        crowds cheer and canonize you

        when you seize the holy grail

        and i die puking from your bullet

        laughing at a private joke because

        THEY call you humane

        sunny face you head off with your lady

        while i weasel away tail between legs

        plotting your demise while she gnaws

        on your gristle

        there goes the bad guy

        you win congressional medals and

        kiss babies for those photo ops

        but only i see the shit piled up inside you

        i'm the bad guy

        quick

        lock your doors

        get the guns out of the closet

        it's the bad guy

        here comes the bad guy

      5. there is a lot of life in this city

        and much death as well

        and joy

        and sorrow

        love, we ought to go find it all, you and i

        take my hand...

        no, but no,

        but no

        we don't want to suffer the consequences of

        my having your hand, do we, now?

        i may be tempted to place it in my lap

        and so something revolting!

        --APPLAUSE--

      6. ??!!SHROUD?!!!!!

        pariah shrill on the thundering hilltop

        pariah tirade and scream to the stormcloud

        overwhelmed, overtaxed by the juggernaut of circumstance

        falling, imploding, live cliffsummit in a futile, fetal sprawl

        murmuring strange litanies to the roaring, ravenous brine

        i i can't no i hurt i spike the sky the sky the ocean i oh no

        blooming i no i bug crush bug crush big looming i

        you caterwaul for order, definition

        you subdivide and subjugate

        and pariah rattling i splutter and inarticulate

        how do you define the scream of the nucleus in the

        soul's midnight?

        How can i explain OH GOD the snapcrackle of my

        circuitry?

        How do i verbalize and inventory you this?

        i i i cliff crash wave foam rage shake i no swallow no

        consume no cry run hurt night i shrink

        on a cliff too high under a sky too wide

        over a sea deep and impossible

        i've become a paralyzed golem hexed by my vision

        this is not your priority list!

        This is not your subdivision sorter!

        This is not your regimented file cabinet!

        The water is war its tendrils clash in elemental incest

        beneath that,

        calm,

        a big, new sky,

        another world

        fishfishfishfishfishfishfishfishfishfishfishfishfishfishfishfishfish

      7. life slows and stagnates congested

        red and yellow lights glare

        where are these modern gods, these heroes of the night?

        They lurk behind the churches and temples, torturing the

        meek and laughing

        i shall be hero-atheist, he who is unbelieving in the hero,

        the good man, the man of action

        for he is a lie and i am a witness

        i caught him urinating on me while i slept in the street

        he laughed and stood revealed

        the white knight's tinpot armor is soiled

        with the blood of thousands and your

        petty hopes and expectations are for nought


      1. Hell street gasps, grabs

        suck

        poisonous

        vapors

        we children strove in the gas and machinery


        1. i woke to the sounds of footsteps on my roof

          (and the prancing and pawing of each little hoof)

          closed my eyes and prayed for the sun

          'cause a horrible monster who walks like a MAN

and speaks like a CHILD

saunters through the rows of ranch houses and split

levels

whose inhabitants dream away in false security

to those in troubled slumber there are lights

in the stinking, charred tunnels and the only way out

might fail

but look to the end

look to the end


          1. Suburban leaveittobeaver man's eyes redden

            as he scans the shopping list:

2 dozen eggs slash waffles slash 1 gallon of milk

slash bread slash cheese slash 2 cartons of cigarettes slash

2 sides of beef slash 1 tube of toothpaste slash vegetable oil

slash 1 hammer slash 1 ball of cotton slash 4 ingrids slash

4 deuces slash 5 aces slash 6 bottles of tylenol


and realizes he forgot to go shopping


he pulls up in his driveway beside the ambulance

two white-coated simians emerge from the two-car

garage carrying a stretcher sheet covering a

tiny, humanish shape

he wipes the sweat off his brow and asks tearful wife

who is waxing the cocker spaniel,

“what's for dinner, honey?”


--APPLAUSE--


Shockbox Press Chapbook #3 copyright 1991 C. F. Roberts/ Shockbox Press. 

rev. 11/20 Molotov Editions


Friday, October 30, 2020

MICROS AGAIN

 

Anyway, so once again, dipping my toes into the Micro Novel Pool. I was scrolling down the blogs to see the first time I'd done one of these only to discover I'd never actually done Micro novels on the blog 'til the last blog. Sweet Jesus, I must have started those on MySpace, or Facebook Notes, or some similar sinking ship......

As such I'm kicking off with an oldie. This is one of my favorites.



EXISTENTIALISTS AGAINST NEUROPATHY



A Micro Novel 



Neil tore across the second floor hallway. “Fuck this shit,” he roared, “I’ll take on all comers!!!!” He flung himself headlong down the stairs. It was a good day to be alive.




The rest are new:




FIVE STUPID TURKEYS DROWNING IN THE RAIN


A Micro Novel


It wasn't a move of great intellect, but you had to give me points for ambition as I scaled the levels of the queen to access that small stack of glass bowls & then lost my footing and went careening to the floor....careening? Carombing? Either way it was one helluva rush....the glass bowls went carombing (carooming, maybe?) off to the side and I think they may have broken....to make things worse the plastic pitchers rained down on me, bonk, bonk, bonk, all off my noggin.

Monique picked me up with her strong, sturdy arms and sat me up, asking if I was okay. I tried to be all nonchalant & I may have been concussed. Mild concussion, maybe? Yeah, I think so.

“I'll have to figure that out later,” I told her, “I think my brain's in the butter right now.” And I laughed & she laughed & we kissed.




REVALATION ACCORDING TO CHARLES


A Micro-Pseudo-Gospel


Some rank amateur on AM Radio callously supposed one day we as a species might all blow ourselves to Kingdom Come in a nuclear war, well, buddy, that's my reality day in day out, no joke. Every morning me and my brother strap on our power packs and head out the door with our ray guns and we spend all day firing nuclear rays at people and objects. I mean, we clock in, power up the guns, spend the whole day skulking around the ruins shooting rays and then, after about a twelve hour day we punch our cards and go home, eat beef stew, etc. Rough days. The apocalypse is really that banal.

You should see the shopping centers. They're in warehouses that are only open two or three hours a day---randos set up stalls as they can grab them and everyone gets to haggle over what's left. One guy had a couple of lobsters. Real, according to Hoyle lobsters. I've already got a battalion of testy ocelots. I don't need any pets. Someone needed lobsters, though, I'll betcha. Someone always needs something.

They have upside down bowling alleys, it's nut, I don't know how they do it. The lanes are all on the ceiling, they're all lined with blue and white neon. Folks are up there in the middle of everything, rolling balls around, knocking over pins that fall up. I dunno....anti-gravity fields, or something.

I have seen the future, skeezix, and you're not gonna like it.  





GURVITZ (An introduction)


A Micro Overture


About eight cars from two towns, plus the feds, pulled up outside the bungalow. Right away it felt like no place anyone actually lived.

We'd all taken our places by the cars and hadn't yet gotten our shit together when people started moving out the front door---the perp, on his knees, pushed forward by Gurwitz and the other kid, what was his name? Nally. Gurwitz, I mean, right from the outset, is pistol whipping the guy, and it's terrible. You're not going to get a confession out of a guy if you knock all the stuffing out his noggin, and Christ forbid his damn lawyer's on the scene, right?

But Gurwitz keeps pistol whipping the guy, and the guy almost seems to be laughing at the whole thing......stunned, I guess, maybe concussed. Nally's not doing a goddamn thing, he's coming down the steps with his arms at his sides, watching the whole thing. Anyways, so there's this whole pull-apart and they cuff the guy and start reading him his rights, and as far as I can tell he was lucid enough to understand it....everyone kept having to hold Gurwitz back and he collapses into a pile, weeping like a baby, and he just keeps saying, “the bodies, all the bodies, Jesus Christ, the bodies”...

So we went inside.


Copyright 2020, Molotov Editions   


That last one is to be continued, obviously. You'll see.

     The rest of the year, obviously, is dedicated to finishing two books. Seeya on the flip, assuming we don't all die. Screw it----it don't matter....



THIS WEEK'S PLAYLIST:

1. MO' HEVY CRUD: THE SEQUEL STRIKES BACK (comp)

2. TRICK OR TREAT: MUSIC TO SCARE YOUR NEIGHBORS-Vintage 45s from Lux & Ivy's Basement

3. ALICE COOPER-PARANORMAL

4. SNFKR (homemade comp) 





Friday, October 9, 2020

BACK ON THE MICRO TRAIN

 


     So I actually started coming up with the long-neglected form that is the Micro Novel this past week. I wrote like 6 or 7, I'll give you a few here. Don't say I never did nothing for ya.


BUKOWSKI AND ALCOHOL

(A Seriocomic Micro-dissertation in one act)



"You could toss the idea of cause and effect all day long, but consider this: If the hero of the story shows up in an Oldsmobile, what's the central point-----that he was in an Oldsmobile, or that he showed up?"

Wally skulked toward the back. The lecture had just begun and it was already too boring and pretentious.

He found the restroom and locked himself in. His salivary glands were going crazy. He knelt over the throne and spat repeatedly. His entire torso felt like it was about to implode. Finally the feeling passed. He sat down and shat like a horse. After that he stood up, turned around and threw up.

He puked standing, and all the blood vessels in his face exploded. He felt it burn hard across his cheeks and knew his face would be all red and blotchy when he came back out. He lay down for maybe twenty minutes. When he stumbled out the damned lecture was still going on.


                                              ************


STABBY STAB STAB

A Micro Novel



The Meet and Greet did not go well. Some people can bring the whole room up and some people can bring the whole room down. Jeremy had some imagined beef with Knuckles and he was going to sink the whole room with it.

"What happened to the other singer?" Jeremy demanded.

"I'm the singer," said Knuckles.

"You weren't the original singer..."

"Yeah, I am."

"You aren't the guy on the first album," said Jeremy. That guy had a really low voice. You sound like Janis Joplin on a crack bender." Knuckles' face was darkening, but Jeremy seemed unphased by the whole thing. "I liked that first album. What happened to that singer?"

"I am that singer," Knuckles growled.

"How come you changed your voice, then?" Jeremy stared daggers through him.

"It's called throat cancer, you idiot," screamed Knuckles. Jeremy glowered and decided that sounded like it might be important or something. He kept his mouth shut the rest of the time.


                                    ****************


THE NIHILISTS OVER IN DOVER


A Micro Novel




All holy hell over the fragility of furniture and anything on the upended coffee table legally belongs to the floor. It's not an easy night as the goddamned spanking paddle has broken clean it half, cheap piece of crap that it is.

“Was”, not “is”. There's no time to get sentimental about these things.

The sad malfunction's not going to slow me down, though---I'm a bull in the China Shop writ large, bashing down norms, guardrails and your Mom's old bread pudding recipe. What'll I wreck next? What have you got?

I couldn't tell you word one about god, whatever that is---all I know is I go nuts when her lips form the word, “fondue”.


                            ****************



HOW TO GIVE PEOPLE SEPSIS AND OTHER PARTY TRICKS


A Micro Novel



All over the kitchen, up and down the stairs, losing consortium and tearing her hair out, “all the bags, so many bags, where are all the bags coming from?!” She hailed from the Midwest, so “bag” kept sounding like, “baig”.

Punky just laughed the whole thing off. He was eating like a King.


                 ********************


So there's some of the latest fun. I go back and forth on "Stabby" because to me it's less a Micro Novel and more flash fiction. But who am I to split hairs? I think I said what I wanted with it; you clowns can bandy theory back and forth----I got less important things to do.

Copyright 2020/C.F. Roberts/Molotov Editions


THIS WEEK'S PLAYLIST:

DAVID BOWIE-Heathen, Aladdin Sane

VAN HALEN-Van Halen I, Diver Down

THE RHINO BROS PRESENT THE WORLD'S WORST RECORDS


Thursday, August 6, 2020

I AM THE EXCREMENT: "The Second Wound" and fun with rejection letters


A few months ago, when Alien Buddha Press announced their “rejection” issue, allowing writers to bring forth their favorite rejected pieces and rejection letters, my first thought, was, damn....I wish I could find “The Second Wound”----moreover, I wish I still had the rejection letter from that one goth mag....

Well, lo and behold, here I am on the tail end of a move, going through some rando boxes of cripcrap, and guess what turns up?


--the SECOND wound--



You are the second wound. Does that distress you or please you? If it helps any, you're the second behind her and somehow the worst. It came as a jolt, because I never thought, in all my wildest, blackest dreams, that you would draw more blood than she. There you are, my dear, secondhand but ultimately lethal, but I still have to thank you, because your sting eclipses hers and I thought I'd never get through hers alive.

She was the golden, whirring blade of the west, a jewel, a sapphire turning into diamond in the setting sun of my youth's distressed autumn. Hope. A word I laughed, barking stonily at. Joy. Light. Love, for light and all such dazzling things. Excited, hands clapping with glee as though she were at the circus. She was the first wound, the bitter plateau that made my heart foolish, caring, expectant, insane.

Reckless was the name of my fall, all the while begging favors. Divination, ghosts lurking in cabinets, the voices I ran to, the voices I screamed for, an easy answer, a ray of hope, off on my hobby horse, examining frivolous trace elements of matters unscientific. All the while I was buoyant yet sinking in quicksand, groping for a branch, a root, an imaginary hand to hold on to, invisible warmth, a cold lie, a mountain untamed, and what it was, was sacred ground too high and foreboding for a lowly immigrant palmer, a fortress, the shrine untouched and unseen.

All bridges and paper towers must fall beneath the unsure feet of a mad, sad fool and with time these steps were torn asunder as I tried to balance myself on them. The Prettiest Girl in the World is groomed into royalty and so knows well her station in life. Her criteria are demanding and fruitful in achievement. Who shall she choose for her consort but the Prettiest boy in the world? And so in flash, a clear, sparking wonder, a world ends, a tiny world, insignificant, one that will never be missed, imbedded in the grainy pavement to be scrubbed away by a wretched civic lackey after the wailing morning editions.

And so she was the golden blade which struck me and drew that unlucky first blood—she was like the wide golden pathway paved with gems and adornmemnts. My body and my soul trembled, my hands shook and my knuckles whitened, on my knee alone and bowed, cowed against those castle walls, the unscalable fortress. No, over and over in a shaking, feverish litany, no, no, no, don't let it hurt, no, don't do this, no, not again, don't let it happen to me, a telltale sign, a sealed, oaken door, a dead end that cackled and proclaimed, fool! It happened to you before you even realized it! A world untouchable, untouched, a relentless cliff never climbed, never to be, never to be, foremost in an endless string of tragedies and aches and unheeded prayers.

An ending, but not an ending, because you are the second wound, the silver knife sheathed lovingly in an ornate, touching icon, camouflaged in a fairy tale skin. Your cool waters drove me helplessly your way and again I was pilgrim, beaten against the torrent, wanting and needing for a cure, an antidote for the leprosy, the damage of my soul.

But the soft, quiet glory sought was glory superficial, for you held that concealed blade and when salvation grinned at my addled eyes like a snake hypnotic or a tiger voracious the illusion laughed and pulled away. The Sacred Virgin is a statue, forged of granite, eyes of cold stone and this false, eleventh-hour hope, that small faith I held to my heart and so fleetingly entertained turned savage and gaping and tore me in half. This timid pilgrim approaching with bent reverence and the cautious eye of an injured child only seeking the warmth, the calm, the shelter of grace, an exit from these dark, lugubrious corridors, was surprised to be mauled by such treacherous beauty. I liken you to pitcher plant, fragrant, irresistable, inescapable and carnivorous. This is how we bleed and die, we impetuous insects, bleed and die, bleed and die. The rose in its blooming, pink allure entrances us, blinds us to the barb and leaves us torn.

Callous, iron multitudes passed my chalk outline and in despair I dragged myself away. Off the sidewalk and out of the rain-beaten gutter which was at this point sanguine with my dark discharge. I was half-paralyzed, wondering how to ever, ever walk, function, live or look straight ahead into the world again like I wasn't wounded and dead. I was seeing everything around me with shocking, new, crystalline eyes that weren't condescended to or lied to by futile hope or eager desperation. Mine were the stark eyes that saw through the shadows, the lyrical summers, the lovely screens and this world's lush, seductive contradictions. In my rage and disappointment I bellowed like a lost, trapped animal (which is what I was) and prayed to be struck blind forever.

I never asked for these feelings you and she have visited upon me and were I given the opportunity, the offer of false hope once again, if I had a choice in the matter, I would choose to be petrified, a thing of stone, and feel nothing. I am the excrement, the beggars in gray legions who crawl these cold streets. We try to rise above the flurrying traffic, holding up a frightened hand to reach out, seize a handhold and then our grasping fingers are trodden upon, broken.

Bedraggled and frozen, I crawled to the cathedral, held my battered body against its walls and cut my forehead on the stained glass. Bloodied forever, the pain, the ache drove me to my knees, drove me into a ball, a giant fetus on God's doorstep. Noooo, I cried, while the heavenly host sang in their intangible jubilation, noooo, not again, not again, don't let it huuuuurrrrt anymoooorrrrrre, crying out, shattered and choked like a broken mother bereaved of a soldier son. Not again not again nooooo, but yes, again. Again. Again, like a revolving door, like an assembly line, ongoing, repetetive, unending.


******


The ice, the roar of the vacuum, the disease unholy and toothsome in my innards I stumbled about the parchment harbor and I came to the blades, the mill, the concentration camp, the noisesome grinder where the fish are taken every day to be disposed of. The mass grave, surrounded by gratings, rusty, bloodstained tin walls and bridges which ride, brazen, discolored and unmoving, like the baleen of a long-dead whale and in between all of it, the dirty, used-up water is confined, semi-stagnant, where it lashes out against the structure with feeble, dying waves. The nets are dragged up mechanically from the water, pulling the fish up again and again for sorting, butchering and separation. Different bins are filled with different parts---the stripped flesh, the various internal organs—the bins are individualized for easy and even shipping and distribution. In the meantime, the bones and the heads, those visages, pictures of their shredded souls now wiped away, are dropped like so much mechanized stool into a Dispose-All Unit the size of Yankee Stadium and the blades whirr like those of a giant blender, pureeing it all into muck and the stench fills the air for miles.

I sit and watch it all and my face becomes dry, stretched, like leather. After a million bodies are destroyed, blessed oblivion creeps in to conquer me and it is all rendered abstract, meaningless.

Copyright 1990 C.F. Roberts, 2020 Molotov Editions



The Second Wound” was the granddaddy of all the Guy-Who-Can't-Get-Laid stories, along with the way-the-hell-too-long “The Night is for Lovers”, which I wrote concurrently in 1990, after I'd finally polished off my first novel. I found this manuscript for the first time in many years and ran it by my wife, who was sort of taken aback by the whole thing. “There are a few words and phrases that jump out,” she said, “but I've been reading your writing for years, now, and this doesn't read like you.”

Do with that what you will. You're on my blog---there's plenty to read.

The “story”, such as it is, is simple: When you strip away all the imagery, metaphor and flowery language, it's like, “I liked this girl, but she liked this other guy and I was bummed. Then I fell for this other girl and she rejected me, too. Now I'm really bummed.” Kind of a textbook example of raw emotion and very little substance wrapped up in a lot of fluffy, overwrought prose.

It was the early 90s, I was starting to actually pick up some publications and an ad came up in one of these zines I contributed to soliciting for poetry and fiction for consideration in this forthcoming Gothic magazine.

Gothic. Okay. “Gothic Literature”, as I understood it, was very purple, angst-ridden, fatalistic romance of the sort that was churned out by the likes of Goethe, the Bronte Sisters and so on. Gothic MUSIC was the label, as I understood, being fixed onto bands I enjoyed listening to like the Sisters of Mercy, the Cure and Nick Cave and the Bad Seeds....again, gloomy, overwrought, depressing and fatalistic.....I'M THERE. You want Gothic Fiction, lil' magazine coming out of Maine? Have I got the ticket for YOU!!!!!

I sent out “The Second Wound”, which was a mainstay in my story arsenal at the time, as well as a newer one, “Fat Chance”, an equally depresso piece of work which you can find elsewhere on this blog (happy hunting!)

The lil' magazine out of Maine wasn't havin' it. I became well-acquainted with the editor at this point, who was not shy regarding constructive criticism nor about sharing her philosophies on writing, themes, philosophical approach and a variety of other things.....

She gave all kudos to my talent and my wordplay, but told me that, surely I must know how dangerous it was to objectify an individual as a “wound” or a “blade” or any such thing.....

Do WHAT, now?????

I learned a few things about political correctness at this time. So you couldn't use metaphors or allusions or other such writerly tools to describe an emotional state of being, because that's “objectifying an individual”.

SUUUURE.

Wanna tell me the story sucks? Sure, I'll buy that. Overwrought, solipsistic garbage? Okay. This “objectifying an individual” horseshit? No. Just fuck off a cliff with that nonsense.

She further told me that the character in the story deserved the heartache he suffered because he was weak and left himself open to it....she tried to sell me on Ayn Rand's ANTHEM, which I gave a pass to.....so, politically correct AND an Ayn Rand freak? Points for versatility, I guess.....she would later declare that she categorically refused to read all 20th century authors with the exceptions of Rand and Anne Rice----well, yeah, this lady was one of a kind....

She came back and told me, later that she'd decided that she'd be willing to run “TSW” as part of a compilation of “feminist horror stories”, as kind of a cautionary tale....I responded, not just with a no, but a HELL no, because that was never my intention with the story. Seriously....this lady was calling herself “Gothic”?

But I'm never one to throw the baby out with the bathwater, and I became a reader and supporter of the mag, which lasted a year or two....

VAMPIRES, huh? Wow. Didn't realize up 'til then this shit was supposed to be about VAMPIRES. Okay....

I did get several stories and poems run in the mag over the span of its existence, anyway---although I always found it kind of odd that my whiney guy-who-can't-get-laid stories were considered beyond the pale and “objectifying”, but my stories about predatorial psycho killers (who looked at their victims, more or less, as food, and usually came out of the stories with no comeuppance for their actions) were a shoe-in.

You never know.

There was perpetually a dig between us, though....she began pushing her idea of a literary revolution she called “outsiderism”, which near as I could figure was supposed to combine many of our underground/DIY ethic with her Ayn Rand aesthetics.....she described me in some editorial as ”a writer who uses his elastic command of language to promote ideas far afield from Outsiderism”....uuuhhh....not sure what “ideas” those might have been.

I think that she always perceived some imagined “rivalry” between us which was honestly never interesting to me. She projected this kind of highfaluttin' pseudointellectualism where in one instance she would be challenging “Miltonians” (people who like John Milton, I guess) over one thing or another and it was difficult to discern what her issue with Milton was---at another point she extended an invitation to me to attend some soiree up at her place in Maine, where he announced (in the mag) as drinks and discussion over the place of romance in contemporary art and literature....

NUH-UH!!!! Sorry, lady, it don't work that way! I'm not driving all the way up to Maine to be your foil in front of all your hoity-toity drinking buddies!!!!!

I'm not the champion of some supposed genre, nor do I have an agenda in pushing some abstract philosophy. I'm a fucking guy who writes stories, and THAT'S IT.

The Second Wound” would get a second lease on life in 1995, in the pages of BIZARA, an interesting little fly-by-night mag that used some interesting, if now-outdated computerized fonts and graphics that would become more commonplace in the next decade. So, at the end of the day, life was good.